The Right Understanding of the Subtle Body and how to Work with the Chakra System of the Etheric Double

The most common way the subtle body is represented in the West is through the chakra system, where it’s viewed as a chain of vertical centers that are divided into separate compartments as different aspects of our “self” and how those aspects are associated to different areas of our life. I came into contact with this idea after years of study and concentrated practice in Esoteric Sciences through exploring various methods being used in the “Healing Arts and Hypnotherapy community”, which were based largely on “certification programs” that were designed to provided the “credentials” necessary for practicing as a Healing Arts Practitioner. There was no educational prerequisites for these courses and they didn’t involve any form of in-depth study or testing upon completion of the course.

Most of these certification programs were often achieved in a weekend or four-day course, or through the study of the “method” itself without any background knowledge, usually taught with very little “actual practice” to see first hand what the long term effects were that it actually produced, and without any formal study of the actual principles involved. Not only were these healing practices usually not effective, outside of the placebo effect, but often served to produce more imbalances than they resolved. This was usually due to the fact that they had very little, if any, comprehensive understanding of what the subtle body as our etheric double “is”, and how it operates on a Astral plane as a bridge between the Higher Soul and the lower soul of the personality, orchestrated through the harmonious interaction between the instinctual and intellectual spheres of the higher mind.

The Hierarchical Structure of the Spiritual Planes

What we refer to as the “spiritual world” (energetic and invisible) exists as a hierarchical structure of seven planes or levels of consciousness where ten spheres or principles operate in a rhythmic movement of descending down the planes, and then ascending back up the planes to complete a cycle of manifestation as an incarnation. The entire structure of seven vertical levels operate on three columns or pillars within each level, with the left column representing the negative aspect, the right column the positive aspect, and the central pillar that of equilibrium between the two. The entire structure is formed out of Triads where polar opposites as two spheres function as an interaction on a single level, and are brought into equilibrium on the central pillar as the “functioning aspect”, forming a Triad. The Triad represents the fundamental principle of the Mind as being threefold in nature, where three aspects function as a single unit or unified whole.

Movement between upper and lower planes, as well as the interaction of complementary aspects (positive and negative) on the same plane occur through the “Law of Polarity” (also a fundamental universal principle) as active and passive components of the same thing. This is the activity of what’s referred to as the Monad or Mind as the “three in One Law” of the Triad (Trinity), which ultimately manifests as a “fourth aspect” within the lower planes of physical reality as a subtle-energetic body, which provides the “blueprint” (culmination of all aspects) for organizing, vitalizing, and generating the physical body as a mirror (polar) image. These same principles of the Dyad (polar opposites) and Triad (three aspects of the same thing) operate consistently on every level of the unmanifest and manifest world (universal) as not only it’s “structure”, but also how it functions as a unified whole.

The hierarchical structure of the spiritual planes is represented in detail in the Kabbalah as the “Tree of Life” and is “reflected” as a mirror image in the lower physical body as the “spiritual centers” of the subtle body, represented by the chakra system. The subtle body is constructed of “essence” (vitalized matter) that’s finely differentiated yet still in a unified state, and is “not” the true nature of the Soul itself ,which always exists in unity. Due to the fact that it serves as a “spatial blueprint” (subconscious) for the material body as it’s essence, and the reality that’s projected “through” the body (as it’s life plan), it’s energetically bonded to it, and remains in the lower regions of the Astral Plane as an “astral shell” (phantom) when the body dies, and disintegrates over time along with the body. The etheric-body “is” the subconscious mind and is programmed from conception with the entire life of the soul in the lower realm as it’s personality, character, predisposition, and karmic plan, and is the “medium” through which communication takes place between the higher and lower Self.

Coherence as a Unified Whole

What’s represented as separate centers within the body, actually exist in a unified and coherent state within the subtle body, where each center operates equally throughout every aspect of the subtle body as an influence. Just as the brain and the nervous system which extends from it are structured along the spinal cord and function as a “single unit” to operate every aspect of the body, the subtle organs serve to operate the endocrine system, of which the largest complex of “master” glands exist within the brain, and serves to keep the body in a coherent state with the mind, which uses the brain as an instrument for creating. Through coherence, the brain and nerves of the subtle body operate as “currents”, and ramify from the physical brain spreading throughout the entire system. They move as inner currents in relation to the complementary centers and organs of the outer (physical) body. The “inner state” acts as the blueprint (organized information) for constructing, consistently regenerating, and operating the “outer body” as it’s mirror image or polar opposite. Again, the inner and outer operate in harmony with each other as polar opposites that work together to produce a unified whole as a single unit. Our perception of “separation” takes place from “within” a greater unified reality, as the means necessary to “experience” ourselves as others and as a fundamental part of Nature.

This same threefold structure as complementary principles are represented by the three channels of energy within the subtle body referred to as the Ida Nadi, associated with the moon (negative-feminine), and operates the parasympathetic nervous system, regulating emotions, feelings, and memories; and the Pingala Nadi, associated with the sun (positive-masculine), governing the planning and activities of the rational intellect; and the central and main channel of Sushumna, which runs from the base of the spine to the top of the head and extending out of the top of the head into the sphere of the Higher Mind as a connection to our Higher Self. This energy flows as a current when both aspects of the mind are functioning in balance. Energy moves up and down these channels, causing certain forces to “act on” the polar aspects of the material body in a corresponding manner in order to keep it in a coherent state with the higher mind. The three channels are what magnetic fluids circulate through and their balance is necessary for a sane state of mind. This subtle fluid is what’s referred to as “akasha” which is the subtle form of matter that’s imprinted with memory. The memory of the body is what acts as the “organizing principle” for both the inner and outer reality. The astral centers of the subtle body are similar to “nerves”, in which the central one passes out of the top of the head and forms a connection with the luminous principle of the Higher Soul, represented by a sphere of beautiful white light positioned directly above the head.

Coherent (white) light enters the top of the head through the crown and is refracted to form seven plexuses (colors of the spectrum), as the seven hidden aspects that exist within the One Ray. The central column acts in a similar way to a battery, where the crown chakra functions as the positive pole and the root chakra functions as the negative pole. Energy from the higher plane is “drawn in” and circulates down through the system by “grounding” it to the Earth’s energy. We operate the energy system of the body through the Law of Polarity where the “active principle” is drawn in to it’s complementary “passive principle”. The only way to effectively work with this is by withdrawing all consciousness from the body, and placing it in in the sphere of your higher self, and concentrating on it while “identifying” (associating) with it. This renders the body “passive” so it can act to conceive the “active” consciousness of the Higher Self, where it’s metabolized through the spiritual centers of the subtle body which function as “principles” of a “unified whole”. This forms a “circuit” through which consciousness flows as an alternating current, in much the same way electricity can only be directed and utilized by grounding it to the Earth forming a pathway for it to flow.

Spiritual Principles that Operate as a Whole

Each center represents a “principle” as a characteristic and function of the whole, and can’t be utilized in a meaningful way by handling them as if they’re separate centers. Energy only flows in an unimpeded manner through a closed circuit. You don’t attempt to “clear a chakra” by working with the chakra itself as a single unit, but by properly grounding energy by making the body a “passive receptor” as a “circuit”, forming a coherent state. As long as any part of the body is being worked with through a process of visualization while concentrating on it, makes it “active” and serves to block the flow of energy which comes in through a connection to a higher plane. In order to “transform” any part of what has already manifest as a material reality, we have to work through the “higher plane” which is what’s “causing and orchestrating it”. We can’t work with a manifestation from within the manifest plane, which is merely an “effect”, by trying to manipulate it in some way. We have to work at the higher level of the mind which is “causal” in nature and is what serves to manifest ideas on the lower plane as a “whole coherent reality”.

The seven principles of the subtle body is how an idea is brought down the hierarchical planes of the spiritual world and developed through a process of adaptation and modification to manifest in a specialized way as a natural part of both our inner and outer reality. Just as the “Tree of Life” as seven levels comprised of Triads are reflected down into the lower plane of the body, the chakra system is actually comprised of a higher Triad (conscious mind) that’s reflected down into the lower plane of the body to produce a lower Triad (subconscious mind) as it’s polar opposite, combined and mediated through the middle center of the heart. The higher Triad forms the lower as it’s shadow or mirror image on a lower plane. The lower three chakras are directed and utilized as a “response” to the higher triad of the conscious mind, and the higher triad is what shapes and develops an idea in the imagination that’s acts to elicit a corresponding response in the lower triad, with the heart acting as the mediator between them.

The lower quaternary (four chakras) doesn’t possess any ability to create on it’s own, and represents the subconscious, which has to be “given a pattern” as a well-developed sensory idea that mimics a memory, which it then combines with and vitalizes with life-force as activity, causing it to manifest as an outer experience of the same kind. The lower self doesn’t possess the mental ability to shape an idea in a new and unique way, and when left to operate without guidance from the higher conscious mind, it functions to manifest based solely on memory that has already been established as conditioning and produces thought processes that run in an automatic and habitual manner. Due to this, when we don’t utilize our will in directing and shaping our own thoughts and what it is we focus on consistently, we simply draw on the akasha of our etheric-body as our storehouse of memory, and recreate the same patterns of the past over and over by replaying their memories as habitual “thought-forms”.

This system is not operated from “within” the system itself as individual centers, but as the circuit (axis mundi) that connects the upper plane of the conscious mind with the lower plane of manifestation which allows a “current” to flow unimpeded. There’s no such thing as being “blocked” or having “congestion” in only one chakra, because they all operate in correspondence to each other to produce a coherent reality. When we concentrate on the individual centers themselves, we actually cause an imbalance within the system, because concentration is a principle in itself that penetrates, expands, and increases whatever quality or idea is being developed in the mind through concentrating on it. By concentrating on the idea of a “problem”, we’re actually acting to “produce” the problem by instructing the body to manifest it.

The Principle of Concentration and Meditation

Concentration and meditation “is” a principle of the mind through which we enter into a passive state while focused on an idea, and enter into the “current” of that idea on a higher plane and “draw in” knowledge associated with the idea as a natural consequence. As we concentrate on an idea we “enter into” the idea as a “stream of consciousness” or mental flow. This is how we attain knowledge without “learning it” through study or being taught by an outside entity. While you may be able to gain insight into the emotional nature of an existing manifestation by focusing on the symbol associated with the solar plexus and meditating on it, at the same time you’re streaming vital energy into the insights gained, amplifying and multiplying them, because your not working at the level of “cause” in terms of identifying what idea you’re actively expressing that the emotions are being invoked by as a natural response. The body of the subconscious always responds to the thoughts being envisioned in the imagination of the higher mind, where it forms corresponding feelings, emotions, motivation, and activities that serve to “manifest” it as an experience. The upper and lower Triads work together to produce a unified reality through a “cause and effect” relationship.

The only purpose of the lower four centers is to energize the idea being presented to it as a “representation” built in the imagination through concentration that they form a natural response to. To change the response you have to change the representation producing it. As the subconscious animates the imagined idea by blending with it (sympathetic induction) and motivating the activities it takes on (emotion as an arousing force), and therefore determining how it expresses, it simultaneously connects with the energies in the outer world associated with that same idea as a pattern, and through electromagnetic impulses (resonance) organizes them to form our “perception” of an equivalent outer reality. Just as the subtle body as the subconscious mind serves to spatially organize and animate the physical body with specific characteristics and activities, it also organizes the outer reality in the same way, because they’re not separate things. The inner produces the blueprint for constructing the outer as an expression of it, and together they’re formed into an experience, which is then translated back into the same type of memory that initiated it, where it’s “built up” as the means of “evolving the whole” by way of the part (holographic principle).

The Law of Polarity and the Relationship of Complementary Opposites

Energy as consciousness operates systematically through complementary (opposing) spheres on the same level, and as correlated movement between upper and lower planes of a hierarchical structure through the Law of Polarity. The passive always serves as a receptor for the active. What’s active on the higher plane is only “drawn down” into the lower plane by making it’s complementary aspect a passive receptor for it. The subtle body itself is the culminated energies of the higher planes formed into a cohesive whole where it serves as the energetic blueprint for organizing our perception of the entire lower plane of manifestation, which comes “through” the energy center of the mind while being housed by the body. The etheric-double itself never changes and remains consistent throughout our lifetime. This principle of the mind is represented by the Monad, where the center expands outward through an electromagnetic pulsation to produce both an inner and outer reality of a corresponding nature. The same organized field of information as a “metaphorical pattern” expresses equally on different “scales” of manifestation as a whole.

In practical terms we can realize this organizing principle of the mind as “perception” which operates through a harmonious correlation of “filters” that serve to separate and order the information available in the whole of reality through polarity by “activating” and bringing forth some qualities and aspects, while simultaneously deactivating and subduing other aspects, causing them to recede into the background in a latent state, and re-configuring the “selected” aspects into a “new whole” that’s of the same nature and structure (patterning) as the mind producing it, bridging the inner with the outer as a unification or continuation of each other. The outer is shaped by the inner, it’s only a question of whether or not we’re aware of it, or if we’re doing it while in a primarily unconscious state where we’re detached from our own creation, and therefore unaware of how it is we’re creating it.

On the material plane of manifestation the subconscious and conscious, as the inner and outer, are polar opposites and therefore complementary aspects of the same thing, and act “on each other” to stimulate each other as a kind of “feedback loop”. This function is represented by the infinity symbol (8) as a self-perpetuating and self-sustaining system of self-creation. The idea developed on the inward planes expands and projects outward, exciting only correlated aspects within the outer light of the group mind, ordering and organizing them into a corresponding construct as a personal creation of the individual mind, then, once it reaches the end of our visual perception, switches polarity and returns back into the center from whence it came, where it’s translated into an “experience” and formed into a memory (representation). A memory is formed out of the “experience” created based on the feelings and emotions that came as a response to an event, and the meaning it held for us as a result, and not as a historical account of the event itself, as many believe. A memory is created as a “representation” of an event, which serves as a kind of “metaphor” that forms a perceptual lens for creating more of the same type of experiences that are easily translated into the same type of memory, where they’re built up over time, strengthening and continuously developing them as an evolutionary process.

This is easy to understand when you self-reflect on what you perceive as “memories of the past” where you acquired the same type of “feelings about yourself” through numerous experiences of a similar kind, which, based on how you interpreted them to make them mean something, ultimately served to form the “story” you began telling yourself as the means of experiencing “yourself”. An event of an emotionally intense nature was translated into a memory based on the type of feeling it gave you, as a “representation” in your imagination that didn’t represent the event itself as an objective occurrence, but as a metaphorical representation of the “meaning” you gave it that set the basis for a “theme” as a perceptual lens used to interpret all events of the same kind to make them mean the same thing, and as a result, built up and evolved the representation over time through an accumulative process of creation. You took and initial representation and used it to both “perceive and conceive”, first projecting it and then absorbing it, producing more of the same type of experiences that you built into the memory itself as a means of evolving it through different stages and areas of your life as what became a central theme as your life story.

The Holographic Principle

This accumulated memory as a representation constructed on the inner planes is transformed and evolved by forming unique variations of the same idea produced through different situations and circumstances that somewhat altered the meaning it has through new combinations that served to grow it through the acquisition of new qualities that served to modify the “parent pattern” being used. This idea is represented in the “holographic principle” and the concept of “fractal patterns”, as well as the “Golden Mean”, Particle-Wave Duality, and Entanglement, all of which operate to form new variations that still hold true to the central theme through the Law of Polarity. We alter vibration, which contains a living pattern as an idea by working with complementary aspects as “functions” of a greater whole. The subtle body exists as the function of the polar aspects of the instinctual-emotional and the intellectual-rational aspects of the same higher mind. These two complementary aspects, commonly referred to as the subconscious and self-conscious aspects of our physical being work in harmony to produce the subtle body as their offspring which operates as a “functioning whole”. When we take an attitude of working directly on the etheric-body itself through manipulation of the subtle organs and energy centers themselves by separating them into categories of a coherent state, our efforts are futile at best, and harmful at worse.

The body itself doesn’t have the ability to heal or transform itself from within the subconscious mind, but acts only as a vessel and vehicle of the higher conscious mind of the Soul which operates “through it” as a coherent state of consciousness. The only way to change the state of the body, is to ground the lower chakra as the “negative pole”, while opening the crown chakra to connect with the upper plane as the “positive pole”, in order to act as a receiver for the ideas of the Higher Self. We do this by withdrawing all of our conscious awareness from the body and spiritual organs of the subtle body, and concentrating all of our attention on the sphere of our Higher Self, which exists directly “above” our head in the immediate space around us. Our Higher Self is represented by a sphere or globe of beautiful white light (coherent state as whole) that only fragments into the colors of the spectrum when it enters into the crystalline structure of the third-eye and liquid cells of the body, revealing it’s inner, hidden aspects. The Higher Self exists in a coherent state as a harmonious whole that’s reflected in the lower plane of the physical body as aspects that function as a cohesive part of a dynamic whole. The subtle body is a hologram as a “medium” through which the energy of higher consciousness expresses as a “whole” on the physical plane of manifestation. Our tendency towards duality and separation of what exists in a unified state, is a fundamental error in our thinking, and everything that comes out of it expresses that same error.

The subtle body can only be worked with using the intellect to guide and direct the instinctual by giving it a “pattern”” as a representation defined and shaped with sensory detail that acts to “alter it’s state” as a whole. It’s the higher mind that orders and organizes the four Elements of the material plane into a coherent state. This is represented by realizing the crown and root are positive and negative poles of a continuous circuit, and the five chakras in between are represented by the Pentagrammaton, where the top, fifth chakra represents the ether as the 3rd-eye, which conceives ideas as representations from the Higher Self and uses them as a blueprint for ordering and organizing the 4 Elements (lower 4 chakras) of the physical body into a functioning matrix that expresses the idea as an inner and outer reality. The 5th principle resides above and in the center of the lower 4, symbolized by the star of the Pentagram, encircled by the mind of the Monad.

Putting it all Together

The etheric-body is operated through the etheric principle of the Higher Mind, where all ideas as representations (archetypes) are conceived in the receptive organ of the 3rd eye, and reflected on the outer lens, where it’s “looked through” and perceived in its whole form as a possible reality (imagined), and forms the basis for all our thoughts as inner dialogue (throat chakra), vitalized with feeling sensations (heart) that invoke correlated emotions (solar plexus), which forms the motivational force (sexual center) that animates them with life as activities and actions (grounded in reality), causing them to manifest as an outer reality, which is then used to create an experience of it. Thought is made manifest “through” the body by completing the circuit through which the current of higher consciousness flows abundantly as an alternating current. This circuit is made by making the body a passive receptor of the Higher Self.

When we concentrate on the individual centers themselves we “activate them” and cut off flow as a result. Whatever we concentrate on we make active and expressive. By activating the subtle centers, we not only cut off the flow of consciousness from our Higher Self, we expand and grow the energy itself causing an imbalance as an exaggeration and amplification of that energy. Concentration causes energy to proliferate. The body needs to be made passive as a circuit for the active forces of the mind to flow into and harmonize as a “whole creation” born out of a coherent state. We don’t work on the manifestation as an “effect” from “within” the manifestation itself that we imagine to be neatly divided up into separate compartments, but by operating on the higher plane of pure mind that’s acting as the “cause”. We don’t clear energy from each center by visualizing it as expanding and contracting, because they don’t exist as “separate and individual centers”. The symbols used to represent them are not the centers themselves but “principles” that perform different functions of a greater whole.

We draw down higher consciousness through our subtle body which serves to operate our physical body through a working understanding of the primary Law of Polarity and Correspondences. Vibration is formed as a correspondence of ideas formed in the mind as visual thoughts. Vibration is movement between two opposite poles or spheres that generate “light” as a phantom image or hologram of the idea that set it in motion. Vibration forms a rhythm that repeats as cycles on different scales through the reciprocating relationship of “cause and effect”. Thought formed on the inner plane through concentration while in a meditative state sets vibration in motion and contains a whole idea which manifests (serves as the cause) outside of us as an outer reality, and then switches polarity on the same plane and becomes the “cause” for stimulating a corresponding inner effect (output and uptake), and repeats as a rhythmic pulsation that’s self-perpetuating and self-sustaining.

This same process of polarity operates between upper and lower planes, and the subtle body as the unification of instinct and intellect forms an energetic medium through which higher consciousness flows into the lower planes as “thoughts made flesh”. The only meaningful way to work with the subtle body itself to facilitate this natural flow, is by grounding it in a passive state while opening the crown chakra to the upper plane and concentrating your full attention into the sphere of your higher consciousness, which resides above and outside of the body itself (enveloping it), and thereby drawing down the energy and grounding it in the the material world as a whole reality that brings a certain type of experience.

Dr. Linda Gadbois


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The Art of Interpreting Symbolic Imagery Designed to Communicate Higher Knowledge

Interpreting symbolic imagery is an art-form that only comes from an in-depth knowledge of the principles being illustrated. I wanted to use this famous Egyptian/Sumerian hieroglyph as the means of demonstrating how to translate symbolic imagery, because I have seen many instances where it was translated very poorly, or in a completely inaccurate way. We have a natural tendency to try and interpret ancient ideologies using our “modern paradigms” for understanding, instead of embracing the paradigm of those who wrote them. I’ve heard many say that the ancients just drew what they were seeing, and their writing should be taken literally as a result, and this imply isn’t true. Hieroglyphs were a universal language that illustrated ideas as principles in a way that could be conceptualized, which is the key factor to learning, and which could be interpreted equally by any race or culture. Due to the fact that they had to be interpreted, every single person formed a unique interpretation of the same idea.

One of the primary reasons for inaccurate interpretations is probably due to the fact that they don’t understand the imagery associated with occult sciences, which is the universal language of the ancient world. In ancient cultures around the world, the “soul” was a primary idea and what created the entire reality and life experiences of the human being. This particular piece is very rich in the symbolism that explains and describes how the Soul works on multiple levels simultaneously to create the illusion of reality as the means of gaining knowledge of itself through “experiences” of itself produced by both an inner and outer reality of the same nature. The only way we truly “know anything” is through experience, and in order to gain knowledge of our self we have to create experiences of our self.

I’m just going to give a basic interpretation of the symbolic concepts being illustrated, and allow you to fill in the blanks in whatever way makes sense to you. All symbolic imagery forms a “living language” that has to be interpreted in order to be understood, and every person forms a unique interpretation based on their level of knowledge and awareness. One of the things to always keep in mind is that in all symbolic compositions meant to represent a whole or greater idea, every single aspect used to compose it is a corresponding attribute and quality of the whole idea. This means that every shape, feature, number, color, quality, characteristic, and attribute has a specific purpose in communicating an important part of the greater idea. It’s this feature that gave us the saying that “a picture is worth a thousand words”. Symbolic imagery is the only language that’s universal in nature and can be equally understood by everyone while forming a unique variation of the same idea. From a spiritual perspective, we’re all meant to not only be individuals in our own right, but to create our experience of reality in a way that’s unique to us as a personalized version of a universal concept.

The first thing you always want to notice is the overall idea being illustrated through the composition of the whole piece. This image shows a large figure communicating with three smaller figures of the same nature (they all look alike) on a different level (dimension) and scale (size). The large figure sits on a square cube behind a wall or barrier that’s decorated with a motif that symbolizes polar opposites joined at the base, situated between two vertical pillars that are held together by a linear base and an overhead canopy or plane. The large figure rests on the upper plane of the cube and is a unification of the polar opposites which serve as its foundation and throne. A square or cube represents material reality as the organization of the four elements that make up the soul’s “constitution”, and are what forms the basis for the reality of the soul as its outer projection.

The larger figure represents the “higher self” as the human soul that forms and administers the entire material plane as a projection. Its headdress is shaped like a cone with five-waves of energy that symbolizes the third-eye and the transmission, reception, and transduction of energy through the ether (5), where it flows in waves through the hair, beard, and garment, and down through the base or linear foundation on which the whole idea rests, and up into the garment of the smaller figure that’s opposite of it on the other side of the barrier. There are seven primary waves or levels of energy flowing through the foundation and are what “inform” the reality of the three smaller figures on the other side of the barrier. The barrier appears as a wall that’s comprised of 33 layers or joints (spine has 33 vertebrae) whose foundation (base ornament) is polar (twin spiraling serpents), and whose capstone is triune. These 7 waves are adorned with 4 circles that enclose an 8 pointed star, and are spaced evenly in a way that represents the relationship of Phi (Golden Mean and the Law of Thirds) as the part being proportionately the same as the whole (halving and doubling) by how they’re positioned in relation with the upper plane that rises out of it.

In the right hand of the Soul is a circle and rod, which represents the yoni (womb) and the phallic (seed), which are made out of the same thing formed into complementary shapes (shape always indicates function). This is also the basis for the Monad, which is symbolized as a sphere with a rod or staff vertically emerging from the center. This is also commonly symbolized by an egg with a serpent wrapped around it, and a “solar disk” as the circular head dress of certain deities resting in a chalice formed by a serpent, with a tail coming out of the back side and a head coming out of the front.

The pineal gland of the brain looks like a serpents head and tail when viewed in its natural state within the brain. Above the head of the Soul and forming the foundation for the canopy overhead, is three symbols that represent the Moon (Mother), Solar Sun (son) and the Cosmic Sun (Father). The left hand holds the beard through which the signal is being transmitted, which resembles a pillar, through which cosmic energy is being translated by the Soul. Both arms are bent in such a way they form a right angle, and where the pillar (phallic) rests in the lap (womb), and the posture of the whole body also forms a right angle. The higher Soul is a hermaphrodite, where feminine and masculine aspects exist in a balanced and harmonious state.

The rod that rises out of the foundation forms a backdrop that extends up forming a right angle that hangs over the top of the barrier (resembles the corpus callosum of brain), and has a smaller version of the same figure as “dual aspects”, represented by 2 heads and set of arms and hands that are holding and controlling the 2 cords used to hang the “solar disc” on the other side of the wall. All three profiles of the higher self are of the left side of the face (associated with Chokmah), and all three of the smaller images are of the right side (polar opposite as a mirror image) of the same figure (associated with Binah). The cord is formed by two pieces wound in a spiraling motion and forms a triangle shape that also forms a right angle (Pythagorean Triangle). The disk rests on a holder or cradle on the table, which is formed out of the same motif as the cube throne and wall, representing polarity (two spirals orientated in opposite directions, resting on 2 horizontal (parallel) planes) and a base with 10 parts (universal laws). The table has 2 legs (pillars) bound together and strengthened by a cross-brace on the underside and top of the table on the upper side. A table top represents a “plane” of existence.

The solar disc, also called Shemesh, is associated with Tiphareth on the Tree of Life (Sun) as the Higher Self or true human soul that never incarnates into the physical realm because it’s what’s “creating and orchestrating” the “entire” physical plane from a higher dimension. The Solar Disc represents the Monad, the 4 elements and cardinal signs, 3 emanations that rise out of them (also at a right angle), and the archetypes of the zodiac, which form, govern, and operate the physical plane. The circle with a smaller (sometimes shown as invisible or empty) center, is divided into four solid points that resemble the 4 corners of the Earth on a compass, the 4 seasons of time as a transition between opposites, and the 3 waves that emanate from the combination (relationship) of pairs, which together form a “whole” as the expression of 12 archetypal energies that arise out of 4 cardinal signs or Elements. It’s comprised of 4 emanations that sit at a right angle to 4 material Elements, forming an 8 pointed star. There’s a distinct relationship between 3 and 4, one representing the mind, the other the material world which is formed by the mind as a mirror image and reflection into a parallel plane. 8 represents an octave which is formed out of 7 notes (3+4=7) as a “whole scale”. The cosmic disc is represented by 8 emanations, whereas the solar disc is 4 emanations at right angles to 4 solid triangles, representing the emanations of the Father made manifest through the son.

The disc is a “mirror image” and projection of the Higher Self on a parallel plane (the left side of the face is shown on the large image, and the right side of the same image on the parallel plane), and can only be “seen” or “known” through the “whole reality” of the individual within that plane. The lower soul can never look upon the “face of God” (its creator), because in order to do so you’d have to die and enter into the same plane. We can only know our Higher Self as God by looking within at the thoughts being transmitted and absorbed by our subconscious (wavelengths being transmitted and conceived), which produces the basis for our outer experience of reality. This is the same idea that’s conveyed through the image of a bearded god (ancient of days) that’s emerging out of a “winged disc” that has 4 layers of horizontal feathers and 3 layers of vertical tail feathers, with two legs and spiral feet, commonly thought to represent a UFO.

The 3 smaller figures of the same character and appearance of the Higher Self, represent the 3 aspects of the mind, self, and soul, commonly referred to as the subconscious, self-conscious, and etheric double, which is what forms the template or blueprint for producing the entire plane of material existence as a mirror image of itself. The subconscious is the aspect of our self that exists in direct contact with our higher self and receives instructions on what to create through mental imagery. The small image that’s the furthest away from the larger one is the one that’s receiving direct transmission through the underlying foundation on which the whole scene rises out of.

Both arms of the figure receiving the transmission from the Higher Self are raised to the higher self, and in the middle figure one arm is raised to the Higher Self, while the other holds a torch in the left hand that’s being held by the right hand of the third figure, showing a transmission of knowledge through the direct connection of complementary opposites (polarity). The third figure holds the table, representing the plane of material reality that the original projection serves to in-form. The cap on each of the succeeding figures gets smaller and more rounded, losing its cone shape. The Higher Self has a cap with 5 parts (ether) and the receiving aspect of the lower self has 4 parts (material manifestation). The transmission of knowledge takes place through a sequence of correlated stages that are all polar aspects of each other as an outgrowth of the same thing. The passive acts as a receiver for the active force of the same nature, and once it’s impregnated with the idea given to it by the active component, gestates and grows it into a reality as its offspring.

 The basic idea being illustrated here is the Law of 3 in 1, or the One that has 3 aspects that perform different functions in creating the same thing. This is what’s called the “3-fold nature of the mind and soul”, and the 3 dimensions that make up physical reality as a 4th (unified) whole. The stature of the higher soul is larger because it contains all three aspects of the lower soul. All of what we experience as reality is a projection of our higher mind and is designed to acquire knowledge of it “self” through the “experiences” it creates of itself. Our Soul doesn’t just create our physical body as a specialized design that it then inhabits as a means of experiencing itself in the physical world, it’s the One creating the appearance of reality as a mirror image and projection of itself as both an inner and outer, and as a self and other. We can only “know” our true self through our “whole reality” which is necessary in order to create experiences of our self. We are not a body as a single aspect within a greater whole, but the whole itself. We are the one creating reality as a mental projection (step down process) from a parallel plane through the universal principle of polarity.

The Soul creates itself as a reality through the principle of complementary opposites that form 3 planes simultaneously as an upper and lower that are brought together in a unified state by a “middle”, and forms an inner and outer reality that are unified as an “experience”. This idea is illustrating what’s referred to as the Tetragrammaton in Esoteric Sciences, and the Tetrad (4 as a cube) in Sacred Geometry, both of which illustrate the process of creation. This is the process through which we’re “seeded” with an idea from our Higher Self (will), which is translated into a physical form in our imagination and developed with attributes and sensations, to produce an outer reality of the same nature. Everything comes about as a polar movement between passive and active aspects of the same thing, where an invisible idea as a frequency (pattern) is transmitted through the ether and received by the third-eye of its complementary aspect, and forms an internal image that becomes active as a blueprint for creating on that plane. The Will of our Higher Self forms the basis for all of our thoughts which are developed through sensory detail and give rise to complementary emotions, which form the basis for all material activity.  

We can’t experience our self while in a unified state, and so duality is necessary in order to create a 3-D reality that we use as the means of experiencing ourselves in relation with our self as another and a greater whole. The ancients were obsessed with the “soul” because in reality, the Soul is all there is. Our Soul, like our mind, has three inherent aspects that all perform different functions in creating the same thing. This idea is commonly represented by a divine being with 3 heads or faces, usually with a larger center one, and two smaller ones on each side, and in Sacred Geometry by the triangle or pyramid, which has 3 faces and points, one of which is exalted in the center, and two which are parallel to each other on the same plane as its foundation. The upper forms the basis for the lower and descends into the lower sphere of consciousness through a right angle. The upper is symbolized by a vertical line or column (phallic) and the lower is symbolized by a horizontal line that’s the reflection of the upper. An “L” or “V” shape is used to represent the same line formed as a reflection or shadow image of itself.

Dr. Linda Gadbois       

“14” – The Art of Transmutation and Regulating Your Vibratory Frequency

The symbolic interpretation of the Tarot card 14 – Temperance by Dr. Linda Gadbois

In the occult sciences all “numbers” represent powers or potencies, laws or agencies, and conditions or effects. All double numbers exist as a formula of principles utilized in performing an operation, and are added together to form a single digit number as the primary law involved. All numbers are correlated with the 22 letters of the Hebrew alphabet, which also represent principles and powers of creation and transformation. When we look at the number 14, we have a process indicated by 1 and 4 in undergoing the operation indicated by 5. Our formula is represented by the equation of 1 + 4 = 5.  All of what we call “laws” is actually the processes that are at work in any situation as the basis for creating the material world. The laws themselves are what you can think of as the invisible forces that energize, organize, and animate the material world.  1 represents mental power of concentrated thought that forms the basis for all manifestation, represented by 4, and 5 is the basic principle of “mind over matter”.

We form a basic translation of the meaning of numbers by utilizing a system of correspondences as a chain of associated ideas (intuitively). All major systems of spiritual sciences (Qabalah, Tarot, Astrology, Sacred Geometry, Numerology, etc.) can be used as the means of translating each other in order to find their shared meaning. The number 14 represents the principle of Temperance and the Art of Transformation in the Tarot, and corresponds with Tiphereth (5th Sephiroth) in the Qabalah Tree of Life. The Hebrew word assigned to 14 is Samekh, which means support, foundation, or what holds something up. It’s what makes the house secure as its foundation. It’s that which sustains, preserves, and maintains our personal existence.

The literal meaning of the Hebrew noun is “quivering” or “vibration”. Vibration is the fundamental power of the fiery force (fire) that makes sight possible. Sight is the sense that observes what has manifest as a sensory experience and is the function represented by Key 4. The fire element is represented by the “lion”, which is associated with “strength” (Key 8), and the value of Geburah in the Tree of Life (Qabalah) as “severity”, which is the strength aspect of 5 (Tiphereth) . The quality associated with Temperance is wrath, which indicates a strong action that causes a quivering or trembling (vibration) movement, and is represented by the Hebrew word RVGZ, which is translated numerically through the Keys of the Tarot forming:  R=19 (value of 200), V=5 (value of 6), G=2 (value of 3), and Z=6 (value of 7). When added together they form 216, which equals 9. When translated using Astrology we get:  R = Sun, V = Taurus, G = Moon, Z = Gemini > 19 + 5 + 2 + 6 = 32 = 5, the reduction of 14. Five is symbolized by the Hierophant as the higher-self working to create on the lower plane through the 2 lower aspects of the self-conscious and subconscious mind. In Sacred Geometry it represents the Pentad as the 5th element of the ether that resides over the 4 Elements of the lower plane. It symbolizes “mind over matter” and our ability to change our physical constitution using the power of our mind to alter our vibration.

Vibration is the basis out of which all physical forms manifest. Vibration is essentially a sound (spoken word) that organizes light (matter) into the meaning as an image associated with the word. Sound as an inner voice is the mode of consciousness associated with the Hierophant as “hearing”. Our 5th chakra is associated with the throat, and “will” as calling forth (speaking) the reality of the vision formed in the 6th chakra of the imagination. Vibration is a fluctuating motion as an undulation, pulsation, and alternation that creates a “wave-form”. A wave is formed through the polarity of complementary forces that work together as a single entity. This indicates the combination of rhythm and cycles, represented by Key 10 as a completed cycle of formation and growth. 10 = 1, this represents concentration on an idea in a single-minded fashion and the attentive observation of experience.

The mode of consciousness associated with 14 is Tentative Intelligence as “probation” or “trial”, because experience is the true test of all ideas. All theory is put to the test of practical application. As we apply an idea to our life, we produce an experience. We can then modify it by working directly with the experience. As we set an idea into motion we set up a kind of “feedback loop” where we begin receiving direct feedback as to the effectiveness of our application. This feedback is recognized by paying close attention to what we’re experiencing as we apply an idea to our everyday life. Based on the feedback we receive, we modify our idea until it produces the experience of reality it claims to. All learning as the means of acquiring knowledge through experience comes through experimenting with an idea through trial and error.

Temperance means to temper and modify something through a process of “adaptation” (Key 5), which is the basis of all practical work. All things are birthed as the adaptation of a universal idea to produce a personal version of the same idea. As we draw on an archetypal idea, we adapt it to our mental paradigm and the life situation we plan on utilizing it in as a means of creating an experience, and modify it accordingly. To adapt is to make adjustments necessary in order for it to work within a special set of circumstances. As we adjust an idea we undergo a constant process of equalization in order to coordinate it harmoniously with all other existing ideas. “Equilibrium is the basis of the Great Work”. The art of transmutation comes by applying universal knowledge through experimentation in order to “grow” in a continuous manner.

The image most commonly associated with Key 14 is an angel standing with one foot on land and the other in water, holding a container in one hand filled with water being poured onto the earth, and a wand in the other hand that’s directing a flame downward, combining water and fire as the passive (form) and active (life-force) aspects that form the same thing. A rainbow connects both sides of the angel’s wings, and symbolizes a bridge that unites the two minds in a harmonious and balanced state. By changing the proportion of the qualities being combined, we alter the results. The colors of the rainbow (7) reveal the hidden nature of light as interwoven frequencies that blend together to form a unified whole. Vibratory qualities exist as complementary pairs of opposites that are extremes of each other, and are used to modify each other.

The pool of water represents the subconscious which is the seat of automatic consciousness as the “vital soul” of man (light body), which is regulated and directed by the higher-self, represented by Tiphereth (5) on the center of the Tree as an equilibrated state. Water is influenced by the Moon (as instinct) and symbolizes emotion and memory (which are always connected) that takes the shape of its container and “informs it”. This is the same pool shown in Key 18, called the Moon, which symbolizes the subconscious. The rolling hills in the background imitate the motion of a wave as peaks and valleys, which is the characteristic as a “range” of all forms of vibration. A path rises from the pool and undergoes many cycles of growth by adapting too many life situations and circumstances, which serve to modify and grow it accordingly.  

The angel is wearing a crown designed as a headband with a “Monad” directly over the forehead, representing the 3rd-eye where archetypal ideas are translated into visual images that become the creative instructions for the subconscious to produce as an experience of reality. The attainment of higher consciousness comes as self-mastery where we master our lower nature to create the kingdom of the Higher Soul. Key 1 symbolizes attainment through self-realization of perfect union with primal will. Wisdom and Understanding (Chokmah and Binah) are only attained through experience. All of our experiences are created by how we’re using complementary aspects of our mind to produce our reality. If we don’t like our experience of reality, then we need to change the thoughts and ideas we’re using as the means of creating it.

The number 7 (7 + 7 = 14) represents creative expression as a variation produced through the adaptation of an idea to a practical situation that modifies it. In Sacred Geometry, the Heptad (7) is comprised of 7 angles within a circle that have no precise measurement, and so each time it’s drawn or constructed, it’s a unique variation of the same shape. 7 is the number that represents “will” as our innate ability to select a new idea and apply it in order to create something new, or transform what already exists into a new variation. We take a new idea and start by forming it in our imagination as a possible reality that serves to provide us with a kind of template for applying it.

As we apply an idea to create an experience of it, we constantly modify it based on observation of what results, until we get it just the way we want. Over the heart center of the angel is a “7 pointed star” which has reference to “skill”, because the circle must be divided into 7 equal parts that can only be estimated through trial and error. Above it is written the Tetragrammaton as the 4-letter name of God (YHVH), which is actually a formula for creating as Will, Intellect, Sensation, and the manifestation of the intellect (idea). The 7 points represent the 7 aspects of God, the 7 colors of the spectrum, 7 notes of a musical scale, 7 planets of astrology, 7 alchemical metals, and the 7 energy centers of the subtle body. All of which form correspondences of each other.

One foot is in the pool of water = the cosmic mind-stuff of the astral plane (imagination), and the other on land = physical reality produced by the mind, and the body which bridges the two as the path we walk. The two instruments, the vessel and wand, represent the subconscious and self-conscious, and the body that holds them is the soul that utilizes them as the means of creating. They flow one into another. What’s below streams from above, and what’s above is reflected below (4/Tetrad). The inner and the outer are a single stream of consciousness where one is a continuation of the other in symbolic form. Opposites act on each other to temper each other. Thought and emotion always exist in union where one gives rise to the other as an intimate interaction.

The Holy Guardian Angel deciding and administering the whole process represents our Higher Divine Self-Soul, who makes all of our tests and trials that lead us along the path of attainment. We are always the “One” acting on ourselves within multiple planes of manifestation. We exist simultaneously on two primary planes that are comprised of 7 levels of consciousness. This arrangement (image composition) is the same as the Hierophant (5) and the Lovers (6), which both show a higher being (priest and guardian angel) overseeing a young couple (male and female), where three aspects of our selves operate as if they’re one on two levels of reality. This triangular configuration represents the 3-aspects of the mind as the Higher or Super conscious, the subconscious (feminine) and self-conscious (masculine), and the two levels of reality they exist in simultaneously.   

Some pictorial composites show an arrow shooting upward, representing that we have to shoot for a definite mark or goal in all of our practices. Never accept theories or statements of others as being true, no matter how plausible they may seem, until you’ve tried them for yourself by applying them practically to create an experience of them. Always test ideas through actual practice. We only “attain” knowledge through experience, and we only transform and grow ourselves through creating experiences of ourselves that bring self-realization. The whole purpose of ageless wisdom is to provide us with the theories as the basis for actual practice. It’s not designed to persuade you to accept ideas as being true through a form of blind faith. Truth can only be known through direct experience. The only true failure in life is the failure to try. Anyone who accepts an idea as being true without trying it is foolish in the most basic sense and unintelligent. All spiritual knowledge is meant to provide us with the means for growing ourselves to higher and higher levels of wisdom and understanding. It’s only by trial and experimenting with ideas that you realize truth and the power that makes the experiment into something higher than your personality.

It’s our experiments that alter us by equalizing and coordinating our vibratory (energetic) activities. We only truly “know” by becoming one with an idea as a reality that brings realization and deeper insights into our own higher nature. Everything in the manifest world is vibrating at a certain frequency, and all forms of vibration are modified by mental means and control. The entire cosmos is mental in nature. All reality is birthed through a concentration of the mind on an idea. This path (14) leads from the moon of Yesod to the Sun of Tiphereth as the higher soul working through the agency of the subconscious and self-conscious to form the etheric body (Yesod) of Light (7), which forms the vibration as an energetic blueprint for ordering and animating the material body.

This idea represents the consummation of the Royal Marriage (Lovers) where the feminine and masculine are united to form a single androgen. All transformation comes by using the self-conscious mind to seed the subconscious mind with an idea for creating as an outer experience. We change our vibration and transform our physical world through a counter-exchange of qualities that form equilibrium as the inner made the outer and the outer an extension and reflection of the inner. By forming new combinations of positive and negative qualities of the same idea, we adapt the inner to the outer and modify it into a new variation as a growth process based on experience that develops us in new ways. The robe of the angel is green, symbolizing Venus, the imagination, and the plant kingdom. All actual material objects are regarded as “dead” (fixed) by the symbolism of science. The problem with transmuting metals is that they don’t grow. Our first task in transforming ourselves is to return fixed ideas (minerals) back into a state of growing and evolving (vegetative). The best way to do this is by imitating the processes of Nature.

When fire and water are harmoniously mingled, will and sensation form thought as air, which becomes the astral seed for manifesting as a reality. Once manifest, the manifestation itself doesn’t have the ability to change itself, only the mind as thought has the ability to alter the light body that’s used to organize it. It’s only by changing the “qualities” as the formula being used that alters the manifestation that results. By changing the frequency an idea vibrates at, we change the energetic pattern organizing it. We use complementary opposites to reformulate it by mingling contradictory elements in order to modify it. We transform existing manifestations by modifying the qualities being used to form and animate it. The Alchemical Marriage comes by forming new combinations of fire and water that alter the astral body of light and vibration. The formula for continued life is death (13), traditionally symbolized by the raven on a skull. The Greenman of spiritual folklore is the “dreamer” and “redeemer”. It’s through dreaming that we continue to grow. When we quit growing we begin dying.

We only transform through growth that develops new qualities as a way of being and seeing. By using complementary opposites of the same frequency we embody new qualities as a state of mind. The internal process comes by using the hidden stone (Pineal) V.I.T.R.I.O.L., which is considered the universal solvent. This hidden stone, also called the Philosophers stone, is the Universal Medicine as a “tincture” that’s formulated by adding new properties that serve to transform the constitution of the whole. Purification comes by transforming weakness as passions into strength as intelligence. The only real difference between dead and living things is their behavior and activities.

The term “vitriol” represents the balance of 3 things, symbolized by the 3 alchemical principles of sulfur, mercury, and salt (Key 1,3, and 4). Ideas that we use to seed our imagination are gestated and developed to form our physical reality. All creation comes as speech (words) that are felt as an experience. Our vital body is formed by will, intellect, and sensation, and is what forms the energetic blueprint for producing our experiences of reality. Creating a new living substance is the path of the Higher Will which operates on the lower self by planting a seeded idea in the imagination where it gestates and grows into a manifestation as an equivalent outer experience. A talisman is commonly used to represent an idea that’s grown in the imagination and birthed as an outer experience of the same kind. It’s a vision introduced into our mind that forms our voice and directs all of our activities. It’s a combination of forces, realization, and action that form a feedback loop and provide us with the basis for making accurate calculations. We use an idea translated into an internal representation of a possible reality as the means of providing us with a template for transforming our self by producing new experiences. Whatever reality we formulate inwardly becomes the basis for experiencing outwardly.

Dr. Linda Gadbois   

 

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Sacred Geometry – The Secret Language of Universal Laws

The Secret Language of Sacred Sciences

septad

Sacred Geometry forms the basis for an intuitive system of philosophical mathematics and universal laws as “operations” for applying knowledge at the practical level to create on multiple planes simultaneously through resonance as equilibrium. Through resonance we draw down purely mental forces of the higher planes and use them to animate the astral light of the material plane through conceptualizations born in the imagination that form the templates necessary to create in various ways on the lower, material planes.

Sacred Geometry forms a system of correspondences that connects a series of ideas that are all of the same nature or archetypal principle, as material forms of various types or degrees. These symbols as geometric shapes demonstrate basic laws as form, function, and order, which exist in a natural relationship with each other and make up the material world as we know it. All of life, whether organic or inorganic, are not only formed by the action of these laws which organize and concentrate light as matter, but also animate living forms through “energetic states of consciousness” that undergo growth processes, imbue it with attributes, properties and behaviors born out of a distinct and unique type of personality. Form always indicates function or how something behaves or the operations it naturally undergoes. The form something takes on, gives it properties as a dynamic series of relationships, that all exist in a harmonious and interdependent relationship as a unified body.

All forms exist as vibration of subtle energy as pure consciousness. The frequency something vibrates at, forms its qualities and characteristics as a “state”, which then acts as an expression of its inner nature. The rate and mode of vibration, structures matter into distinct patterns as geometric (molecular) structures that are combined to form a unified whole. Vibration, as subtle energy is consciousness, which has an active, self-organizing component that grows organisms from a “seed” as a formula of information that undergoes a division and multiplication process guided by a spatial orientation as a holographic blueprint, where multiple structures that perform specialized processes as different parts of a whole body, spontaneously emerge out of each other. There’s an invisible intelligence to all of life that takes information in its purely potential state (as unformed), and activates it systematically in strategic stages, that ultimately creates whole material entities out of nothing. It (the invisible intelligence) structures a material body through a process of self-generation, cellular division, differentiation, and multiplication as “creation”.

tree

Out of a packet of coded information, where certain aspects get “turned on” and become active, while others are “turned off”, and remain dormant (time regulated) while an active self-organizing force “grows” a living being. This material form consists of multiple layers of various types of interwove structures, all in geometric shapes, which, based on their specific structure perform certain types of operations, and play a specialized part in the operation of the whole. All of these different geometric structures that are an inherent part of the larger whole, emerge “out of each other” spontaneously as a natural growth process. Each structured based on the role it plays in a dynamic, interconnected relationship as a part of the whole entity. Each aspect of the whole as a cell or molecule, contains the full encoded information of the whole as its DNA, but through a self-organizing process of spatial mapping, each cell specializes by reforming the information, switching what’s turned on and turned off, to create a necessary part of the whole as a harmonious process. This reformulation of the same basic information, produces a unique cellular structure that naturally performs a different shape and function within the overall body.

Vibration as consciousness, through the same basic stuff as attributes, qualities and characteristics, form the basis for laws as the building blocks of life that perform natural behaviors and operations as the natural expression of the consciousness inherent in the form. The “state” of matter, as the consciousness inhabiting and animating it, form it’s “inner nature” as it’s essence which forms it’s outer appearance, not only in actual form (as a member of a species or class), but also in the personality, quality, and level of intelligence the form possesses and outwardly demonstrates through it’s natural behaviors and way of being.

These laws and principles as the life giving forces of the natural world, are represented by the geometric shapes they naturally produce, and the qualities and functions they naturally perform as the very expression of their nature. Each form correlates to a number that’s represented in its actual geometric shape, calculated by the equilateral angles of it’s form, a letter as the sound of that form as a tone, color as the vibratory frequency (frequencies produce color), state of mind, type of personality (planetary attribute), and so on. A system of analogy and correspondences form a series of associated ideas that are all different aspects or qualities of the same nature or essence as a vibratory frequency. A frequency forms a pattern imbued with qualities as degrees of consciousness, that give it characteristics that determines how it functions, and what part it naturally plays in a greater whole as a story, community, or ecology. In animated life forms, as in the human and animal kingdoms, these forms and behaviors are also imbued with a personality, which gives it a kind of signature in terms of the unique style in which it does what it does.

vesica

Sacred Geometry is an intuitive language of science as law, and provides us with holistic information about the natural processes of life and the nature of the operations involved. It gives us explicit instructions on how to use our own mind-body system in intentional ways to produce physical realities by reformulating its material and chemical structure through the quality of consciousness being employed. This information about natural processes, gives us the theoretical processes necessary to apply through experimentation, to influence or outright produce material results. Naturally, our ability to accurately apply it along with the mental state we employ while applying it, determines the nature of the outcomes we’re able to produce. So while shapes, numbers, letters, colors, sounds, states, and so on, can give us the basis for making very generalized interpretations that are largely abstract in nature and identify an idea or desired experience, without giving us the necessary information about “how” to do it, if we understand how to interpret the geometric shapes as laws, we can gain the knowledge as distinct operations for undergoing mental processes necessary to create the ideas and quality of experiences they suggest.

Through this process of law, that gives us the full creative process for producing desired personal realities and experiences, we can learn how to utilize our own power of mind to self-create and influence the outer reality by how we exist in relationship with it, and how we reshape and direct it through the very nature of our perception of it. We can come to realize the true nature of reality itself, and how our own mind exists in intimate relationship with the elemental world of luminescent matter. We can realize that the outer shape of any geometric design is formed by the inner shape or invisible space forming and organizing it. We can realize that our experience of reality, both symbolically and literally, is a product of our own mind and inner being, and acquire the knowledge as practical processes for undergoing personal transformation, which, by changing our mind as our inner atmosphere, changes our very essence, and how things appear to us, or what we perceive in our ordinary reality.

By working with laws, we create in a fluent and spontaneous manner. By using their instruction as processes of the mind shaping matter to perform natural operations, we can begin consciously operating our own mind instead of letting it be haphazardly used by the suggestions we’re flooded with from the external world. We can realize that by changing the inner, invisible structure of our mind, we change our molecular structure, which changes our outer expression and how we’re being in the world. By acquiring the tools and creative processes for undergoing metamorphosis, we change our very relationship with the outer world and how we experience and interact with it. Through the science of the Spirit, and the practice of spiritual knowledge as universal law in how we live our daily life and conduct ourselves, we become self-determined, and truly responsible for our own creations. Sacred Geometry is the scientific language of the spiritual world as the Magicians toolbox for manipulating reality in a conscious and deliberate manner.

 

Dr. Linda Gadbois

Other Articles on Sacred Geometry:

The Triad – Resonance, Sympathetic Induction, and Coherence

The 4 Elements – The Etheric Body and the Nature of Memory

The Pentagram – Mind-Over-Matter – Shaping Words into Realities

The Dyad – Prayers as the Seeds of Karma

 

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Dr. Linda GadboisAbout the author:
Dr. Linda is an expert in Spiritual Sciences and scholar of Hermetic Sciences and Ancient Wisdom traditions. She’s a professional educator and trainer for all areas of personal transformation, self-creation, mind development, and soul/spiritual evolution. She practices Integrative Medicine with a special emphasis on Psychology and Creative therapies. She conducts ongoing classes, Playshops, and Adventure Seminars, and is available for private or group training, mentoring, and speaking engagements.
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