Existing Simultaneously in Multiple Dimensions – The Two Stages and Levels of Spiritual Awakening

The idea of spiritual awakening refers to “self-awareness”, and this awareness can take place on 2 levels simultaneously. Shifts in awareness usually come as fleeting moments where we truly transition into a different state of awareness that has a profound quality to it. As we step into a new way of perceiving the world as a kind of altered reality, it allows us to see things in a way that introduces us to a whole new way of being. This often comes as a deepened form of concentration where we literally exist intimately in a whole new realm that coexists within our ordinary one, where it gives us an entirely different sense of ourselves. In our ordinary reality we exist as a “part within a greater whole”, where we often feel completely detached and estranged from the very reality we’re a fundamental part of. We normally experience ourselves as “being in here” while reality itself is “out there”. We feel as though we have no control or in say-so terms of reality itself. While we may contemplate the idea of existing on multiple dimensions simultaneously, where we form an abstract idea of it as an imaginary concept or theory, once we honestly make the shift into an expanded version of ourselves, we experience ourselves as being in it as a direct and immediate experience.

The first stage of awakening usually comes as becoming more aware of our outer environment, the activities going on at the subtle level, or connecting intimately with the inner nature and essence of things. Where we start realizing our own tendencies and the consequences of our actions. This stage of waking up within our own dream, is like lucid dreaming where our conscious mind becomes active at the same time our subconscious is in the leading role. Normally, as soon as our conscious mind ‘wakes up’ and becomes active, our state of mind shifts into a kind of parallel dimension that seems to encompass or contain the subconscious vision within it. We move gradually from an inner awareness that’s symbolic in nature and exists outside of our perception of ‘time’, to an outer awareness that’s literal and somewhat stationary, where it seems somewhat frozen in time.

Imagination

The initial stages of awakening come when we begin learning how to employ both aspects of our mind at the same time, where they form reality as a continuum. We start to become aware of our own subconscious mind and come into direct contact with our feelings and our inner nature formed out of our memories, which all seem to be woven together to form a cohesive construct as a particular type of experience. We not only begin exercising our ability to self-reflect and move between two dimensions simultaneously as a deeper form of realization, but we also start seeing into the subtle realm playing out all around us at the unconscious level. We begin tuning into (looking beyond physical appearance) the inner essence of everything around us and we get an immediate sense of their character and what’s motivating their actions. We form a heightened awareness around how it is that we’re being stimulated by whatever and whomever is around us or interacting with us in some way, whether actually or energetically.

As we’re being stimulated by an outside force of some kind, the same quality being expressed is stimulated and arises within us in response to it, giving us direct knowledge of it as an internal experience. If we allow these qualities to spontaneously arise inside of us without distorting, ignoring, or manipulating them through our own thoughts, we can tune into a whole new level of reality playing out within this one at the subtle level that lies just below our ordinary awareness. Once we begin developing this ability, we not only come into direct contact with the subconscious mind, as the ‘group mind’ of the material world, but also the realization that our conscious mind of outer awareness is always acting to view and experience the ‘projection’ being produced by our own subconscious. Our subconscious, which is an aspect of the group mind as our outer reality, is the part of our mind that’s creating our physical reality as a mental construct, and our conscious mind, which forms our outer awareness is what witnesses our own creation and has its ‘being’ within it.

We use one part of us to produce our reality and another part of us to experience our self through that reality as an integral part of it. Once we start forming this level of awareness, we have the key to our own healing as bringing the unconscious aspects of ourselves that we’ve judged and repressed into awareness through our outer reality, where we can consciously integrate them using our rational mind in a congruent manner. Through psychological healing we bring both aspects of our material mind into harmony as being a ‘continuation’ of each other as a single whole or unified field. We understand the different functions each part of our mind performs in creating a greater whole, and we keep them fully active within our awareness as our normal state of being. This new level of ‘self-awareness’ that brings new knowledge of who we really are is life-altering and brings a form of thoughtfulness as self-contemplation. We start being able to naturally realize the consequences we produce not only through what we say and do, but also begin realizing the power of our own thoughts in shaping our reality through the Law of Cause and Effect.

vibration transformation

The Second Stage of Awakening – “Transformation”

Once we begin developing the ability to keep both aspects of our material mind (subconscious and self-conscious) active at the same time in terms of our awareness, where intuition blends with our intellect and deepens how we’re experiencing things, we begin moving into the second stage of awakening. This stage comes as a form of ‘rebirth’ into a whole new level of being. To understand this transformation of conscious awareness, we must form a working concept of the nature of planes, dimensions, and realms of being. These mental levels are commonly portrayed in two basic ways, one as a hierarchical structure, where a smaller field exists harmoniously within a greater field of the same nature, or energetic sheaths as layers, called ‘bodies’, that all function as different aspects of a greater whole. Both models convey the idea of one level of reality being fully contained within and as a fundamental part of a greater level of reality. These levels or layered bodies not only represent different levels of consciousness as states of mind, but also different levels of the Soul that provide different experiences of itself.

While we tend to talk in abstract terms about vibration, frequency, and energy, we must begin defining these terms as a particular type of self-awareness that bring entirely new ways of experiencing ourselves. As we’re able to start awakening within our own reality by merging our two minds into a single state where they’re both active at the same time, and we start gaining a steady realization that what we perceive as an outer reality that appears to be apart from us is being produced by our own subconscious, we awaken within our own dream, so to speak. This awareness lays the foundation for a natural shift into an even higher level, where we literally start shifting into a higher or greater plane where we not only “see” and conceptualize reality as a whole, but where we actually experience our ‘self’ as the entire “field of reality”. We move as a unified field of consciousness and the sense of separation disappears completely. We not only stay “awake in the present moment”, where we pay attention to what’s happening around us, but we have a strange new sense of being reality itself. Its as though when we move, the entire field of reality moves with us as an extension of ourselves. We gain a direct awareness of reality being formed in a constant way as a reflection of our own thoughts about it. As we think and form mental pictures of our thoughts, we create them as a corresponding reality and experience our self “as” them.

ascension

The Illusion of Time and Space

Along with this heightened awareness comes a new sense of “time and space”. We’re no longer lost in the moment and move through an extended series of events that are all correlated through a dynamic series of unconscious states, where we remain disconnected and unaware of how it is we’re creating through a constant process of cause and effect, but instead remain aware in a constant and extended fashion. As we act, we form a direct vision and immediate awareness of what we’re causing through our actions. It’s no longer ‘time-related’ or mysterious. When the effect we create comes at a later time, we still recognize it as a natural response to our own actions. We don’t lose an awareness of what it is we’re causing no matter how long it takes to play out. Intuition becomes our main form of perception and we begin seeing everything as a reflection of ourselves.

From this level of awareness, we begin comprehending the universal laws, not as an intellectual concept, but as the very nature of our experience. We have a direct awareness that the thoughts we form as mental pictures (light construct within the mind) and infused with the sensation of our life-force, causes them to vibrate with life, both on the inner and outer planes at the same moment. Vibration has both a pattern of the thought inherent in it and a self-organizing mechanism and operates simultaneously between parallel planes through ‘polarity’. The vibration as a frequency, formed by all our thoughts as a theme on the inner planes of our paradigm, acts to vibrate the outer/lower plane causing it to take the same shape as a reflection of our thoughts. Our thoughts are causal in nature and create the outer world and lower plane as a corresponding effect. Our inner, upper world of imaginary thought is similar to the world of our nightly dreams in the sense that they serve as a kind of metaphorical representation that’s used as a theme (greater pattern) for shaping the outer reality to be of the same idea on a larger scale. Our thoughts are a form of ‘archetype’ that can be applied to any number of conditions and circumstances, and through a process of adaptation, modified to produce a new variation as a ‘type’ of experience. Our thoughts don’t create as an exact outer formation of the same imaginary image, but as a “corresponding idea” that brings the same “type of experience”. The physical formation is only significant in terms of how it sets the stage for producing a particular kind of experience.

personal universe

The Mental Sphere of Reality Viewed from a Higher Plane of Awareness

What we perceive as the sphere (reality) around us is actually our own mind on a higher level and is always being organized with our vitalized thoughts and emotions, which keep us tuned to our soul’s frequency. The space around us is impressed with our soul’s signature as the frequency formed by our mental paradigm that reflects back to us the reality of our thoughts. It’s our own creation that we project as a means of experiencing ourselves. This field of light around us is magnetic and acts to absorb and form a mental impression of our thoughts as a permanent record of them. This field of organized information is the intrinsic nature of our own mind on a higher and all-inclusive plane that we perceive through our inner nature. Our mind (soul) acts on this field to organize it into a mental construct as a kind of etheric blueprint for creating our reality as the means of experiencing ourselves through our own creation as a story we tell about ourselves. The same principles operate on all levels and scales of existence through a chain of association that comes as a series of correspondences that uses an invisible idea to form a material reality. As we awaken within our material reality and realize that it’s all being constructed and projected by our subconscious, and that our conscious awareness is the part of us that perceives and witnesses our own mental creation, we also realize that the entire lower plane is being organized and animated by “us” on a higher plane as the means of experiencing ourselves through our own creation.

Reality as its experienced from a higher level comes as more of what we can think of as a ‘holomovement’. Not as a hologram of a single image or idea, but as an entire reality that’s used to form that idea. As we think, we form the reality of our thoughts as a means of previewing and experiencing them. We’re not our body, our body is a fundamental part of our own creation and is what allows us to enter into our own projection as a natural part of it. What we refer to as our “self” is our Soul, which exists on higher planes or outside of our material existence as our “mind”, or the sphere of organized information in which all reality exists. We are reality itself as both the part and the whole, the inner and the outer, the upper and the lower. These different aspects of ourselves exist simultaneously as a single reality where each aspect plays a particular role in playing it out as the means of coming to “know ourselves” through our own mental creation. We’re both the creator of our reality and the one experiencing it as a way of knowing our self. It’s only our perception of being separate that causes us to get lost in the illusion of our own making.

Once we awaken and begin living out of the awareness that we’re creating our reality and our self through our own thoughts, we can no longer remain asleep and we have to begin working to develop greater mental skills in creating. Instruction for developing these mental skills is given to us as universal laws, which are the laws of the mind and the means through which we create in a conscious and responsible way. Once we wake up and become aware that we are constantly creating our reality through our thoughts, we’re also met with a new kind of responsibility for our own creation. We can no longer produce and play a part in dysfunctional situations while claiming to be a victim and not knowing what we’re doing. This stage of development comes as a spiritual awakening where we step into our higher-self, and begin laying the foundation necessary for developing mastery over our own mind and ability to regulate our own actions. Once we begin creating with a deeper sense of self-awareness, we also become fully responsible for what we create and have the key for determining our own destiny. Not in terms of the material world of unconscious delusions, but as our soul in charge of its own evolutionary process to higher and more conscious levels of being.

Dr. Linda Gadbois    

I spend hundreds of hours a month writing, editing, designing, and managing this website in order to provide the highest quality of knowledge possible in the area of Spiritual Sciences and Applied Psychology for FREE to those who are seeking, in an ad free, clutter free environment. If you have found the information on this site to be valuable and beneficial to your personal growth and development, please consider making a donation and actively supporting my work . . .



Symbols are Living Entities on the Inner Planes that Produce Corresponding Realities in the Outer World

If we hold a symbol of some kind in our mind and concentrate on in a single-minded fashion, while setting an intention of penetrating its deepest secrets, our attention acts as a kind of prompting mechanism that causes it to come alive and start unfolding as an evolutionary flow that steadily culminates into a whole idea. When we clear our mind of random thoughts that run through it continuously in a habitual fashion, and focus coherently on a single image or idea, our attention acts as a stimulating force that magnetizes it with our life-force energy, causing it to begin vibrating, and coming alive as a result. As we concentrate on an idea we begin systematically fashioning it in our imagination as a light-form by defining it with sensory attributes. As it starts becoming vivid with sensory details, it produces a corresponding sensation in our whole being, where it comes alive and starts moving in a fluid-like motion as a process of unfolding. It unfolds by moving through a dynamic sequence where it takes on numerous features as it expands into a full array of possibilities as a kind of growth process. As a symbol comes alive and begins morphing into a synchronized flow of various possibilities, it begins slowly revealing it’s hidden secrets to us while we simply watch it.

Symbols are similar to the archetypes they represent and are a form of “seed” which, when planted in the fertile mind of the subconscious, grow into whole realities that exist in a constant state of evolving through endless variations of itself as a means of “becoming”. Symbols represent whole ideas that are grown in the mind of each individual in a way that’s unique to that individual, because the growth and evolutionary process that takes place is based on correspondences, and how it’s adapted to combine with other complementary elements to form modifications of itself. This process of adaptation as new and unique combinations that form amalgamations that imbue it with new attributes and characteristics that changes it’s form and how it appears in a moment by moment manner, is symbolic of the mind itself and how it operates in creating unique versions of itself as a whole reality. Although things appear stationary on the outer plane of material formation, on the inner planes of living ideas everything exists in a constant process of transformation as an evolutionary growth process of “becoming”. Nothing is stagnate or fixed, and is always moving and flowing into new forms of itself.

In our material existence there’s a constant attempt to make living ideas finite and absolute, where they appear the same to everyone, and we glorify the idea of being “right or wrong” based on the consensus of the group mind. We grasp at concepts given to us by others as a means of being accepted and fitting in to our peer group, or arguing somehow in an attempt to prove we’re right, but on the higher or inner planes of pure mind and spirit, we are all creators in every moment through our ability to think in ways that are unique to us as a means of self-expression. When we exist as a part of the group mind, we fail to utilize and develop the power of our higher, divine nature as a creator and artist. On the higher planes of the conscious mind, we exist fully within our divine nature and are always in the process of “creating” in every moment by how we shape our thoughts into realities in our imagination as a way of experiencing them.

When we’re told what to imagine and picture in our mind, by either being taught conventional ideas or led through a guided meditation of some kind, we only create stationary, static ideas that classify us in the category of being a highly trainable animal. When we focus our mind instead on universal symbols that represent archetypal ideas, and allow a spontaneous process of emergence and becoming to take place without needing or attempting to control and direct how it unfolds or what it acts to reveal, a magical unfolding occurs, and the reality produced is our own unique creation. We should never take an attitude of trying to compare our idea to other people’s ideas about the same thing, or start modifying our realization to somehow conform to theirs out of fear that we might be wrong somehow. It’s only on the lower plane of the animal-plant subconscious that creativity as uniqueness and individuality don’t exist, and as a human being, given the higher capacity of creativity, we use our imagination to create whatever it is we’re told we should create. Only at this lower level are people turned into mindless robots out of a desperate need to fit in and be accepted as a part of a group of other mindless robots. On the higher plane of the true “conscious mind”, intelligence reigns as creativity and our innate ability to create ourselves as individuals.

Most ancient texts of both spiritual and scientific knowledge, which are actually the same thing, are nearly always written in glyphs and the universal language of symbols. This is because not only do they require interpretation, but a single image contains the seed for a whole idea, which when contemplated, generates a whole series of correlated ideas as a chain of association. On the higher planes of cosmic intelligence ideas exist as archetypes, which serve as a prototype or basic concept for generating infinite variations of the same idea. These archetypal ideas act as a “seed of potential” that form based on how they’re combined with other ideas to form an amalgamation that remix the basic formula of attributes and qualities to form new characteristics. The form something takes on is based on the characteristics it possess, which also determine how it functions and behaves. Form always determines function as the natural operation it acts to perform in an automatic way through purely natural behaviors.

How a symbol unfolds within the mind of an individual is based on the unique set of characteristics they possess as their mental paradigm. Each one of us has a unique character, temperament, conditioned tendencies, way of thinking and perceiving, level of education and training, different types of life experiences, maturity, racial background, and so on, and when we each take the same symbol and concentrate on it while setting an intention to acquire its hidden knowledge, it’s adapted to our mental model and modified accordingly. Through a process of adaptation and modification that makes it “like us”, it forms within our imagination in a way that makes it a unique idea as our “own creation”. As human beings emerged within the subconscious of the Earth’s astral plane, we’re always taking universal ideas as archetypes and using them to form a personal creation. Each one of us is meant to be artists in our own right as a means of exercising and developing the higher capacities of our mind as the creator of our own life. Whatever we combine with in mind and spirit, we become like in character, and we take on new qualities as characteristics that alter our behavior by altering how we think about things, and how we form our thoughts into realities in our imagination.

For example: Many people aren’t quite sure what an archetype that serves as a prototype for creating is, because they get stuck on the finite material concept used to represent it. An “idea” comes as a means of creating an “experience” through a material reality. An archetype of “cup” is formed as a basic concept for the purpose of “drinking”. We start with a basic concept of a container that will serve the purpose of holding liquid of some kind so we can engage in the activity of drinking. A symbol is used to represent the basic shape of a cup or chalice as a concept for designing one. When that symbol is held in the mind and concentrated on, all kinds of different ideas about possible ways to make a container start to propagate fluently based on the association made to possible materials and supplies immediately available to you. Various type of ideas come as a cup made with different materials, styles, colors and designs, while still holding true to the concept of a cup. You pick one of your imagined ideas that seems to be best suited for what you want and need, and you proceed to make a cup that’s your own unique design.

The symbol served as the concept out of which numerous possibilities systematically emerge based on how you associate it to other known ideas about the same thing. So symbols, whether a single image or composite or geometric design, serves as a kind of seed for the idea it represents and will systematically generate a whole plethora of ideas related to it. This is the genesis of creation, often referred to as “conception and gestation”. A basic concept is activated within a fertile mind and a chain of association spontaneously unfolds as a sequence of possibilities. When one possibility is selected, held in place, and developed by infusing it with attributes and sensory qualities, we begin shaping it with detail and it’s brought alive within us as a result. The more we continue to define it with sensory details as color, texture, touch, appearance, sound, feeling, smell, and so on, we infuse it with our magnetism as our life-force, and it begins “vibrating” as the frequency associated with the pattern as a construct. This internal construct defined as a specialized idea and brought alive by infusing it with our life force, forms a etheric-shell that serves as a template for producing as a material reality of a corresponding nature that can be “experienced” on the outer plane.

Once an idea is brought alive on the inner plane by activating it and causing it to begin vibrating as a specialized frequency, polarity is formed as complementary aspects that interact with each other, where the same idea is contacted and begins organizing on the outer plane as a correlated manifestation. Just as vibration is formed by the movement between complementary aspects of the same thing that begin moving in sync with each other around and between electromagnetic poles as a rhythmic spiraling movement, this same movement takes place between the active inner and the stationary outer, bringing them together as a reflection of each other. The inner idea, alive with sensation as an inner experience that’s “symbolic in nature”, connects through association to the elements of the “same idea” in the outer world, and becomes a “perceptual filter” as a kind of “lens” we “look through” that makes everything of a corresponding nature “stand out”, and as we non-gallantly scan the environment as we go through our day, ideas of a similar nature stand out and we notice them. As we notice them we’re drawn into them and we begin interacting with them mentally by associating them with being the same type as the idea formed on the inner plane.

This is where allot of people fail to recognize their own manifestations, because they expect the outer manifestation to match the inner idea in appearance, instead of realizing the idea born in their mind is an archetypal metaphor used as a primary concept for organizing variations of itself by entering into and combining with whatever exists naturally within the immediate environment to form a unique variation. The inner construct serves as a conceptual idea that serves to direct and connect our attention to any ideas associated with it as a correspondence in the outer environment. Whatever is formulated using the imaginary capacity of the mind serves as a universal idea that connects with the same idea within our personal life as an analogous idea of the same kind and type. The outer appearance something takes on is just the casing, shell, or outer garment for the inner idea it serves as a vehicle for.

This same process of evolutionary design that’s always fluxing and flowing into new variations of itself based on association and adaptation also occurs in creative processes, where an internal concept or vision is used to design and construct an outer material formation of the same kind that can be “experienced”, shared, and utilized somehow. Iconic or symbolic art, for example, will stimulate a whole internal imaginary process in the viewer. When an artist goes to create something they have to start with a fairly vivid vision or concept of what they’re going to create as an “idea that brings a particular type of experience”. All art is designed to provide a “seed” which, when contemplated or experienced activates and sets a whole series internal processes into motion. A painting, for example, isn’t about the object or image being used, it’s about using the image as an idea that prompts a feeling and stimulates an internal process as a chain of associated ideas that start flowing and unfolding and takes them on an imaginary journey of self-realization. It sets the mood out of which a kind of reverie comes alive inside their imagination as an idea that begins unfolding as a reality.

As you form a fairly vivid concept that’s meant to capture an idea as a feeling, you lay it out on the canvas in basic shapes that are proportioned properly, and with a fair amount of detail needed to construct it in a logical manner. You pick your palette of colors based on the mood and ambiance desired, and as you start painting, you don’t try to rigidly constrain it, but instead let it begin taking on a life of it’s own. You allow it to continue evolving as you paint it based on new thoughts and associations that come as a result of the process undertaken. The object or image itself only acts as a metaphorical representation for the idea being captured and conveyed as a feeling. The idea is that when someone else views it they get a distinct feeling as a kind of mood, and the idea it symbolizes stimulates them in a way that causes them to have a specific type of experience that’s unique to them as their “own creation” on the inner planes of their mind. Art of all kinds invokes creativity and self-expression in everyone who engages in it as an “experience” of the same idea.

The same type of process occurs in inventions and innovative discoveries. An idea comes to mind, and it’s initially captured by writing it down or sketching it out as a basic idea, and then the basic idea is developed conceptually with detail until it can serve as a kind of diagram or blueprint for constructing a material object or machine. As you start to construct or manufacture it, new realizations form based on whether or not it’s working like you thought it would, or better ideas as modifications to your original design spontaneously come to you as you’re building it, and you tweak and redesign it as you go, until the finished product performs the way you intended it to. You allow it to breathe and evolve as a “living idea” as part of your creative process.

All of us are doing this on the inner planes of our mind based on how we think about something, and then visualize our thoughts as a reality in our imagination. As we continue to think about the same idea, we develop it in new ways based on how we combine it with other ideas or various scenarios as a means of shaping it with new attributes and characteristics that evolve it into new variations of itself. As we shape an idea with sensory detail in a way that gives us an experience of it, it serves to invoke correlating feelings and emotions, which bring it alive with movement. Thoughts that we dwell in with intense feelings and emotion come alive with vibration and become polarized with the outer world of stationary manifestation. Our outer world is manifest (arranged) by us as a correspondence to our inner world. We don’t realize this because our inner, imaginary world born out of our sensationalized thoughts serves as a symbolic representation that’s metaphorical in nature and sets the pace for our outer world as a corresponding theme. What acts as the “bridge” that connects the inner with the outer is the feeling they give us as an experience.

An idea (or memory) formed on the inner planes as an experience that causes us to feel sad, for example, will serve an an archetypal matrix that forms a perceptual lens for only seeing and constructing a similar idea in the outer world, which will serve to bring us more experiences that cause us to feel sad. Sad thoughts produce sad realities. The outer reality may not come in the same form as the inner thoughts, but it will give us the same feeling as a type of experience. Many don’t realize this because they think it’s about the “appearance” an idea takes on, which they think is fixed on the inner plane in the same way it is on the outer plane, and they look outside for the same idea they formed inside, instead of realizing that the outer manifestation comes as constant variations of the inner idea based on the elements available in the immediate environment being used to construct it and play it out as an experience.

Universal concepts that exist on the Spiritual plane as archetypes are used to construct and hold together the universe and are infinite in nature. They’re living ideas that are always in the process of regenerating as an infinite number of unique variations based on how they combine with the “mind” and take on the same attributes and qualities as the mind, and in doing so, form into new variations of themselves. All things that we perceive as being different from each other are in truth simply unique variations of each other formed by combining with different elements. The soul is an infinite being who manifests itself and its own reality as a means of “experiencing itself”. Experience comes as an idea that invokes a feeling out of which a dynamic series of realizations spontaneously emerge that brings us new insights into the true nature of things. It’s not based on the physical form or construct of reality, it’s based on how we use the material formation to invoke an internal response as an experience. Numerous situations can produce the same type of experience that leaves us with the same type of feeling. As we create our experiences we cultivate the feelings born out of them, and use those feelings to tell a story about things that give them meaning. Feelings, meaning, and experience are consistently cultivated as a “theme” that births our personal “myth”.

We are all archetypal beings and are always creating ourselves through metaphors we use as the means of experiencing ourselves as a specific type of person living a specific type of story. Our creative abilities come through our thoughts which are consistently being developed, defined, and evolved on the inner planes of our mind, and serve to form a symbolic idea as a vibratory frequency for connecting with the same idea on the outer plane. As we call forth the corresponding outer reality of our thoughts, we experience ourselves through that reality. We mistakenly believe our soul is our body and is disconnected from our reality, when the truth may be our soul is our “mind”, and is always in the process of creating itself through its own thoughts imagined as a reality. This reality vibrates at the frequency of our soul’s signature, and is used to project our outer reality as a means of experiencing ourselves through our own creation. Whatever we consistently cultivate on the inner planes of our imagination is magnetized with sensation and emotion and acts as the “archetypal seed” for stimulating and bringing forth in our awareness a corresponding outer reality of the same nature. As we call forth our own experiences, we shape our identity out of those experiences. This is what it means to be a creative archetypal being, bestowed with the ability to create ourselves by how we use our own mind and will to experience ourselves through generating our own “light-matrix” as an outer perception of our inner thoughts.

Dr. Linda Gadbois

I spend hundreds of hours a month writing, editing, designing, and managing this website in order to provide the highest quality of knowledge possible in the area of Spiritual Sciences and Applied Psychology for FREE to those who are seeking. If you have found the information on this site to be valuable and beneficial to your personal growth and development, please consider making a donation and actively supporting my work . . .