The Archetypal Nature of the Soul – The Mortal, Immortal, and Higher and Lower Nature of the Soul

All humans are multidimensional beings in the most basic sense of existing simultaneously on 3 interwoven planes, with a dual nature that functions as complementary opposites in forming a single reality. Our dual nature is comprised fundamentally of both a conscious and unconscious mind which are directly correlated with a higher, and lower soul. We are a combination, in every sense of the idea, of both an animal and a god, a product of the group mind of Nature, where we exist as part of a kingdom, class, and species, governed by the group mind of the collective unconscious where we’re shaped primarily by other beings and our environment; and as divine beings endowed with a conscious, self-aware mind and the ability to create ourselves as an individual while determining the course of our own destiny.

These dual aspects of us do not exist independent of each other, but as different aspects of the same mind and soul, which perform specialized functions in creating and maintaining a consistent experience of reality. The organized (polarized) field of starlight (astral light) we have come to call “reality” is formed and maintained by the collective unconscious of Nature and provides us with the means for experiencing ourselves, while simultaneously shaping ourselves through the nature of our own experiences. These two aspects of the group and individual mind are contained within an even greater mind that acts to form and birth them, known as the superconscious mind of universal intelligence, cosmic consciousness, and the Universal Soul. This is the aspect of the mind known as the “archetypal plane” where “ideas” exist in a latent, unformed state of pure potential. This aspect of our mind and self exists as an “archetype” of a “particular nature” and is not based on memory in terms of how we normally think of it as being attained from a personal existence.

The archetypal Soul is “causal” in nature and comprised of a formula of attributes developed to different degrees that imbue us with specific characteristics that express as natural behaviors in telling a particular type of story or myth. Archetypes are “wholes” that contain within them every aspect of what becomes expressed as a cohesive reality that brings a particular type of experience. Each aspect of our mind plays a complementary role in forming a single reality as a mental construct formed as an outer projection of our own inner nature. We shape ourselves as divine beings out of the experiences we act to produce mentally and emotionally based on how we associate and thereby identify with our own mental projection.

The Holographic Nature of the Mind and the Law of Polarity

The terms mind, soul, and self are synonymous and like the term’s conscious, subconscious, and superconscious, are names given to different aspects and specialized functions of the same thing. Throughout this article they will be used interchangeably based on what aspect or function is being considered in contemplating the construction and operation of the whole in which they are a “part”. There’s no meaningful way to separate them because each one systematically evolves out of the inherent nature of the other as a growth process and are completely interdependent. Any attempts to handle them as separate ideas leads to a misguided perception and distorted interpretation. The 3 aspects of the mind represent fundamental principles in terms how each aspect functions on its own plane, which are all formed and maintained as a projection of each other. The 3-fold nature of the mind is represented symbolically by the Triad (triangle), which reproduces itself as a Triad (whole unit) on each of the 3 parallel planes that are complementary in forming a single reality. The mind is a “hologram” where each aspect or part is a reflection of the whole and contains all the properties and characteristics of the whole in every part.

The Triad represents the Law of Polarity, which forms the basis for vibration as a spinning vortex of energy that constructs a matrix of light as a 3-dimesional form through movement between a positively charged pole (electric), and a negatively charged pole (magnetic), where they both push apart and pull together at the same time, creating “space” as the basis for dimension. These polarized forces can only be reconciled by forming a 3rd element as a “new state”. This 3rd element, represented by the element of “air” (symbolic of thought), is formed by combining heat and moisture to form an atmospheric effect as a field of polarized light that becomes a mental map for condensing into a material form, represented by the element of earth. All material objects appear to both radiate an outer field of light and be encapsulated and sustained by it. Every physical object, no exceptions, is accompanied by an energy field (called dark energy or dark matter) that’s spherical and shaped like an egg, that completely envelops and sustains the material form. This field of polarized light is what “in-forms” and “animates it with life”, seemingly from within. This idea is represented by the Earth being a material sphere that’s surrounded by and contained within a greater sphere of light that appears to be radiating from it, while also being sustained by it, which also contains all the “memory of Nature”, we call “instinct”.  

This invisible energy field “is” what’s also called the etheric double which exists in the fundamental sense as an “organized field of memory” that endows the lifeform with an “inner nature” and personality. This memory, in the typical sense, is also a material construct formed on the inner planes of the “mind” out of subtle energy called “astral light”, which is what not only forms the “etheric blueprint” for constructing and regenerating the material form, but also serves as a “medium” between the different planes and aspects of the same mind. This etheric sheath that connects the higher mental plane with the lower material plane can be conceptualized as an “embryo” and “womb” of creation. The higher conscious mind of the divine soul, which is endowed with the ability to “create itself” as an “entire reality”, acts to “seed” the lower, material mind with a suggestion that serves as a metaphor for creating as an outer experience. The material mind of the subconscious conceives and gestates it by building it into the existing mental model (etheric template) being used to perceive the outer world, where it appears as a natural part of reality, allowing us to “experience it”.

Resonance - torus of the human energy field

How We Build Our Own Outer World

While we’re incarnate in a physical body, we consistently project the outer reality of our inner nature as a means of experiencing ourselves, and through our self-generated experiences, we come to know ourselves as we exist in whole form. We come to know who we “are” as a higher, divine being capable of also creating ourselves through our entire reality, because we’re the one producing all of it. Not as a finite material construct or objective reality that exists independently of us or our ability to determine it, but as the mental construct necessary to experience ourselves through our own mythology. Our outer reality is formed through our perception of it, and our perception is formed through a dynamic correlation of mental filters that only activate, abstract, and call forth (order information) what matches our archetypal nature and reconstructs it into a complementary outer variation necessary to have a particular type of experience.

Our mental model is formed as the synthesis of all our life experiences built into a single memory. This holistic memory forms the perceptual lens we “look through” and the basis for how we “interpret” what we see to make it “mean something”. The meaning we give things simultaneously creates on 3 levels (is holographic), and means something about others, the way the world is in general, and about us in relation with it all. Meaning forms a “theme” out of which our life story naturally takes shape, giving all our life experiences continuity. This theme is born out of our initial conditioning as a child where we tried to make sense of what was happening in the world around us while making everything “about us” or our fault somehow. We were operating purely out of the group mind of our subconscious, while our rational, reasoning mind was only beginning to develop. From this perspective we “became” whatever we heard being said about us because we didn’t have the ability to discriminate or make accurate judgments about what was happening. We thought that whatever was happening with our parents and family was somehow our fault or that we deserved what was happening to us.

The primary theme of our life-story started taking shape out of the emotions we were consistently experiencing and the family dynamics we were a part of as a child, and by the time our rational mind began developing, our emotional life shaped the nature of our thoughts and what we began telling ourselves as a way of trying to understand what was happening to us and around us. The beliefs we formed about ourselves out of our childhood conditioning became a self-fulfilling prophecy and formed the basis for how we continued to create our experiences as a means of providing us with more and more of the same type of experiences. This is because memory, like the mind that forms it, is archetypal in nature and acts as a metaphor for producing endless variations of the same overall idea, while simultaneously acting to shape our inner nature as a correspondence.

The Nature of an Archetype

An archetype is what we can call an “idea” that’s holistic and thematic in nature and serves as a prototype or generalized pattern for producing an infinite number of variations that all still hold true to the same basic idea. It’s comprised of a select set of attributes and qualities that form distinct characteristics as an “inner nature” that expresses naturally through behaviors and activities that come automatically in a spontaneous manner. It’s a “whole unit” that contains everything needed to produce a variety of forms that all possess the same nature and express to form the same type of outer reality as a standard universal theme. While it fluctuates by adapting to numerous situations and circumstances, its intrinsic nature remains consistent. These fluctuations come by whatever it combines with, blends into mentally, and forms into as a unique variation of the same overall theme.

Archetypes, like all creative forces of Nature that manifest as a physical form, exist as polarized pairs (twins) that are complementary in nature. In the divine realm they are represented as couples that are gods and goddesses, who are endowed with masculine and feminine attributes that are complementary in nature, and as male and female gender that are portrayed as being married or siblings, and sometimes both. Polarities act “on each other” to stimulate each other into an active state of expression. We only develop new qualities by interacting with complementary energies outside of us that serve to activate and bring out matching qualities that are latent within us. We never actually “acquire” attributes from an outside source, but once a quality that was previously latent within us begins expressing in creating “new types of experiences”, they serve to transform and evolve our “inner nature” to a new level of self-awareness and self-expression. Our inner nature is what forms how we experience ourselves as a part of everything around us and is what forms the basis for all our thoughts and activities. The most basic way we transform and grow ourselves is by learning how to form new types of experiences.

 An archetype, in the most basic sense, is a coherent memory that forms a metaphorical idea as a life-theme, which fluctuates through a range of possible states based on what qualities are developed to what degree, and in what way in terms of the dynamic that was used as the means of developing them. Dynamics, which are behavioral patterns of a relationship where each person plays a particular role in how they interact, all correspond to greater universal themes. All of life as we know it is comprised of various archetypes that play specialized roles in forming a greater universal theme. Archetypes are highly adaptable to their environment and form modifications of themselves as a process of evolving to higher and lower states of consciousness, while still maintaining the same basic nature and set of natural behaviors.

How the One becomes the Many

This idea is expressed as the “One” being infinite and eternal in nature, always remaining the “same”, while acting as the progenitor for an infinite number of various forms, each bestowed with a somewhat unique personality and outer appearance, while being of the same basic nature and displaying the same type of behaviors and activities attributed to their “class, type, and species”. In the animal kingdom, for example, all canines display the same behaviors assigned to their class and breed, yet each one does those same behaviors in a way that’s unique to them based on their “personality”. It’s only their personality that distinguishes them from all others of the same breed and class. Humans share this same tendency through their “lower, animal nature”, where they behave in very similar ways, differing only in how they do those same behaviors. Every person lives out of a story of their own making that follows a common universal theme yet has a unique twist to it based on the patterns formed through their formative conditioning.

Humans are the only beings on the planet who are “self-aware”, able to perceive themselves as independent of their environment, and endowed with ability to “create themselves” using the mental capacities of self-realization, creative imagination, reasoning, and will in the ability to make decisions for themselves that separate them from the crowd.  We form an image of ourselves based on how we associate with other people, our immediate environment and what’s going on around us that we’re a part of, and the story we’re always in the process of telling ourselves about things as a means of creating how we experience them. We act to form our perception of reality, create how we experience it, and then associate with our own experiences, shaping our identity as a result. No other animal or being on the planet acts to form their own “identity” as an “individual” that sets them apart from the group. This is a unique attribute of human beings that comes through the “conscious aspect of the mind”, which is “creative in nature”.

In terms of our lower nature as an animal soul, we’re all members of the same class and kingdom, called the kingdom of man, where we all have a similar appearance and set of natural behaviors and tendencies, driven by emotional impulses, with the only real difference being “how we do” those same activities through our personality. Once we enter puberty, we begin developing our higher mind in being able to “shape our identity” by deciding who and how we’re going to be in any situation, and in being able to intentionally develop desired qualities in ourselves that act to shape our inner nature. As we begin taking control of our own development, we also begin shaping our perceptual lens which changes how the world appears to us, bringing us new types of experiences. Through creating new experiences of ourselves, we act “on ourselves” to grow and transform us to a new state of being. No other being or soul on this planet has this ability because no other animal has a “conscious mind” that can “think” and project the reality of their thoughts. All animals and beings with a soul reside completely within the class of the group mind they’re associated with formed out of the “memory of the Earth’s soul”.

One of the problems we have in understanding this idea is that we often fail to recognize that the Earth is a “living sentient being” and an archetype (like all planets are), comprised of a set of attributes, qualities, and characteristics as “memory” inherent in its “astral body” (atmosphere illuminated by the sun), that generate the dynamic lifeforms of the planet, all of which play a particular role and function in a greater, unified, eco-system. All life on Earth functions as a single entity and coherent reality. We experience this as being what we can safely call an “objective reality” comprised of the same basic material elements of Nature and human invention, which is “perceived differently” by every person. All reality as we’re capable of knowing it is “subjective” in nature because we’re the one forming it as a projection of our own mental paradigm. Our mental paradigm, which is formed as the synthesis of all our life experiences into a “single memory”, is an archetype that emanates its own outer reality as a perception of itself on a greater scale.

The outer world is formed as the “theme” inherent in the inner world of our character, which sets the stage for consistently producing a particular type of experience of ourselves. The outer world only changes in terms of how it appears to us when we work on ourselves to develop our character to form a new “state”. The outer world changes in the exact same way and proportion as our inner world, because they’re formed out of the same archetypal matrix as a continuation of each other. The outer world is the stage and setting we use as the means of expressing ourselves in telling a story about who we are as a means of experiencing ourselves through and as our own creation.

When we hear the saying “we all manifest our own reality”, this doesn’t mean in the literal sense of the actual material world of Nature that makes up our “common reality”, it means we only “notice and abstract” from the outer world the same attributes and characteristics that are inherent in our paradigm-archetype, and reorganize them to form a new variable that mirrors back to us our own feelings, thoughts, values, and beliefs about it. Our expectations going into any situation shape how we experience it based on what we notice, pull forth, and use as the means of creating how we experience it. Our archetypal model forms the mental filters that shape the perceptual lens we look through as the means of experiencing the outer world. We only perceive outside of us what also exists inside of us, and what’s inside of us is formed out of the memory we have formed of ourselves.

Memory is the etheric blueprint as an energetic infrastructure that gives rise to our material existence and forms the metaphorical theme that shapes all our experiences. We only perceive outside of us what matches and can be interpreted to mean the same thing as what’s formed in our mind and imagination. In this sense we are the sole creator of both our self and our life. What tends to make this difficult to fully comprehend is that the greater part of the process is conducted below the level of awareness, where it happens instantaneously and in a completely natural and automatic way. No other animal on the planet lives in a reality of their own making, creates how they experience that reality, and shapes themselves by how they associate with their own creation. This is a unique attribute of human beings who are bestowed with a conscious mind.

The One and the Many – Our Mortal and Immortal Soul

In the most fundamental sense, archetypes, which serve as a “classification” for all creation, are “immortal” and exist eternally, while the wide variety of forms produced by that archetype are “mortal” and temporary. What this means is that when an animal dies, its consciousness, which is a part of the collective memory of its species, is absorbed back into its archetypal class as the collective memory of that species and type. This “collective memory” is what forms the “instinctual field” that exists within the atmosphere (Soul) of the Earth and is what not only acts to produce the living being, but also imbues it with all its natural qualities, intelligence, and behaviors. This is what you might call the Earth’s consciousness experiencing itself through its own creation. The Earth is an archetype, just as all heavenly and planetary bodies are, and is comprised of a wide variety of archetypes it acts to generate, all of which play a specialized role in forming an even greater theme as a universal archetype. All life on Earth, and all beings with an animal soul, return to the archetypal memory of the Earth’s soul when they die, because they don’t possess a “conscious mind” or “individuality” that sets them apart as a class of their own. Their consciousness returns to and remains a part of the group consciousness of the collective memory of its archetypal class.

This same principle applies to human beings in terms of our physical existence in an “animal body”, which is bestowed with a personality and set of natural behaviors employed by all humans in general. This part of us forms what’s called our “first birth” as our “formative conditioning” where we take on the qualities and traits being expressed by everyone around us and are shaped as a part of a group dynamic. We’re all born into this world with only our subconscious-animal mind functioning, where our conscious mind exists in a latent state as a form of “seed” that begins growing as we mature. While in a purely unconscious state we’re shaped in “association” with others and our environment, where we function as a part of a group (family unit and living situation) and lack any form of individuality outside of our personality. We are conditioned with the same attitude, values, beliefs, tendencies, and dynamics (behavioral patterns) that are consistently playing out around us and that we’re a natural part of. This forms what you can think of as our lower nature, animal soul, and personality.

The conscious aspect of our mind is the part of us that’s “creative” in the most basic sense and develops in four stages of seven-year increments. This can be easily understood by recognizing that a child is initially completely dependent on and perceives itself as being one with its parents (particularly the mother) and family group up until around the age of 7 or 8, and lives completely out of its personality and genetic makeup. At around the age of 7, the conscious mind begins developing and coming into play where the child begins thinking for itself, forming interpretations about what’s going on around them, and begins developing the ability to problem solve, discriminate, make judgments of their own, and begins forming their “own memories” as the basis for shaping their own experiences. This is self-evident in realizing that we have very few memories of ourselves and our life before the age of 6 or 7, because we live solely out of our natural instincts and the tendencies formed out of our genetic makeup shared by all family members. Memory, in terms of a mental picture, is actually something we “create” as an internal representation using our creative imagination, which is a faculty of our higher, conscious mind.

Somewhere between the age of 7 and puberty (12 to 14), we start becoming more independent, forming our own thoughts about things, start forming friendships outside our family group and immediate environment, become a part of social groups, and begin separating mentally and emotionally from our parents where we begin sensing ourselves as an individual. Once we enter puberty our hormones kick in and we begin a quest of self-discovery by trying on different ways of being, sensing ourselves in different ways where we can “decide” what we like and what we don’t like. We begin experimenting by exercising our ability form “who we are” as our own person. We move from relating primarily with our family and immediate surroundings to building our identity and self-image as a part of a social group.

By around 21, we officially become an “adult” where we take over responsibility for our own life creation through our ability to make calculated decisions for ourselves that impose a direction on our life, and we become independent in our own right. By the time we approach 28 to 30, we’ve usually established our own life, have a career in place that provides us with financial stability, and have often started our own family and become parents ourselves. Up to this point we’ve developed ourselves and our life out of the patterns, traits, and tendencies of our conditioning, where all our activities come automatically in what seems like a completely natural way, forming our “identity” as an individual. Our identity emerges naturally as an extension of our personality born out of our conditioning and forms the basis of our “life story” as a universal theme. This is the part of us that strives to be accepted as a part of a group, fears being alone, and needs to be “in a relationship” to know who we are and have a sense of purpose. While we’ve developed the ability to create the reality of our beliefs and thoughts, we haven’t yet realized that’s what we’re doing, or more importantly, “how it is” we’re doing it. We imagine life is happening “to us” in a random and unpredictable way and is beyond our ability to control or determine it.

Our conditioned self is what’s called our lower self, our lower nature, subconscious mind, animal soul born out of the group mind of humanity, and the ancestral memory inherent in our genes that’s developed through our family dynamic. This part of us, lacking any true form of individuality achieved by actively creating our identity from a conscious and self-aware state, is born out of the archetype of humanity as a “class and species of the Earth”, and is “mortal”, because at death, it returns to the group memory it was formed out of. It’s absorbed back into the collective consciousness of humanity and forms the basis for future generations and personalities of the human species, all endowed with the same basic nature.

Our conscious mind and higher self, also referred to as our “divine nature”, is what gives us the primal ability to create ourselves as an individual that’s unique in our own right and sets us apart from the group mind of humanity. This is the part of us that’s self-aware, forms realizations about ourselves as a form of self-analysis and judgment where we can actively “choose” how and who we want to be in any situation. This is our “morality and conscience” that perceives and works with ideas of right and wrong, good and bad, constructive and destructive, and is the “decision maker” that employs willpower in disciplining ourselves to take the actions necessary to turn our decisions into a reality, moving out of an unconscious existence and into a fully awake and self-aware one.

When we step into our higher, divine nature as our own creator, and we become responsible for who we become as an individual, we fashion ourselves as an “archetype” that’s unique in nature. We do this by intentionally developing latent qualities to a new level of expression, changing our “internal formula of qualities”. By working on ourselves to develop our own character to a new level of self-expression, we produce new experiences that are simultaneously molded into our existing circle of experiences, upgrading and evolving them to a new level of consciousness. As we intentionally “act on ourselves” to evolve ourselves by growing our internal nature to a new level of self-expression, we become responsible for what we create. The part of us fashioned by our own hand is the part of us that’s “immortal” and forms the archetype (karmic seed) for all our succeeding incarnations into new physical forms. This is what’s called our “second birth”, where we step out of our unconscious conditioning and begin shaping ourselves in our own image, fashioned by our own hand. We become self-made, self-determined, and an immortal god.

Death and Separation

When we die, our conscious mind separates from our subconscious mind, and our bodily form begins dissolving, returning to the earthly substance it was formed out of. Our lower, group-oriented nature returns to the archetypal memory of humanity, while our higher, divine, self-created nature returns to the archetypal memory of our own making, formed out of the synthesis of all our incarnations. Only the part of us that’s consciously fashioned using the capacities of our higher, creative mind are immortal in the sense that we “maintain” our individual status as an archetype of a unique classification, which forms the basis for our eternal souls’ future incarnations as a unique individual. The conscious aspect of mind returns to its own plane, and the subconscious aspect of the Earth remains in its own plane.

When we live out of our conditioned mind through numerous lifetimes, we become a permanent part of the group mind and lose our individuality, rendering ourselves “mortal”. When we’re reborn in our life and begin taking over creating ourselves in a conscious and deliberate way, we shape ourselves as a divine, archetypal being of our own making, and we become immortal in our own right. All humans are born into this world with 2 minds as a personality and identity, and are both mortal and immortal, and through our awareness, desires, decisions, and willed actions, or lack of awareness, inability to make well thought out decisions, and always going along with the will of others who make our decisions for us, we either shape our own destiny and reside in the heavens with the gods, or reside on earth as a permanent part of the human species.

Dr. Linda Gadbois      




The Fundamental Unity of the Macrocosm and Microcosm, the True Nature of “Oneness”, and Our Origin as Celestial Beings

We’re often told in various spiritual doctrine that man exists as a microcosm formed as a reflection of the macrocosm, that the entire macrocosm exists in the nature of man, and that the Cosmos can be known intimately by observing and coming to understand our own inner nature. This is because the same universal principles as a self-organizing process are at work in both, only on different scales and magnitudes. In order to understand what this means in the practical sense we have to build a new model for understanding it that will allow us to see it in a new and more implicit way. Whatever paradigm we use in looking at something determines our ability to comprehend it in a way that breeds a fundamental understanding of it in terms of how it functions and what it means about us and our relationship with the world around us. Let’s begin exploring this idea together with new eyes by building an appropriate model for understanding our intimate connection with the miraculous universe which we are an intrinsic part of, and that will help us in understanding the laws at work in forming, sustaining, and imbuing the cosmos with life.  

The very basis of the invisible medium that permeates the entire universe is plasma, and plasma plays a dominant role in the physics of the cosmos, which is considered to be infinite and eternal. This infinite span of what seems like “empty space” exists primordially as a latent field formed out of plasma that acts as a “medium” for electrical impulses to propagate through. While some scientists call plasma the 4th state of matter, I believe it’s more accurate to call it the 1st state, because it’s what possesses the “self-organizing mechanism” out of which all other states emerge as a part of a holistic process that ultimately works to shape all material forms. There’s an invisible, undetectable “state of energy” that exists at a deeper, finer level as oscillating plasma that’s billions of times smaller than the atom and of an extremely high frequency. This incredibly fine grain of plasma is called “planck plasma” in physics and is what forms the invisible infrastructure of space. This field of subtle energy, which also functions as a medium, is accompanied by an electrical force which it acts as a passive receptor for, forming an electromagnetic field.

Plasma is filled with giant filaments of electrons and ions (atoms with a net electrical charge). These filaments twist together due to electromagnetic fields, forming vortices that cause some of their vast energy to be converted into matter, which ultimately results in the formation of galaxies and heavenly bodies. When an electric force charges plasma, it forms into a gas-like substance (nebula) that behaves a little bit like gas, a little bit like a fluid, and a little bit like a solid (it contains the 4 elements as states that emerge out of it), and due to being comprised all these elements, it forms its own “state”. The 4 elements are combined in such a way that a new element and state is formed. The universe as we currently know it is made up of 99.999% plasma, and the rest is plasma that has cooled off and formed into gases, fluids, and solids, forming the material world we call Nature and the celestial bodies of the cosmos.

Torsion field

Plasma is unique in the sense that it has “self-organizing” behaviors inherent in it and is “charged” with a frequency where it acts as a medium for information to flow through in interwoven currents. This field of plasma in its latent state is what’s commonly referred to as the “ether” and exists in a state of “probability”, which means it contains all “possibilities” for creation in their “potential state”. Electricity as an active force propagates through this passive medium and whatever becomes electrified comes alive with activity and begins organizing into a living entity. Vortices (spinning fields) are organized that form very specific crystalline geometry (torus as an electromagnetic sphere), and as it organizes it forms very specific dynamics through polarity. The entire cosmos and material world is formed through the interaction of polar opposites that “stimulate” each other into “existence”. These polar opposites are “complementary” in the sense that through their dynamic interaction new qualities, states of being, and material formations “emerge” and form into a “new state” as a coherent field that transforms and evolves the existing one.

Torus
3d image of a torus

Self-organization is a concept of “self-emergence”, which occurs when an entity is observed as having properties its individual parts don’t have on their own. Properties are qualities that form characteristic behaviors, which only emerge when the “parts interact”. Self-organization often occurs through what seems like random fluctuations in the ether, which can be conceptualized as dormant qualities that are stimulated by an outside force, bringing them alive and calling them forth in an active state of expression. New possibilities for expression seem to emerge out of nowhere. This can also be thought of as our “etheric double” which contains all of our soul’s memory (character traits) in its latent state, which is steadily activated and brought out through our interactions with those who possess complementary aspects of the same qualities. This finer plasmic field of pure potential, is what’s also referred to as the “quantum plenum” out of which polarized particles systematically emerge and exist for a period of time. Information as possibilities appear as “random flashes” (sparks) that blink in and out of the quantum plenum, and only begin organizing into a structured form when “charged” by an electrical current.

Where does this “state of energy” come from that seemingly comes out of nowhere? The plasma we see throughout the universe comes from an even deeper level that’s completely invisible with no physical properties, called “planck plasma”, which is also the basis for the quantum plenum, where particles emerge out of nowhere or seem to “pop in and out” of existence, almost like the mental sparks that result from momentarily considering a variety of ideas before making an actual decision. There are currents of plasma that form nebula pathways to galaxies and clusters of galaxies, which form a crystalline lattice that resembles neurons and neuronal pathways in the brain and nervous system, where information flows through magnetic currents. This intricate interconnected network also resembles the circulatory system of the body where plasma, infused with our soul’s essence, flows through our veins to all parts of our body, which acts to nourish, inform, and sustain it in a state of homeostasis. Our biological system is a reflection of the macrocosm on a much smaller scale, in the sense that it formed and functions in an identical manner.

Galaxies, Stars, and Planetary Bodies of the Cosmos

A galaxy is formed by an “electrical charge” that propagates through the ether, electrifying plasma, causing electrons to be stripped off and magnetic fields to begin forming. As plasma is electrified with a frequency it forms magnetic fields that activates and brings out pertinent information (of the same frequency) from the deeper levels of the ether and begins systematically organizing it into a gaseous phosphene substratum that serves as an etheric blueprint for building a cohesive system that appears as a spinning vortex. Out of these spinning magnetic fields, stars are born that have a harmonious energetic charge to all other stars born out of the same system of swirling gases. These systems are infused with the same energetic charge, causing them to be “energetically entangled”, which means no matter how broad the spans of the space between them, they still function as a single entity. The essence that makes up the entire system is of the same “state”, forming what’s called “superposition”, where the same “particle-state”, exists equally throughout the entire system. This operates in the same way that our body is formed out of a “single cell”, programmed with information that reproduces and differentiates itself billions of times as the means of building a larger organism that functions as a single entity.


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Stars called gas giants, formed from the multiplying magnetic fields of swirling gases emitted from the center of their parent galaxy, form into plasma spheres that rotate (spin) on a central axis, and give birth to a series of even smaller stars formed from their electric radiation, as their offspring. The smaller stars orbit around their parent star while emitting their own magnetic field, and as gases emitted by the parent star begin cooling down, they solidify around the outer periphery of the smaller stars magnetic field, forming an outer crust that encapsulates the star within the center, forming a terrestrial body as a planet. The star becomes the life-giving force (electromagnetic core) of the planet which continues to orbit its parent star. These smaller stars that form into planets form into a “solar system” (star-system) that resembles a mini galaxy comprised of magnetic fields that appear as a series of concentric circles or “fields within greater fields” of the same essence. All planetary bodies that make up a solar system are made of the same essence as it’s central, governing star, and continues to function as a single unit and aspect or mode of consciousness.

There’s no meaningful way to separate the individual planets that make up a solar system, because they all vibrate at the same “frequency”, forming a single “scale” as a “range of vibration”, called “the music of the spheres”. On a greater, cosmic scale, smaller systems exist within larger systems of the same nature, and they remain eternally intact as an “energetically entangled system” that continues to function as a single organism. Everything that “exists”, does so as both a substance and a wave simultaneously, because the substance “emerges” out of the wave, and is in-formed and sustained by it. The wave is the electromagnetic lattice (torus) of stresses that draw forth, hold together, and cause the particle to organize into a functioning system that resembles a mini-solar system or galaxy of spinning energy. All living systems are comprised of an active and passive component that work together in forming a single entity as a third element. While we view space as being “empty”, the fact is it’s a field of cosmic information in a latent state that serves as a medium that connects every single particle to every other particle throughout the entire cosmos.

The Holographic Principle

All matter, as particles of light (astral light) come “into existence”, emerge out of an even greater “invisible field”, as polarized twins, and exist simultaneously as both a particle (material substance) and a wave (invisible field). This means it’s both an aspect or part of a greater idea, and the greater idea at the same time (holographic principle). The invisible field is what contains the archetypal information that forms the energetic blueprint out of which the material form “emerges”. Every material object, no exceptions, is accompanied by an energy field that surrounds, permeates, and informs it, while interacting with an even greater field that it exists within and propagates through instantaneously as a form of transmission and interaction with “itself” (same vibratory frequency and organized structure) on smaller and larger scales.


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All reality and life as we know it exists as what you might call “fields within greater fields” of the same nature, that play different roles and functions in forming an even greater whole. The “mind”, which exists as a field of consciousness that vibrates at a particular frequency, also exists on multiple levels and scales at the same time, forming what we call the cosmic mind, planetary mind, race and cultural mind, group mind of family and society, and the individual mind. As an individual, this same principle plays out as our superconscious (universal), conscious (evolutionary), and subconscious (personal) mind, which exist on a hierarchical scale of parallel planes, which can also be viewed as a series of concentric circles, where they exist as different aspects of the same “field” (mind) on different levels and scales. In this case the superconscious contains both the conscious (active) and subconscious (passive) within it, and births them (they emerge out of the upper plane) on a lower plane, where they work together in producing a coherent material reality as a polarized field of light. The conscious mind then interacts with its own mental construct through the principle of polarity, where it draws out only the information necessary to construct an outer reflection of its own inner nature as a means of “experiencing itself” through its own creation.

The Planetary Mind and Soul

The Earth, like all celestial bodies, is a living, sentient being and “soul”. Like all souls, it’s comprised of “archetypal memory” that forms its “being”, which determines and gives rise to all life that’s systematically birthed and sustained on and within it. The memory of the Earth’s energetic constitution forms what we call “instinct”, which is memory in the form of “archetypes” that populate the Earth’s atmosphere (astral body), which is an illuminated substance that resonates at a frequency of 7 to 8 Hz. This frequency band produces a natural “brainwave” through energetic entrainment (sympathetic resonance) called “Theta”, which is what’s called the “dream state”, or the state that lies between dreamless sleep and being awake. This frequency is a natural state of mind that functions harmoniously with all life on the planet and is called our “subconscious”. Our subconscious is the “group mind” of Nature, referred to as the ”collective unconscious”, that breeds the “herd mentality” most people live out of as a natural part of the “animal kingdom”. This aspect of our “self” that we all share in common by incarnating into an animal (mammalian) body, is called our “lower self” or lower mind and soul. We know it in the most practical sense as our “conditioned mind”, where we’re created “by others” through association. We’re literally trained to feel, think, and behave the way we do while in a primarily unconscious (receptive) state.


Related Article: Physics of the Soul, the Nature of Our Character, and the Holographic Nature of Reality


This principle is also at work in forming what we call “reality”, which is formed as an organized field of light (information). Our mind forms a coherent state with our body and brain, which is necessary to perceive and interpret the outer world in sensory terms. We must always keep in mind that our experience of reality is formed through the “atmosphere” (astral light) of the Earth’s soul, which is formed out of memory (archetypal infrastructure), illuminated by our Sun. We function simultaneously out of dual aspects of our mind – the subconscious, which is of the Earth and our lower (animal) nature, the collective unconscious of the group mind we share in common with all life on the planet; and the conscious mind of the sun and our higher nature, which is self-creating and forms our individuality. It’s our willful, thinking mind that creates the outer world as a means of experiencing itself. This is the part of our mind that’s electrical and charges the astral light, which exists as a passive field of latent information, causing correlating aspects to emerge and self-organize.

Our mind as a whole vibrates at the frequency formed by its collective memory, which acts to charge the outer field of latent potential, causing it to self-assemble into a correlated construct. We activate only what’s of the same nature and energetic constitution as we are, and form our own individual, personalized version of the same overall idea. This is the same way an archetype works, it’s a prototype as a universal concept used for producing a particular type of experience through a vast number of situations where no matter the circumstances or situation, we form the same type of experience out of it. We live in the primary structure of our subconscious-group reality as a common theme, while causing fluctuations in the field through our conscious interaction, re-informing the light matrix to reflect back to us our own mental state and thoughts about it. While we all share the same reality in the general sense, we all perceive, interpret, and experience it in a way that’s unique to us, and sets the stage for telling our own story about ourselves and our life.  

We’re born into a physical body that’s made out of the energized substance of the Earth correlated with a particular “state of mind”, causing us to not only be energetically entangled with the frequency of the Earth, but also with the entire solar system, which was formed out of our central star, the Sun. All planetary bodies are living souls that contain memory that’s an aspect of the greater system it’s a fundamental part of. This planetary memory as an energetic frequency, equivalent to a state and quality of consciousness, forms the “archetypes” of Nature as the basis for the plant and animal kingdom, and the gods of mythology, all of whom play a fundamental role in forming our “human psyche”. This is because by being born into the Earth’s energetic, conscious makeup, we function mentally as a part of a “planetary system”, which originated as the “offspring” of our own Sun, all charged with the same frequency of consciousness.

Teleportation

This fact is portrayed in our astrological birth-chart which gives us insight into the archetypal nature of our soul’s constitution, all of which are represented by the planetary archetypes of our own solar system. While we’re formed out of the essence and substance of the Earth (our body), mentally and energetically we’re formed out of the sidereal substance of our Sun, which was formed like all other star-systems out of the substance of our galaxy, the Milky Way. Our star-system is energetically entangled with all other star-systems within our galaxy, which functions as a coherent field of highly organized information that’s archetypal in nature. Any action that causes an effect at any place within our galaxy produces a corresponding effect throughout the entire galaxy as what we have come to call the ”ripple effect”, although this isn’t an accurate concept because it implies a “transmission” of energy “through space” as a propagation of waves that flow in incremental stages, rather than an instantaneous effect that takes place on different scales at the exact same time.

This means that what we perceive as planetary changes, many of which we’re acting to facilitate through sheer negligence and lack of greater awareness, isn’t just affecting the Earth, it’s producing equivalent affects throughout our solar system, neighboring star-systems, and our galaxy. This principle has traditionally been represented by the concept of a spider web, where a vibration (sensation) anywhere in the web is instantaneously felt within the entire web. This also explains why we appear to be drawing allot of attention to ourselves in the cosmic sense through our mindless activities and complete disrespect for life. As well as why we have a natural attraction and affiliation with the cosmos, and often feel an affinity for particular constellations and neighboring star-systems.

Another key factor seldom understood is that we’re all born into a “mammalian body” made out of the archetypal memory of the Earth and can only “perceive” the “reality” associated with our physical senses and the low vibratory frequency of our unconscious mind. We only perceive a very small part of an electromagnetic spectrum and range of vibration that exists within an astronomically larger one. Most of the information carried by light (light is a carrier wave) is invisible to our senses, such as radio waves, microwaves, infrared radiation, ultraviolet rays, x-rays, and gamma rays, which exist all around us without us being aware of them or able to perceive them in terms of the life they contain. And these wavelengths are only the ones we know of that exist in what is otherwise the “invisible atmosphere” around us and in outer space.

When we’re able to use technological devices to “see” the reality contained within these wavelengths, we realize there’s a whole reality that underlies this one, as well as layers of multiple dimensions that coexist within this dimension that we’re completely unaware of, and these are only the wavelengths we’re able to detect using instruments we developed to measure our sensory reality. What this tells us is that different frequencies contain whole realities within them that differ, yet coexist in the same “space” as this one without interfering with each other. This may also explain why we can’t “see anything” on other planets or are only capable of realizing a fraction of the information that actually exists on or within them. But many have a hard time wrapping their head around this fact, and due to their paradigm not allowing them to see and comprehend it, they often choose to ignore it or leave it out completely when building their scientific hypothesis. We tend to ignore whatever we don’t understand or believe in.

Archetypes – Daimons and Gods

The cosmology of the universe is a hierarchical structure of “classes” that are all governed by the same universal laws. The highest class, called the Supreme or first God, is the archetypal world which contains all possibilities for creation in their latent and unformed state. This is the realm of original ideas that we draw on mentally and mold into our personal paradigm as a means of creating a personalized version as a “reality” that brings a particular type of experience. The next class is what’s called the celestial gods of mythology, the realm of “divine archetypes”, which provide templates, so to speak, of various attributes and qualities which, when embodied build correlating character traits which form natural behaviors as a way of being. Below the celestial archetypes are the terrestrial archetypes known as daimons, which are the attendants of the celestial gods, and the “builders” of the material world. Daimons exist on the inner realms of the ”psyche” (astral realm) as “images” (memory) that form naturally in the passive imagination, and can be thought of as the intelligent forces of “instinct” that drive natural activities of the physical world through emotional impulses and passions.

From the celestial and terrestrial archetypes, continual influences are born into world. The nature, character, and state of every living being is determined by these influences and how they interact with each other in forming a relationship as a cohesion. The gods govern our higher mind, which is creative in nature and directly associated with the planetary archetypes (metaphors) and constellations of the heavens, while the daimons govern our lower mind, which builds ideas into living forms, and is directly associated with nature spirits, genii, and the memories (symbols) that reside on the psychic plane as phosphene holograms. Next in line is human beings, which are unique from both gods and daimons in that they partake in both realms and exist in what you might think of as the “middle realm” where they act as a “medium” for combining the celestial archetypes with the terrestrial forms. These two archetypal realms also have correlating aspects of the mind associated with them that form man’s dual nature, as having both a conscious (active) mind, associated with the divine realm of creativity, and a subconscious (passive), associated with the terrestrial realm of instinctual forces and Nature. Man is correlated with planetary archetypes due to having a “star” (sun) as its inner nature (core essence) which is clothed outwardly with a material form, concealing and disguising its true nature as a divine being.

The One and the Many

Classes (species) can be thought of as archetypes in the sense that a “general nature” (qualities and character traits) provides an energetic template for generating a large variety of forms, while each form is easily recognized as belonging to its class.  For example, “felines” are a class (genus) that has many different types of cats, yet all types are easily recognizable as being of the feline family. The archetypal class, in this case, represents the “one”, the seed or core nature, while the forms that emerge from it are the “many”. The One produces many variations of itself, while absorbing and molding them all back into one. In the most basic sense, we are always using a “memory” to produce numerous experiences of the same nature, and then molding all our experiences back into the same memory as a way of growing and evolving it. Memory, whether universal or personal, is archetypal in nature and the progenitor of all our experiences.  

In the higher realm of the conscious mind, divine archetypes are “original” in nature and create their own form and are therefore eternal and immortal. While the forms of the material realm all result from a “universal pattern” (Earth’s soul) as a class or species, lack the ability to create themselves (don’t possess a conscious mind), and are mortal and temporary in nature. The forms of the material world return to their archetypal class as “group consciousness” of the species, which are morphogenic and form the memory of “instinct”. The higher realm of divinity is also the realm of “creative beings”, where souls create themselves as an archetype of their own making. Because we exist as a medium “between worlds” we have the ability to draw from the archetypes of the higher world and combine them in order to fashion ourselves as an individual. While all archetypes are immortal and exist eternally, in the earthly realm their individual forms are mortal and the individual consciousness of a being is absorbed back into the archetype of their species when they die, whereas the forms of divine beings are immortal, and they maintain their individuality after their body (physical form) dies.

When the higher (divine) soul leaves it’s body, it returns to its own archetype, which is unique to itself, and forms the “core nature” for all other incarnations that issue forth from it. In our lower, animal soul, we exist as a part of the “collective unconscious” of the Earth’s soul and don’t maintain our identity (individuality) as a self-created being and return to the group archetype (collective memory) of humanity. The lower human soul is mortal and shares the same consciousness with humanity as a species, which is the part of us that perceives death as meaning “annihilation” or blending back into the cosmic realm where we no longer exist as an individual. This part of us is terrestrial in nature, made of the Earth, and is what’s commonly referred to as our “false ego”, where we identify with our material existence, and because we “make ourselves” out of the Earth, we remain within the soul of the Earth when we die. When we build our identity out of our divine, virtuous, god-like nature, we fashion ourselves as a celestial archetype of an original and individual nature, and become immortal maintaining our individuality after we die. We become the One and the All, where we evolve ourselves by taking on many forms which all possess the same inner nature as an archetype of our own making, and then absorb the memory attained in our lifetime and mold it back into “a single memory”.


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In the ultimate sense, we’re all made out of the essence of the stars and partake in both the “part and the whole”. We create our own experiences out of memory of ourselves and then absorb the experiences and translate (mold) them back into the memory that birthed them, forming our mental constitution as our “energetic state”. When we live out of the unconscious state of our formative conditioning, where we’re determined by others and whatever we associate with, we bond ourselves energetically to the Earth plane and the collective unconscious of humanity. If however, we wake while in the midst of our own dream, and begin taking conscious control of our own moral development and fashion ourselves to be of a virtuous and divine nature, we take our place among the stars of heaven, and become a rightful resident on the plane of immortality. We become a cosmic being and engage joyously in the adventures of self-expression as the means of creating ourselves through our own projection.

Dr. Linda Gadbois




The Art of Interpreting Symbolic Language: The Pinecone Courtyard of the Vatican

I chose the “Pinecone Courtyard of the Vatican” to demonstrate how to interpret symbolic language not only because it includes several different disciplines, but because the process it provides instruction for is profound in the spiritual sense. This interpretation is not based on religion, per se, but on the universal science out of which all religions have their origin. This is purely an interpretation of all images and symbols used in forming a larger, overall idea, which in this case involves the principles used for connecting the lower mind with the higher mind as the means of transcending our physical body and personal reality, while still an essential part of it. All higher knowledge used to be communicated through art, architecture, and ceremonial practices, where every person formed their own interpretation as a means of understanding the universal laws involved which, once understood, provided the individual with the methods necessary for utilizing them in their daily life as a means of facilitating their own ascension.

People tend to only see and notice in any situation what they’ve been taught to notice and usually form an interpretation based on how they’ve been taught to think about it through the opinion of others. As a result, they’ll pull out one or two main ideas while virtually ignoring the rest, or because they don’t know how to put it all together in painting a larger picture. Others get hung up on whether the symbols are pagan, Christian, Occult, Hindu, Buddhist, Esoteric, and so on, which imposes significant limitations on their ability to grasp the secret knowledge being communicated all around them through living symbols that form the foundation for art, science, and architecture. Symbols are considered the “universal language” because they’re an inherent part of our unconscious mind, which we all share in common, and they represent the laws and principles that make up the very fabric of reality and are considered the only true form of “spiritual knowledge”.

What’s commonly referred to as “secret knowledge” is secret primarily because it’s communicated in signs, symbols and metaphors placed right in front of us that we’ve lost the ability to understand in terms of what they represent. The “Language of the Cosmos” is the language of archetypes, metaphor, and mythology, which describe how the inner constitution of a living being forms the outer reality that it then uses as a means for experiencing itself. They’re inherent in the very structure and life of the cosmos and play out fluently on every level and scale of existence. What’s referred to as “Sacred Geometry” forms the design as concepts used in constructing the infrastructure of the cosmos. This means they’re always true and always operating to form, animate, and maintain every aspect of life, whether microscopic or macroscopic. The only question involved lies in our ability to recognize and perceive them because they function at the subtle level of pure mind (invisible forces) and form the very substrata out of which reality itself emerges and plays out as smaller cycles within larger ones of the same nature, which sets the cosmic stage for attaining “experience”.

In a symbolic design every element is intentional and represents a fundamental aspect of the overall idea being conveyed. I’m only going to give a brief description or explanation of each symbolic aspect because true insight comes through inquiry into the significant meaning of things, rather than being taught what to think. By investigating ideas further on your own, you’ll expand your knowledge around them through your own awareness and build the scientific knowledge necessary for interpreting them. Any idea that stirs a deeper interest, research it on your own and see where it leads. Just always bear in mind that researching things on the internet nearly always leads to the same information, which is highly conventional and largely opinionated, being regurgitated over and over, only some of which is even meaningful, and most of which is an opinion formed by those who lack any real knowledge and simply want to be seen as an expert of some kind or voice their opinion. Let your inquiries take you deeper into ideas by exploring them more as a “body of knowledge” formed from many diverse perspectives, rather than only one or two articles. This article isn’t designed as a casual read, but as providing the basis for continued study and deeper inquiries into the principles involved, which will hopefully open up many new doors into the hidden secrets of the Mysteries.

Examining the Entire Pinecone Courtyard

We want to start by looking at the design of the entire courtyard, which is a composite formula of dynamically correlated principles. The first thing you want to always keep in mind is that all laws and principles emerge out of a single law, which is a form of “seed” that contains all the others in their latent form. This seed can be thought of as the parent that births all the other through a systematic process of growth and regeneration, which is represented in the most basic sense by the “Monad”. The Monad is symbolized by a circle with a dot at the center, the same symbol used to represent the sun, and can also be visualized as a “smaller sphere within a greater sphere”, both of which are polarized aspects of each other. The inner dot can be thought of as a condensed core or kernel (black), that acts to emanate the outer sphere as an expansion of itself to form a 3-D shape as a globe that spins (vibrates) on an axis formed out of a single energy that’s polarized, much like a magnet. All principles exist in a dynamic “relationship” with each other, which means you can only understand one by how it exists in relationship with all the other ones that make up the same composite.

Polarity is a “universal law” which means it’s what forms the very basis of reality. Polarization is necessary for “movement”, and movement is the basis for “vibration”, which acts to construct a 3-dimensional image as a luminous-body or physical reality (matter is made from polarized light). This globe of polarized energy forms the toroidal field (invisible sphere) that both surrounds and is radiated by all material objects, also referred to as the astral body, subtle body, or etheric double, which contains the 3-dimensional model for constructing and maintaining the physical form, while also imbuing it with the activity and personality it takes on as a means of expressing. So, the very basis for life itself as a frequency that has both an idea (model) and a self-assembling mechanism inherent in it is represented symbolically by a “smaller sphere within a larger sphere of the same kind and type”, which is the basis for all planetary, solar, and heavenly bodies. All life, whether animate or inanimate “vibrates” at a particular frequency, and all vibration results from polarized aspects of the same energy (thing), which can only be reconciled by a third element, which forms them into a holographic, 4-dimensional shape.

All vibration is a spinning, whirlpool-like flow that spirals while circulating and moving between opposite poles of itself in a circular movement of some form. It radiates out from the center with a positive charge, electrifying and animating everything in the atmosphere around it with the same idea-charge (turning “on” what matches the same frequency and can be used to form a corresponding outer reflection), then, when the electric impulse has fully discharged and reaches an invisible boundary, it switches polarity, becoming magnetic, and draws back into the center an “experience of itself” as a whole reality that it acted to construct (resonate). The experience is then translated into memory as a means of synthesizing it back into the core (mental model), forming the basis for the next discharge. What’s being referred to here as the “self”, isn’t the body or personality of the body, it’s the soul as the “mind” and the entire reality being produced by the mind as a reflection of itself. Let’s start this adventure into hidden knowledge with this primary principle firmly in mind.

The entire design is illustrating a process as an operation for “ascending” to higher realms of consciousness while still in physical form. This idea can be seen as both descending into form and then ascending back into pure mind, because it’s all based on universal principles that function harmoniously in forming a single whole as a living entity. For the sake of walking through it to form a basic understanding, we’ll start with the courtyard itself and the building at what I’ll call the base (south end), directly opposite of the dome, which has 8 pillars, with 7 open spaces between the pillars and 4 statues of saints on the higher level of the roof, which is designed as a “plane”. You always want to notice “numbers”, because in symbolic composites they always represent principles as well as what we’ll call geometric shapes that make up an overall design, which also represent universal laws as “concepts”. Geometry is what forms the structure of the material world, and geometric shapes provide us with working concepts for understanding the principles involved. The entire universe is mathematical in nature and can only be accurately interpreted philosophically (Sophia = wisdom) using intuition.

So let’s start with a basic description of the elements involved. There are 8 pillars with 7 spaces between them – “8” represents a whole unit of “light” – there are 7 colors in the spectrum, 3 primary, 4 complementary – and an “octave” consists of 7 primary notes as a scale. 8 is the principle of “periodic renewal”, polarity, and the self-perpetuating movement between parallel (polarized) planes. There are 4 saints on top of the roof, half of 8 on a higher plane, all growth comes through “halving and doubling” (mitosis). 8 represents a full scale of both light and sound, and the principle of “rhythm” as “repeating cycles”. 4 is the number of material existence, and material forms precipitate from their archetypes through rhythmic, harmonious, pulsating cycles of “halving and doubling” (regeneration). 4 is half of 8, and 8 is produced by doubling 4.

I’m including these as a reference for understanding the principles involved

An octad is formed by polarized squares – 2 squares at a perpendicular angle to each other (turned 90-degrees). Every material object comes into the world as “twins”, which are polar aspects of each other, and “create” through their interaction with each other. We not only contain polarized aspects within our nature (left and right brain, masculine and feminine qualities), but also as an “inner and outer”, and an “upper and lower”, which are formed as mirror images of each other. 4 represents the 4 Elements (statues) – Fire, Air, Water, Earth – with 4 qualities > hot, cold, dry, wet. There are 4 primary states of matter (mater) – earth=solid, water=liquid, air=gas, fire=electrified plasma, which have 4 correlating activities > cold=contraction, hot=expansion, wet=dissolution, dry=crystallization. 7 represents the principle of creativity, self-expression, and “will”, and light (photons) is the very basis of the material world, which is formed as a living matrix of highly structured (polarized) light.

On this 8-fold loom of archetypes precipitate the geometric inhalation and exhalation of compassion (8-fold path of compassion). 4 pairs of manifest gods and goddesses (pantheon) are responsible for giving birth to the manifest universe. The 8-fold geometry is the ancient symbol for the Great Mother Goddess as the nourisher whose substance cloths the archetypal patterns by crossing the 4 Elements with 4 pairs of opposite qualities. The 8-legged spider (spinner) was the Great Grandmother who weaved the web of the world. The Greek word “kosmos” signifies “embroidery” (tapestry), and goddesses were seen as spinstresses, weavers, and embroiders, manifesting the physical world while also spinning the threads of fate for humans.

8 represents the principle of “resonance” – materialized forms are like visible music – the 8th key on a piano forms the same note on a new scale (do, re, mi, fa, so, la, ti, do), one turn of a spiral (sphere), repeating the same scale on a higher rung. Scales repeat on higher and lower levels as the same mental and physical properties. Each octave is a process of renewal, periodic recurrence, and a return, but to a corresponding level of the spiral (karmic rebirth). Periodic recurrence is the basis for resonance or resounding the same note an octave apart. Resonance is a process for “tuning a receiver” to pick up different frequencies hidden within the atmosphere (the colors of the spectrum reveal the hidden inner nature of light, which otherwise appears invisible). The “receiver” resonates in synchronization with the waves being broadcast through the atmosphere (invisible ether) which is teaming with information as “archetypal ideas” in their latent form. By tuning ourselves with particular “qualities” that we build into our nature, we become an appropriate vessel for “conceiving them” from higher planes. The more perfect the tuning, the more perfect the reception.

How we’re tuned mentally and morally determines what we act to naturally resonate with and absorb from the ether and higher planes (scale) of the universal mind. As we receive a vibratory impulse through our pineal from the higher planes of consciousness, it’s immediately translated into a visual form (archetype) that allows us to “see what’s on the other side”. We can only “see light” as it resonates through matter. Any idea or substance that vibrates at the same frequency as light, appears “translucent”. When only some of the molecules in a substance are tuned in a slightly different way, only some of the light resonates through, and we see as though we’re looking through a “dark glass”, where the image appears semi-translucent. When none of the molecules in an object vibrate in tune with the light, objects appear opaque.

Glass (silicon dioxide) is transparent because it vibrates at the same frequency as light, which is invisible while acting to illuminate the material world. The color an object takes on is based on what part of the light spectrum it acts to absorb and assimilate, and what part it repels and reflects. This is the basis for the Hermetic Doctrine of Correspondences and the Law of Analogy (similars), which is the basis for sympathetic resonance. The shape and color of an object is formed by what part of the light spectrum it “absorbs and integrates” and what part it “reflects”, and the reflected ray is always complementary to the one absorbed. Whatever ray of the spectrum is reflected determines the color of its outer appearance, which is always complementary to its inner nature. An object that appears green, for example, is because the green ray is being reflected while the red ray (complementary of green) is absorbed and integrated to produce the “inner properties” it possesses, which form its constitution and determines how it expresses.  

The Greek god Apollo, who symbolized moving together in harmony with the archetypes of the cosmos, used music he played on a Lyre (7 primary notes) that corresponded to the tones of the elements of the mind (3) and body (4), causing them to harmonize (form rapport and coherence). This was demonstrating the process used to form rapport with the archetypes of the cosmos (zodiac), where we “embody” the mental state and qualities associated with them and begin vibrating in harmony with them in order to be “drawn into” the higher spheres of consciousness where they reside. This is the basis for what’s referred to as purification and self-perfection necessary to tune into higher states of consciousness where we serve as an appropriate vehicle for expressing them, which is the main function of the pineal. This is the same principle represented by the 8-pointed star, portrayed in this design as being in the same configuration as the pineal in the brain, where it represents the cosmic principle of sympathetic resonance as the means of transcendence. We’ll explore more aspects of this principle when we touch on other symbols that represent the same principle.

The Courtyard

Directly in front of the 8 pillars and 4 saints is the courtyard itself, designed as a square with an equal armed cross that divides it into 4 smaller squares, with a circle in the center that contains the striking symbol called a “sphere within a sphere” (machinery of the universe). This sphere is 4 meters in diameter, which is a little over 13 feet (1 + 3 = 4), both of which are significant numbers. This is also called the “fractured sphere”, which reveals another fractured sphere on the inside, whose internal structure appears as gears, symbolizing the mechanical nature or workings of the universe. The basic structure of the gears forms a cohesion between 2 levels, which are divided by a “plane”, represented as a thick linear line. What we think of as “planes” are always represented by linear lines or a series of concentric circles. The direction of the gears in each sphere are positioned at a 90-degree angle (right angle) to each other, representing the interaction of “polar opposites”. A polarized electromagnetic field propagates through waves that are perpendicular to each other, which are also polarized (flip-flop), forming a kind of circular movement (spiral) that constructs a 4-dimensional form in what appears as a “square” (two right angles overlapped). This is also symbolized in the equal armed cross, formed by 2 perpendicular lines, or two right angles that are reverse images of each other. A square is the symbol of the manifest world formed by polarized light waves that act to construct a holographic model.

The sphere can also be seen as an “egg cracked open” to reveal the yolk or internal nucleus or “seed” being gestated within the egg as an embryo. This is also a very dynamic symbol of the Monad – smaller sphere within a larger one – which is the symbol of the higher, creative mind which constructs the light-matrix of reality through an interaction and relationship with “itself” as complementary opposites. This idea is also represented by the symbol of “yin and Yang” – polar aspects that form an electromagnetic field by “spinning each other” in opposite directions, forming a circle (sphere). All heavenly bodies, whether planets, stars, solar systems, or galaxies, rotate on an axis, radiate an atmosphere or aura, orbit a central sun-star or black hole, and form through an electromagnetic spiral, that both pushes away and pulls together at the same time, creating “dimension”.

Vibration itself, which is the basis for all material bodies, occurs through the interaction of polar opposites of the “same thing” that are complementary and exist simultaneously as an object and wave, a body (axis) surrounded by an invisible field of light that contains it’s energetic double or what acts to “in-form it”. All particles come into existence (pop out of the ether) as “identical twins” or polarized pairs. Our inner mind is what radiates our outer world, ordering and organizing it (gears that turn each other) through “sympathetic resonance”. Naturally, this sphere also looks like an “eye”, which demonstrates its relationship with the pine cone that its directly aligned with on an elevated, triangular base, as well as all the main features of this overall design.

When this sphere is viewed from above it also appears as a sphere within a circle (mound), within a greater circle at the center of a square. This idea is commonly represented as the “rose cross” (equal armed cross with a red rose at the center), and the calvary cross with a circle at the center. The orientation of the gears rotating is also a reflection of the cross, which is a line of equal measure, one vertical, one horizontal, connected at the center, representing the merging of an upper and lower plane to form “a single body”, as well as 2 right angles orientated in opposite directions, forming a whole (square) as a material form. Polarized waves propagate through space (atmosphere) in opposite directions of each other.

The cross divides the square into 4 smaller squares, representing the 4 Elements, the 4 qualities and activities of the Elements, and the 4 states of matter as the stages it goes through in developing into a solid material form. These stages can be thought of as “energetic states”, of electrified (charged) plasma, gas, liquid, and solid; Fire, Air, Water, Earth; hot, dry, cold, wet; expansion, contraction, dissolution, and crystallization. 4 quarters (quaternary) = 4 directions, 4 seasons – 2 primary (solstice), 2 transitionary (equinox); 4 rivers of paradise; 4 letter name of God (Yod, Heh, Vau, Heh); 4 stages of transformation (intention, attention, concentration, meditation); 4 originating functions – sense, emotion, thought, and intuition. On the Tree of Life this represents the 4 Sephiroth – Chesed, Geburah, Netzach, and Hod, held in harmonious balance by the central Sun of Tiphareth (Christ consciousness of our Higher Self). The 2 above make up Tiphareth’s constitution (polar aspects are reconciled through a third element) – cosmic memory and will – and the 2 below Tiphareth are projected into (reflected downwards) the lower plane of physical manifestation as instinct (memory driven by emotion) and intellect (basis of thought that’s self-creative).

Central 5 spheres on the Tree of Life

These inner aspects combined harmoniously in the creative imagination (Tiphareth) form back into “one” as the etheric-double of the subconscious, seated in the throne of the “single eye” of the pineal. Naturally, the sphere resembles an eye, formed by concentric spheres that are mirror images of each other as an “inner vision and the analogous outer awareness of that vision”. The sphere centered in the pineal represents the sphere of Tiphareth (Christ consciousness) which is commonly shown divided in half, the lower half filled with a colored light that’s has a “liquid” consistency, and the upper half is semi-clear with a gas-like quality. This also represents what’s called the 4-bodies (causal, mental, astral, and physical) that all manifest as “one” in the physical body. The 4 Elements are combined (synthesized) and held in equilibrium (cohesion and coherence) by the 5th element of the mind (Monad) placed at the center. If you look at this square from above, it resembles a pyramid with a capstone, which was known as the means for ascension. This idea will become more apparent when we examine the empty sarcophagus positioned directly behind the pine cone on the terrace.

5 represents “mind over matter”, the 5th element of the ether that holds the 4 elements of the material world together (pentagram) to form a single entity, and the ability of the mind in forming an inner idea as a “frequency” that acts energetically to order and organize (resonate) the outer field of light into the same idea on a larger scale (outer sphere) as a means of generating its own experiences. 5 also represents the “holographic principle” of the inner (sphere) forming the basis for the outer (sphere) as a polarized, reverse image of itself (pentagram), and the pentad forming the “astral gateway” (stargate), as a form of portal to higher dimensions. It’s the principle of power over your own lower nature, sovereignty in being self-governed, and authority in making your own decisions – the spiritual soul having dominion over the material world, which provides the construct for experiencing our own thoughts (willed creation).

It’s the principle of the higher mind in holding together the upper and lower planes of the same archetype (soul), represented by the “eye” of the sphere within a sphere, which represents the function of the pineal in combining 2 levels of the mind into a single form. 5 also represents the “quintessence”, which can be thought of as cultivating a state of moral purity and self-perfection achieved by aspiring towards an “ideal” and becoming the perfect expression of archetypal qualities and characteristics (virtues) that manifest through a monastic lifestyle. This is the principle of “self-replication”, self-accumulation, and spiritual regeneration, which all come by how we express ourselves in our daily life as the means of accumulating experiences of ourselves that we build up over time and act to “evolve our archetypal memory of ourselves”. 5 also represents the Fibonacci Sequence and the Golden Ratio, which demonstrate the harmony of the parts with the whole, and growth through the accumulation and integration of experience in transforming the memory of the whole.

If we were to turn the square to a 90 degree angle it would form an “X”, and if we saw the top as a “V” or funnel, reflected symmetrically in the bottom, combined in the middle, similar to 2 spinning tops, we could see a vortex or portal-like gateway between parallel dimensions as a “reverse spin” that draws the top down while drawing the bottom up, forming a figure “8”. This idea represents what’s referred to as the “Law of Energetic Entanglement”, where all single objects within the material world have “twins” that spin in opposite directions of the “same state” as a vibratory frequency, and no matter how far apart they appear in “space” (which exists as a form of polarized field), continue to act “as if” they’re “one”. If you change the state of one, the other changes in the exact same way as a reverse image. The inner and outer of this plane are not only formed as polarized reflections of each other, but so is the upper plane of pure mind and the lower plane of formation and activity, which is a mirror image of ourselves formed as a “mental construct” of our archetypal nature and thoughts.

Triad becoming Tetrad

A square originates as a “diamond shape” divided in half, where the top half forms a triangle, which is reflected downward forming as a mirror image of itself, representing the idea that the material world is formed out of the vibratory frequency of our state of mind and thoughts. Once formed internally, it’s turned to a 90-degree angle on the material plane forming a square, symbol of thought (will) made manifest. Jesus stated this when he said, “and the word was made flesh and made His dwelling among us”. This is also conveyed in the Hermetic axiom, “as above so below, and as below so above, in the wondrous working of the One thing”. This is the basis for the higher “will” (vibration pregnant with an idea) in calling forth the material world through the “spoken word”. Thought comes as words spoken silently within us that become the basis for our outer perception and all our activities. What we speak outwardly originates inwardly as our own thoughts. We’ll talk more about this principle when it comes to the “seeds of the pine cone” in an embryonic state, and the “Flying Coat of Arms” hanging on the wall of the dome directly behind the pine cone.

A small detail that’s often overlooked that I’ll include because it is a significant factor in considering the overall idea, is that the sphere-eye, which spins on an axis, is positioned with a slight tilt, similar to the “tilt of the Earth on its axis”, which oscillates between 22 – 24.5 degrees (half of 45). This tilt forms the basis for the 4 seasons and the procession of the equinoxes – the rotation of the heavens as the Great Cycle, that’s approximately 25,920 years (2+5+9+2=18=9) (9 is the number of completion and perfection and of “man”). This is the amount of time it takes for all the visible constellations to rotate around the Earth in the night sky, taking turns rising behind the sun on the vernal equinox, which is typically March 21st (3+3 = 6) and the true date of Easter, which represents the resurrection and the first sign of the zodiac (Aries).

This is when the sun crosses the celestial equator in a northerly direction, marking the prime meridian of right ascension. This design aligns beautifully with the 4 directions aligned to the cross, where the pine cone is “north” – the northern star is positioned in the spot of the Earth’s north pole and is used for navigation. It remains fixed while the rest of the stars appear to move around it in a circular motion. Polaris was originally thought to be a part of the constellation of “Draco” – which is represented by the emblem (dragon) that sits on top of the “Tower of the Winds”, the observatory that was used to reform the Julian calendar, which is the center piece of 3 square pillars on the balcony. The pineal acts as an internal “clock” that measures time through the cycles of the sun, and the movement of the constellations in the heavens. The old observatory and the statue of the dragon sit between the two courtyards – the Belvedere and Cortile della Pigna.

The procession of the equinoxes is an important feature to understand because the sphere that’s positioned within the pineal, often represented as an angled halo or aureole around the head of enlightened beings, also demonstrated in the Flying Coat of Arms on the wall behind it and on the top of the dome, is also positioned at the same tilt as the Earth. This same idea is demonstrated in the Egyptian headdress, which appears as a flared cobra head that circles over the top of the head from the spine, with a serpent and vulture (pineal and pituitary) coming out of the center of the forehead. This may be giving us a clue as to the real shape of the energetic current of the body, which starts at the top of the forehead and curves over the cranium (dome of the skull) to the back part of the brain where it regulates the nerve centers of the body through the midbrain. This is also commonly represented by the “hooked staff” many prophets and Magi are shown carrying, and what was called the “brazen staff” of Moses that turned into a serpent (symbol of wisdom). This small detail commonly overlooked through inaccurate interpretation may explain the constant confusion as to which chakra is the 6th and 7th, which this design is clearly showing as being the “crown”, which is analogous to the Higher Self of Christ consciousness, also called the “savior god”, which takes its “seat” in the “throne” of the pineal. You want to also recognize that the pineal is positioned towards the back of the head, with its serpent head shape pointed slightly downward, making the “opposite position” in the center of the forehead.

When the “orb of the pineal” is seen clairvoyantly, its positioned in the same way the Earth is on its axis. I’m pointing this out because this factor is commonly completely overlooked and seldom considered for its significance, even though most symbols clearly demonstrate it. When someone learns to think of an idea in a certain way, they often have trouble seeing it in a new light. This idea is also represented in what’s called the “celestial sphere” (Great Cycle), which we’ll talk more about when we move to the top of the courtyard aligned with the pine cone sculpture. The celestial sphere represents the 36 constellations seen from the Earth (3 + 6 = 9), the same number of the procession (25,920 = 18 = 9). All numbers associated with the procession (12 – 30 – 72- 360 – 2,160 – 4,320 – 25,920) are all derivatives of 3 and 9. Anytime ideas or cyclical processes are represented by the same numbers, it indicates the same principles are operating in each one. The numbers 3 and 9 are significant numbers in the sense that “3” represents the 3-fold aspect of the mind and soul as a Triad, which moves down the hierarchical planes into manifestation by halving and doubling (mitosis), forming 3 Triads (3 x 3 = 9) that manifest as a single unit or living entity in the 10th, the number of completion and self-perfection. There’s a very significant relationship between 3, 6, and 9, as a process of development and dissolution. 9 empowers all other numbers its combined with: (9 + 4 =13 = 4); (9 + 5 =14 = 5); (9 + 6 = 15 = 6); and so on. There’s a 9-stage process in creating a “whole”.

North Wall – Pine cone within a Dome

We want to start here by taking in the whole wall in terms of its basic design as a composite image that represents the principles involved, because principles always represent “processes”. The pine cone is mounted on a triangular (3) base that’s elevated above the courtyard (4 = square), whose design is completely symmetrical, representing the dual nature (polarization) of the mind and body, where it’s the only “single image” that’s not paired. It’s positioned directly above the man’s face on the wall below it, indicating it’s connection to the top of the head. The face has “water” running out of the mouth into a half-circle pool, showing our outer world is a reflection of our thoughts (created in the same image as we are), which  is diametrically opposite to the terrace behind the pine cone, and the pavilion on top of the roof, while at a 90-degree angle to the dome itself. The pine cone, which is mounted on a base shaped like a ‘chalice’ (Holy Grail), centered within a dome (cranium), which has 21 windows organized in 3 rows of 7 each, that appear to emanate from the fountain-like sphere in the top of the dome (22). The cranium (skull) is comprised of 22 bones, 21 of which are fixed, and 1 (jaw) moveable.

What’s called the ”sphenoid bone” is an unpaired bone of the neurocranium situated in the middle of the skull, and is considered the “keystone”, as it joins with almost every bone of the skull. It’s considered the “winged bone”, shaped like a butterfly, moth, or bat, with 2-pairs of wings; 2 lesser (top) and 2-greater (lower), both triangular in shape and positioned at a 90-degree angle to each other. This is represented by the “winged sphere” or “winged pine cone” that sits on top of a caduceus and staff commonly portrayed in Hermetic Sciences. It forms the “seat of the saddle”, also called the “Mercy Seat”, which contains the pituitary body with the pineal positioned higher and to the back of the midbrain (like a sun). The pineal sits between the 2 hemispheres of the brain, close to the superior colliculi of the midbrain, a paired structure that plays a role in “vision”.

The terrace itself is completely symmetrical with pairs on each side, forming mirror images of each other with the pine cone, mans head, and pool below the man’s head being the only single ideas as correspondences to each other. The chalice base holding the pine cone is adorned with 5 men, one in the center, and 2 pairs (who look alike) on each side (5), repeating the idea of “mind over matter”, where the higher mind is holding the 4 Elements in balance, and the holographic principle of the pentagram and Hexagram. The head is broken on the man in the middle, but there’s a possibility it originally had “two heads” or faces, one facing towards the front and one towards the back (pineal and pituitary, two hemispheres, personality and identity, and complementary aspects of the mind and soul). The pine cone is a single image (unpaired) and gland whose “twin” or complementary aspect (polar opposite) is on the higher plane of the creative mind. Above the 5 men is a motif that represents 2 polar opposites combined and reconciled through a 3rd element (3rd eye).

The twin peacocks are sitting on a base of 2 columns formed into one, which have 2 levels combined as a top rail, symbolic of 2 planes merged into 1. Each side of the banister contains 7 ovals enclosed within a rectangular shape (7 x 2 = 14 = 5). 14 is the number of transformation in terms of raising your vibration by forming new combinations (Alchemy has 14 steps in an overall process) (1+ 4 = 5), and 5 is the number of regeneration, which transforms the lower vibration into a higher one (in the trump of the Tarot 14 is Temperance, the principle for raising your vibration by combining the upper with the lower). These two can also represent “2 scales or octaves” which function as a progression where the end note of one scale forms the base note of the next higher scale (do, re, mi, fa, so, la, ti, do), and the same note “resonates” on a higher scale, and of course a single unit of coherent light has 7 basic colors “hidden” within it. The pineal regulates light, and transforms vibratory impulses received from the ether into images formed out of light accompanied by an internal voice.

The base or floor of the terrace then declines down “4 steps”, with 2 flower pots on every other stair (growth), and at the bottom there’s 2 pillars (Jakin and Boaz) with two spheres for capitals (celestial and terrestrial) , with a cup shape in the middle connecting them that has 3 mounds, one seated above and within the other 2, forming a triad, with an 8-pointed star overhead. The 3 mounds represent the 3 aspects of 1 mind (3 aspects 1 essence) (superconscious, conscious, subconscious), and the higher mind which creates through the 2 lower minds of the subconscious (personality) and conscious (identity born out of the personality). On its base below this is a rectangle, the sides half the length of its breadth, representing the principle of Phi and the Golden Ratio. The 2 side pillars holding the spheres are formed out of 2 levels (squares), with the central image being contained fully within the upper one. This idea is repeated in the Flying Coat of Arms overhead, as well as throughout the Vatican. This idea also represents the higher will being seated within the chariot of the pineal, which is pulled by 7 horses (7 aspects of God and man) or 2 sphinx’s (two lower minds), one black and one white, which represent the combination of the 4 Elements (man, bird, lion, ox) to form a material being. This same symbol, 3 mounds, 1 seated within (pineal) and over the other 2 (hemispheres of the brain), with an 8-pointed star overhead is used throughout the Vatican, because of what it represents.

The 8-pointed star is formed by 2 crosses at 90-degree angles to each other (polarized). Directly behind this image is the statue of a saint. While we tend to focus on the pineal and consider it in a singular manner, it’s actually a fundamental part of the “midbrain”, and the main part of the Thalamus, called the Epithalamus, which forms the roof of the 3rd ventricle, and acts to connect the limbic system to other parts of the brain. The pineal regulates our mental state out of which correlated emotions are generated, and through this combination everything else (thought, feelings, perception, memories, nerve impulses, chemistry, etc.) flows as a coherent state. It not only sits between the 2 hemispheres of the brain, which function as 2 material aspects of the mind correlated with the subconscious (right) and conscious (left), but also connects the higher mind with the lower mind which exist on parallel planes, commonly referred to as “heaven and earth”, which are mirror images of each other on smaller and larger scales (of the same frequency). This, again, is expressed in the Hermetic axiom, “ as above so below, and as below so above”.

The 2 peacocks are symbolic of the 2 aspects that combine in forming the “self” as the personality (lower self) and individuality or identity (higher self), the masculine and feminine aspects of our mind, and is a symbol of “transformation”. The peacock is a symbol of the phoenix, and when the tail feathers are spread out form a half circle and have “eyes on them”, glistening with vibrant colors of blue (mind) and green (heart). Directly below the peacocks on the same level with the man’s face are a pair of lions, symbolizing the “king of beasts” (man), known for their strength, courage, and being able to hypnotize their prey. They represent the sphinx, half man, half beast, the symbol of the “sun god Mithra”, and were traditionally placed beside “gateways” and “doors” of tombs and temples to guard and protect them. The lion protected the gateway to the netherworld which the sun passed each day and disappeared at night, associated with death and rebirth. Lions also represent royalty and kingship, and the element of fire.

The man’s face, positioned between the 2 lions and directly below the pine cone, who appears similar to the man depicted on the chalice, is positioned above a half-circle pool, and has water coming out of his mouth. Water is the element of man and the mind, and the primordial substance of the etheric body and subconscious, which forms a “mirror” in “water” that allows him to perceive himself. The inner vision of the imagination appears as an image reflected on glass or water, also called the “magic mirror” of manifestation, and the “dark waters of creation”. Our inner visions come as images reflected on a dark surface, and when we open our eyes, they appear as “translucent images” that we “look through” as a lens of perception used to “perceive ourselves” through the outer world, which is formed by our perception (created in our image and with our likeness). The half circle (pool) is at an opposite angle to the one that forms the terrace (behind the pine cone) on a smaller scale, and is at a 90-degree angle to the dome, and at an 180-degree angle (reverse) to the pavilion on the roof of the dome. What comes as inspired thought conceived internally through the pineal, forms into an image and inner voice that forms the basis for manifesting a physical correspondence.

Behind the pine cone on the half-circle terrace (opposite the pool and same as the rooftop pavilion), aligned directly behind the pine cone and in front of the doorway is an empty sarcophagus. There are what appears to be 8 Egyptian statues made of black stone placed around the wall, with 2 more (sarcophaguses?) laying down next to the 2 on each side of the door. I couldn’t find a clear image of these, so I’m not sure what they are specifically, but based on their color and Egyptian nature, I would guess they represent guardians of the afterworld. The sarcophagus is clearly formed in the shape of a human body, with a dark exterior and a white interior. This symbolizes the “etheric-double” of the sidereal body (8-pointed star), which is seated in the pineal as the god-king in his chariot or throne. The physical body is considered the “tomb” of the soul, and the material world is considered the realm of “death”, because its only here that we take on an animal (mortal) body and experience “dying”.

The sidereal (star), astral-etheric double or subtle body contains the karmic blueprint as a “seed” that forms the soul’s destiny. Every star is formed out of the cosmic dust or plasma of its galaxy, and all the planets that orbit the star are formed out of its electrically charged substance (cosmic dust), and we’re created out of the substance of the Earth, where our destiny is orchestrated through the movement and relationship of heavenly bodies and star systems visible from the Earth (within our galactic neighborhood). This is why archetypes of the Zodiac, which form the basis for our psyche (soul’s constitution) are represented by the planets of our own solar system, and the solar system is influenced by the movement of all the star-systems within our galaxy.

Our “higher mind” is represented by the “sun”, our own star, and our body or lower subconscious mind is represented by the Earth, which are formed of the same cosmic substance and essence, and our higher mind acts to impregnate our lower mind with seeds for manifestation. These karmic seeds (dormant within the pine cone) are “opened” (made to vibrate) by an electrical impulse (spark) administered by our higher mind and are translated into mental images that are symbolic (archetypal) in nature and contain a form of “theme” that initiates a new stage of growth. These are “memories” that have already been created in the imagination of the higher mind. Our life plan (divine providence) has already been designed in its complete form on the higher plane of the cosmic mind, and our etheric blueprint contains all the memories as “seeds” that are opened at precise moments in our development (pineal regulates time). Our lower, animal nature (our body is mammalian), is born out of the soul of the Earth, which creates all activity through instinct and comes in the form of cosmic memory that pertains to a particular species.

The pine cone is used as the symbol for the pineal not only because it looks like one (it also looks like a serpent’s head), but because of the symbolic significance of the pine cone. A pine cone is a seed-pod for an “evergreen” tree, which doesn’t go dormant in the winter, and contains “2 seeds” beneath each scale, and the seeds are released through maturity and by fire (light), heat (expansion as growth), and pressure (attributes of light and will). This represents seeds as stages of development that make up a “life-cycle”, which unfold sequentially as pivotal events that facilitate the karmic growth of the individual. These “seeds of destiny” are fully contained within the etheric blueprint of the individual and unfold through a natural growth process that comes through a form of “perfect timing”. The seeds are gestated and ripen according to the conditions and life circumstances that set the stage for specific types of growth. The scales or seed pods of the cone form a “spiral”, symbolic of the Fibonacci Sequence which basically demonstrates that all growth comes through the accumulation of new types of experience that serve to transform and evolve existing memory to a new level. The most recent past combined with the present form the basis for the future which evolves as a natural progression.

The dome, in which the pine cone is positioned in the center, has a circle on the ceiling with 7 rays, columns, or vertical segments radiating from it. Within each of these rays are windows, forming 3 rows of 7 each, or 7 columns of 3 each. The top row of windows are inset into the curvature of the dome, with the top forming the same shape as the Pope’s headdress – which is shaped like a vesica piscis – and the windows have a thick vertical bar in the center, with 3 smaller horizontal ones dividing the windows into 3 rows (3 tiered staff of the Pope) of two panes each (6). There’s a narrow divider between it and the middle row, which has the same 3-paned windows, with a border frame that has a horizontal rectangle in the same shape and proportion as the vertical windows. There’s a 3-tiered divider between the middle and lower row, the windows on the lower row don’t have frames, and have a center divider with 2 panes, forming a cross, and the center window is a doorway, with 3 windows on each side.

This idea can be interpreted in many different ways based on the geometric and numeric structure, but in relation to the other symbols and idea being illustrated, it clearly represents what we call the “4 Worlds” of the Tree of Life – the World of Archetypes (sphere on ceiling and pavilion of roof), Creation, Formation, and Action – the 22 principles of the Hebrew alphabet and archetypes of the Tarot, and the 22 (pairs) primary chromosomes of DNA, with the 23rd being the gene of gender, which is a function of the pineal. If you take the major trump of the Tarot (Keys for interpretation as correspondences), and place the “0” (Fool) at the top, and line the others up sequentially in 3 rows of 7 each, it forms a tableau of principles where the top row refers to “powers and potencies”, the middle row “laws and agencies”, and the bottom row “conditions and effects”. The archetype of Daleth (an idea birthed in the imagination) is symbolized as a “door” (a passageway between inner and outer), and the Emperor (Heh), is symbolized by a “window” (allows surveillance of the outside). There are 22 bones in the skull, all of which come together in the sphenoid bone (winged bone), which is the seat (saddle) in which the pineal and pituitary sit (winged disc or pine cone of higher consciousness). This can also be interpreted using the symbol of the caduceus, where 2 serpents (polarized aspects of the life-force) wind or zig-zag up 3 levels, resting at the base of the winged disc.

Flying Coat of Arms

This is probably one of the most significant symbols, because it ties everything together to form a cohesive idea. This collective symbol is strikingly similar to the Hierophant (Pope) of the Tarot (number 5, Vau), symbolic of a “nail or peg” that joins two things together, and a “yoke” (yoga) that ties the animal to the cart. It contains the composite of the same group of principles, some of which are represented in new ways. The overall symbol is very symmetrical, representing complementary opposites combining to form a single whole – polar opposites (2 elements of fire and water) are reconciled through a third element (Triad – air). The center image of the 3-tiered crown sitting on 2 columns that come up from the base (cup) formed out of the 2 scrolls, with wings on both sides (Air – ascension), represents of the “winged disc or pine cone”, symbolic of ascension through mastering the mind and cleansing the lower nature using the conscious, rational, reasoning mind of universal intelligence.

The crown is a triple tiara with a trefoil coming out of the top (3-fold flame), forming the base of the fountain umbraculum, which is also mirrored in the circle on the ceiling of the dome. It has 7 rays or streams coming out of it forming a fountain of light, symbolized by a “halo” or golden sphere-disc shown at the same angle over the head of divine, enlightened beings. This illumination is formed out of the aura being radiated from the pineal. This fountain of 7 rays is framed by a half circle with spirals on each end, signifying the union of complementary aspects to form a single unit of light (all light is polarized). There’s a single garland surrounding the whole image that appears as 2 garlands running down both sides – 1 energy divides into 2 – what we perceive as duality is complementary aspects of the same energy necessary to form “dimension” as a holographic light form. The 2 side pieces are similar to a throne or saddle, with 2 arms and 2 legs and the crown (pineal) seated in the middle. The middle is an oval, which forms the “vesica piscis” through the regeneration, division, and merging together of the Monad with itself, forming the “womb of the universe” through which mental ideas become physical realities, forming the basis for self-creation.

The 2 keys, crossed at the center, represent the 2 aspects of the subconscious and conscious on the material plane which are governed by the higher mind through the seeds that are planted and begin growing in the 3rd-eye of the pineal, represented below it as 3 mounds. The keys are also mirror images of each other and are normally illustrated as one being silver (subconscious) and the other gold (conscious). The top part of the key is formed out of a single line (plane) that’s divided in 2, and each half has 3 aspects. The handles are made of a circle with 8 smaller circles around a central circle, forming 10 in all. This is symbolic of the 8-spoked wheel of reincarnation and Dharma, which forms the 8-fold path of Buddhism, and correlates with the 8-pointed star positioned between and below them.

The 8-pointed star represents “cosmic energy”, which flows between planes in a self-perpetuating and self-sustaining manner “8”. It’s the symbol of infinity which is a self-contained system that functions as a continuous flow or closed circuit. The “metal” (property) of the pineal is “quicksilver”, mercury, which rises and falls, expands and contracts, as a pressure system (+/-) based on temperature (hot and cold). 8 is a complete unit of both light and sound (octave and scale), which are both regulated and transcribed by the pineal through calcite crystals that are contained within both the pineal body and the inner ear, and resonate in perfect harmony with each other. 8 represents “meditation” (mediation), where the lower mind is made silent and passive in order to act as a receptor for the seeded ideas of the higher mind, received and translated through the imagination. The principle of the 8-pointed star is represented in the Tarot by “the Star”, number “17”, which represents meditation as the means of merging into and converging with our higher mind.

Meditation is the unbroken flow of knowledge as “conception” – the transference of ideas as the germination or budding of ideas. All germinal processes take place in the dark. T his represents the “genesis of ideas”, conceived in their seed form, rather than fully developed, where they’re gestated and built into the mental model of the individual and birthed as its offspring in the outer world of activity. Meditation directs the currents of solar force by acts of self-directed attention. Intense concentration applied in a steady manner leads to the inner awareness of what is otherwise an elusive truth. The pine cone appears closed because these are the “seeds of light” (starseeds) gestated and birthed on the inner plane of the mind, forming the frequency of an archetypal pattern and theme for ordering and organizing the outer world of light (sun) into a corresponding idea played out as a particular theme. 8 is the principle of “periodic renewal”, where similar patterns repeat in a rhythmic flow of cycles. The pineal is the “time-keeper” of the body and regulates all physical cycles of the body and outer life. The 8-pointed star also represents the light-body of the astral-double, which contains the karmic seed of destiny and fortune, which is unbiasedly administered by our higher mind through “suggestions” that come as inner visions that appear as a memory.

The pineal is both the means of conceiving and translating a universal idea (archetype) into a personalized concept where it comes into fruition through a natural series of events. It’s the learning center of the brain that’s stimulated by higher rates of vibration as the communication between our higher, divine mind, and our lower, personal mind. The pineal is the crown chakra that contains the other 7 within it as a single unit of light that’s coherent and transparent. It’s located both in the body (pineal) and outside of the body, in what can be thought of as the 8th chakra that forms an egg-shaped energy field that can be clairvoyantly seen as the aura that appears to emanate from the body.

It takes part in both planes simultaneously and is what acts to “combine them into one” (4 + 4 = 8). In order to attain knowledge as wisdom you have to “be in the experience of it”. You have to merge into it as a concept and be of the same mind where you become the “vibration of it” (resonate with it). The star sits directly above 3 aspects (mounds), one seated within the lower 2, directly below the 2 keys. You open the “gate” to higher dimensions (keyhole) by concentrating on universal principles as mental concepts (scrolls of universal law). When we stop thinking and still our mind while concentrating on an idea, and simply “observe” (witness) the inner light that forms, truth reveals itself to us. Meditation develops powers in being able to control the animal forces (lions) of our human personality (man’s face).

The 2 scrolls, rolled up on the upper level, and combined and unrolled on the lower, represent law of involution and evolution – the law of involution of undifferentiated conscious energy and its evolution through a series of personalized forms of itself. Through the Law of Karma as cause and consequence, we are assured of reaping what we first sow within. The 2 wheels and rolled up scrolls can be seen as spiraling in opposite directions, tied together by a spiraling rope, where 2 combine as 1, represented by the beaded rope around the central oval where 2 dark beads are bound together by a light one. The scrolls symbolize the Torah, also called the “Book of Life” which contain the 10 universal laws that govern the mind, and the “Akashic Records” in which the karmic memory of the soul is recorded as a permanent record, associated with the High Priestess of the Tarot, the Virgin Mother of God (Mary), and Binah of the Tree of Life. The sidereal body is formed out of “star substance” as charged plasma that’s always in an embryonic state and acts to conceive and gestate ideas planted in it that serve to faithfully administer karma as the sequential events of a person’s life.

All things that come into manifestation come as “twins or pairs” that are polarized to each other and together form a “body” (particle) that’s accompanied by an invisible energy field (spherical wave) that surrounds, permeates (moves through and inhabits), and contains it. This pairing can be thought of as the basis for the astral (star) double that contains the builders plan and a self-assembling force (frequency) as well as the higher mind, which acts to construct and give life to the entire material world without ever fully manifesting “into it”. The etheric double can also be thought of as the subconscious mind (material mind) which is formed by the essence of the higher conscious mind and acts to regulate the activities of the material world. The higher mind can be thought of as the architect or designer, and the lower mind the builder that constructs the reality of the design.

Polarized pairs are “entangled energetically”, which means they are of the exact same “state” and function simultaneously as both a particle (matter) and a wave (mental field of highly organized information). These dual aspects spin in opposite directions of each other, and no matter how far apart they appear to be in “space and time”, they continue to act “as one”. All movement, no exceptions, takes place as an interaction between complementary aspects, whether it be as an inner and outer, where separation is an illusion, or material and energetic as an upper and lower. The only way we have of being “drawn into” the higher, divine levels of the mind is by cultivating the same state of mind as our character and true inner nature. In this regard there’s no faking, pretending to be someone we’re not, or hiding and putting on airs. We have to actually “become it” as our normal way of being and perceiving.

The Rooftop Pavilion

Directly above the dome is a pavilion, shaped into a half-circle, which is also at a right angle to the shape of the dome itself, parallel to the terrace below the dome and directly behind the pine cone, and a mirror image (reverse) of the pool formed by water flowing out of the man’s mouth. The caps on each side of this U-shaped area, are comprised of a square and triangle formed into a house (temple). There are 4 pillars (Elements), with 3 spaces between them, forming a square, with a triangle roof (Triad). This forms the symbol commonly used to represent the union of the mind (3) with the body (4), as the upper 3 chakras and the lower 4 chakras, which form the “temple” as the dwelling place for the soul and spirit. It’s also symbolic of “mind over matter”, and our mind’s ability to govern the animal powers inherent in our mammalian body, represented by the lion.

The inner part of the “U” shape has what appears to be 12 columns or pillars (not counting the 4 end-caps) forming 11 spaces, with half-spaces on each end (12), the same pattern is repeated on the upper level as rectangles. The upper level of the endcaps also repeats the pattern of the 4 pillars and 3 spaces. This is demonstrating the relationship that exists between 3 and 4 as mirror images of each other on parallel planes, where the triad forms the tetrad, as well as the 12 archetypes of the Zodiac (3 x 4 = 12), divided into 4 cardinal signs correlated with the 4 elements, with 3 signs in each category. This also represents the principles involved in the Tetragrammaton or “4 letter name of God”, which is actually 3 letters, one of which is repeated – Yod, He, Vau, He – and the 3 aspects of the mind that manifest in a 4th element as a material reality. In the middle or center, perfectly aligned with the center windows, coat of arms, doorway, sarcophagus, pine cone, fountain, eye-sphere, cross, and center of the 8 pillars, is a rod (flagpole?) with a sphere of some kind on the top. This is an idea that’s repeated throughout the Vatican, and often accompanied by the 8-pointed star and 3 mounds on the top.

A very similar idea is portrayed in a painting of the “Last Supper”, which is inside the Sistine Chapel. In this picture you want to notice the design elements used to convey the idea it represents. The ceiling design (8 spoked wheel – octagon) is repeated on the floor, there’s 3 scenes-images on the wall behind them, 2 witnesses on each side, a figure sitting in the middle (dressed in dark clothes), surrounded by 12 disciples (13th), all with angled halos made of gold (sun), sitting around a half-circle table with a gold chalice in front of the central figure (wine?). The symbols on the floor in front of them – cat and rat, with a dog dancing at the feet of 2 of the witnesses, 2 vessels sitting beside (outside of) a circular tray with 2 more vessels and another circular tray at a right angle inside of it. You may also want to take note of the image on the floor in the “Tower of the Winds” (observatory), that’s comprised of 13 moon cycles, 12 stars, a male and female in the center with 7 concentric spheres or borders, and 4 men holding it up at the corners, with 4 faces opposite the 4 men on the outside. The whole image is formed as a circle (Monad) with an inner square that has an 8-layered circle within it. I point these out because they contain similar symbols and represent a common idea as a universal theme.

Summing it Up

By simply contemplating these symbolic ideas as representing “universal principles” that provide you with a very specific “method of practice” for understanding the real purpose and function of the pineal as being what “connects” us to our “higher self” as our divine nature, other insights will form that will expand your awareness and will provide you with additional clues as to the actual process involved. Any time you don’t fully understand the significance of a symbol or principle, make it a point to research it further. All numbers represent principles that are conceptualize through Sacred Geometry, which is the structure, properties, and animating forces that form the very basis for our material reality and provide us with “processes” for achieving what the composite design represents.

Likewise, the archetypes of the Tarot, astrology, and mythology of all cultures also represent principles in their personalized form and provide a “key” of correspondences and analogies for interpreting all other aspects. These universal archetypes form the basis for mythology and legends of the “gods” of every culture on Earth because they’re inherent in our human psyche and subconscious, and though the images used may pertain to a specific culture or religion, the universal principles they represent remain the same. If you clear your mind of all the opinions and beliefs you’ve been taught regarding an idea or symbol, close your eyes and form a calm, relaxed meditative state while concentrating on an image in a single-minded fashion, what you’ll probably discover is that the image itself will come alive inside as visual thought that begins moving in a spiraling motion proliferating a chain of associated ideas as a form of unfolding. Our inner psyche is holistic and works through the group mind that connects ideas with all other correlated ideas, because a “principle” isn’t a fixed concept or stagnate material form, it’s a living force that organizes the same idea into a vast number of images that all serve to represent the same basic idea.

I’m going to let you tie together all the symbols discussed as representing a “whole idea” or “larger process” on your own, because this is what helps to develop higher consciousness. What we refer to as higher consciousness is always “creative and individual” in nature. As you develop your own idea about what this composite image is communicating, you can begin developing your own practice for how to bring it into your daily life as a means of utilizing it to facilitate your own spiritual growth and moral development. I simply pointed them out and gave you a basis for discovering the deeper hidden meaning they represent.

Symbols are the universal language of the mind where each time they’re drawn into the individual mind and concentrated on, they form in a unique and original way as an offspring produced by that mind. Though they may form differently each time and in a different way for each person, the idea and creative process they represent will always remain the same. Symbolic ideas are how we take a universal concept and use it to form a personalized version as a means of “creating”. As we create using our imagination, we form internal experiences that become the basis for external experiences of the same nature, and through our self-created experiences, we simultaneously “create ourselves”.

Dr. Linda Gadbois     



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The Cosmic Fire of the Mind – Piezoelectric Energy of the Brain and Third-Eye

I’m going to discuss this idea from the perspective of experience rather than hypothesis or following a common belief, so it may go outside of conventional thought and what many have been taught to believe. Many people have never experienced what I’m going to talk about because it typically only occurs after years of consistent meditation and a well-developed ability to concentrate for extended periods of time, which has the power to “grow ideas” through a process of penetration that stimulates an energetic unfolding as a form of evolutionary process. While many focus on the idea and belief that when our pineal gland “calcifies”, our subtle body can’t function through it or operate it to produce biological affects, what I have come to realize intuitively is that it correlates with how the mind becomes crystallized and cast into a fixed-model where all our thoughts and creations become repetitious and habitual, and as a result we stop growing in the most basic sense.

The subtle organ of the third-eye is directly associated with the our “higher mind” (soul), which exists as a “mental state” that vibrates at the frequency of our mental model, referred to in esoteric texts as our soul’s “signature frequency”, represented by the Egyptian Ankh as the “vibratory key” to higher dimensions. The frequency of our individual consciousness determines what we naturally tune into within the greater field of the cosmic mind, and act as a receiver and transducer for archetypal ideas that correlate with our mental model. Though I’m going to convey my experience through my personal model, where the frequency and ideas that proliferate from it are relative to my own knowledge base and level of development, it’s not the ideas themselves you want to focus on, it’s the “process” being illustrated as an operation that conceives cosmic ideas in their “archetypal form” (frequencies), which, once “drawn into” our mental sphere appear as piezoelectricity that acts to stimulate and birth a whole series of correlated ideas that spontaneously evolve out of it as correspondences.

Piezoelectricity makes up what is also referred to as “brain flares”, which form in what appears as a flame-like, electromagnetic pulsation of prismatic colors that shimmer with a dynamic luster, dimming and intensifying, moving in a spiraling, pulsating motion as a graceful flow of dynamic energy. Every impulse or vibration (of air) causes a collision of material particles which produce a flash of light in a particular color. In the hidden realm of invisible forces, an audible sound exists as a subjective color, and a perceptible color exists simultaneously as an inaudible sound, both of which proceed from the same potential substance called the aether, which can be thought of as the plastic substance of astral light. Internal sounds that are not audible to our physical ears are conceived by our “inner organ of sight” through the medium of the mind, in the form of colored chromatic impressions called piezoluminescence, which appears as a phosphorescent glow of electrified air that’s similar to the phenomena known as the aurora borealis. An idea initially comes into the mind as an invisible impulse that then begins clothing itself in a garment of light that makes it perceivable to our physical senses.  

Each person will act to conceive and birth ideas significant to them based on their own individual model and level of development which will be ideal for them in promoting a greater level of understanding. In the cosmic sense there’s no such thing as a fixed idea or form that appears the same way to everyone because it’s our mind as our mental paradigm that shapes everything into a unique form by adapting it to our model, and through a process of “combining”, forms it into a unique variation. An archetype represents as a fundamental idea as a kind of universal concept that acts as a prototype out of which endless variations can be formed while holding true to the same general idea.

Every thought comes as a personal creation spawned by our own mental model and stage in our evolutionary development, where knowledge itself grows within our mind as a new awareness of deeper truths. Our brain (and body) is a “passive receptor” for cosmic intelligence that comes as electrical impulses that propagate naturally throughout the cosmic mind of the aether, which can be understood as the invisible space around us within which we live and have our being. Cosmic impulses are conceived by the subtle organ of the third-eye where, like all electrical impulses that spark in the brain, activate and set in motion a whole chronological process as a chain of associated thoughts. While many take the approach of separating into individual parts what exists and functions as a whole system, our pineal and pituitary body are the only point in our physical body where the mind is translated into biological processes that function as a circuit or current of free-flowing conscious energy that operates our body through our nervous system.

This process has nothing to do with the popular concept of “drawing up” the kundalini energy from the base of the spine, but rather is performed by removing all awareness from the body, while focusing instead on tuning into the cosmic energy in the atmosphere around you, which comes into the body through the top of the head and sets a whole operation in motion within the sphere of the mind itself. All of what we call universal knowledge exists as archetypal memory that’s impressed in the Akasha (Astral Light of vital energy) of the cosmic mind, which we “tune into” by making an inquiry or wondering about something, asking for more information around an idea, setting an intention as a desire to know, praying, and becoming “one in mind” with our Higher Self, which can be understood as our Reasoning mind of higher consciousness.

Our mental model is comprised of all our experiences molded into a single idea (archetype) that vibrates at a frequency that’s unique to us as our signature frequency, much like our fingerprints are used to identify us as an individual. Our signature frequency not only acts as the tuning device we use for tuning into and conceiving ideas that are correlated to our model, but also acts as a transducer that processes and interprets what’s conceived. This comes as a translation formed by how new ideas are adapted to our model and modified into a congruent expression where they can become a natural part of our outer world, which is formed through our ability to perceive it. Everybody translates the same idea in a way that’s unique to them and can be utilized to facilitate their growth through a fundamental “understanding” of universal principles, which only comes as a direct experience that forms the mental concept necessary to apply it at the practical level. We can only utilize what we can first conceptualize as a mental model.

I’m not going to hypothesize about the idea of calcification of our pineal as hindering our ability to conceive higher knowledge, because I don’t know this to be fact, and have come to view it in a different way based on direct experience that neither proves nor disproves it, but rather sidesteps it altogether. There are many ancient spiritual texts that describe the process of pineal calcification taking place around the age of six or seven, when our pineal begins forming a “gold colored sand” as calculi directly associated with the conscious mind of our true higher soul. At around the same age the soft spot of the cranium where the different sections of the skull come together, located directly above the pineal gland also closes and the bones become permanently fused, encasing the higher mind in the tomb of the body. This marks the point in our development when we begin thinking as a means of figuring things out for ourselves and begin making calculated decisions based on our ability to reason, where we start becoming “responsible” for our own mental creations. As our higher mind of thought becomes situated within the third-eye of our pineal, we acquire the ability to turn our thoughts into imaginary realities that allow us to play them out as possibilities providing us with a form of mental rehearsal necessary for making decisions and turning selected ones into actual experiences.

With all that being said, I do however have to say that I also live a very healthy lifestyle and consume natural, whole foods while avoiding fluoridated water as much as possible. What I’ve come to realize about this process is it comes primarily through regular meditation that enhances your ability to subdue and pacify habitual random thoughts to create an “open space” (I call it an arena or stage) for living ideas to enter in their seed-form and begin expressing fluently without outside interference. You have to maintain a single-minded focus for long periods of time, while also developing yourself morally to as pure a state as possible. You can train your mind by regularly engaging in deep states of concentration born out of devoted study of higher, spiritual knowledge and ideals, where you visualize the concepts being presented metaphorically. As we contemplate ideas while in a meditative state, where we clear our mind to form an open space and then focus on an idea that has been formed into an “ideal”, we infuse it with mental energy that brings it alive with sensation, causing it to begin vibrating in harmony with us, and it begins systematically unfolding and growing within us as a part of us.

The information conceived comes in what I call “seed form” that’s symbolic in nature and proliferates by “unfolding and enfolding” through subconscious processes. In my experiences, the form that takes shape out of a pulsating light is nearly always “faces” of some kind, centered around the “eyes”, formed using a variety of elements associated with the mineral, plant, animal, and human kingdoms. For anyone who has studied occult sciences, particularly in regard to what’s called the highest aspect of the mind, called the supernal, superconscious, or cosmic mind of archetypes, the 3 aspects which form “one idea” are represented symbolically as a head or face, because it represents the countenance (inner nature) of the entity. It reveals the “essence” or hidden, invisible nature of the entity ensouling the form. The “eyes” have always been considered “the window of the soul”, and we direct our vital energy into whatever it is we look at and give our attention to. Our “attention”, which is an aspect of our higher, conscious mind, is a “stimulating force” that penetrates material forms and stimulates them into activity through a process of sympathetic resonance.

While many people believe that light itself is the information or knowledge of the spiritual plane, it’s actually the means through which true knowledge as invisible archetypes “form themselves” and take on an outer appearance in order to be “perceived and known”. What we call the spiritual plane exists as archetypal ideas (cosmic memory) that are impressed within and populate the atmosphere (Astral Light) around us as invisible electromagnetic fields that vibrate at a particular frequency and act to “organize light” into an outer form as a reflection where it can be perceived in its symbolic form. How it’s shaped into a metaphorical idea is based on the individual mind that conceives it and forms it into a mirror image as a reflection within their own mind. All universal ideas and concepts appear differently to everyone who perceives them because they’re formed by their own mind in relation to it.

An idea is conceived in its symbolic form where its then shaped into a personalized version by being adapted to the person’s existing model where a whole inner unfolding is prompted as a “chain of associated ideas” that are all correlated with each other. This chain of association comes as a thought process that proliferates spontaneously, one out of another, as a form of growth process that brings new realizations that provide us with deeper insights into the nature of the idea born out of a direct inner experience. We literally “acquire knowledge” of a universal nature that shows us things we didn’t know before. We “grow knowledge” from within that comes as a direct experience born out of a universal concept in symbolic form. This is because we only “know” something by becoming one with it in mind and spirit, where we acquire knowledge of it through an intimate “inner experience”, and through the experience new realizations about its true nature propagate naturally and expand our awareness.

When we look to others to explain what we can only know through direct experience, we become like a dumb beast that can’t reason or think for ourselves, and therefore need to be told. The only way we receive knowledge from higher planes of the conscious mind is by tuning into the cosmic mind of the luminiferous ether through a form of meditation as a single-minded form of concentration. We subdue the habitual activity of our lower conscious mind, where we become a “passive receptor” able to be impregnated by the active force of our higher mind. We become “one with an idea” in its universal, archetypal seed-form, and we allow it to unfold in our awareness while simply “observing it” without trying to change it or take control of how it unfolds. We acquire higher knowledge by “asking for it” (ask and you shall receive), which tunes our mind to conceive it, and then “watching it” as it begins gestating within us in a free-flowing, pulsating motion of constantly “becoming”. We all have what’s called “mirror neurons” in our brain that allows us to “learn” by watching an idea as it expresses through a process of some kind. By being a passive container for a living idea to unfold and express as a dynamic body of light, we become mentally impressed with that idea as an actual memory, and we acquire the means for applying it as a result. We only “acquire” and maintain what we understand in its working form. All wisdom only comes through direct experience which forms an understanding of it.

My Experience

I can only describe how this process works for me, which, though your process may differ, the basic idea will resonate as being the same, because its all based on and operates through universal principles as “processes” that are creative in nature. It always clothes an invisible idea in vitalized light where it can be observed as a “dance” and evolutionary unfolding within the individual mind. While we may perceive it through different forms and by using different elements and models, its intrinsic nature is always the same and never changing. All higher cosmic knowledge is a living system that expresses in infinite ways based on the model it “combines with” and is modified to be like. Its never dogmatic or fixed according to one person’s interpretation or conventional concept used to represent it. All universal wisdom is archetypal in nature and forms itself in a new way based on the mind perceiving it. Our perception always comes by shaping light into the outer form of our mind as a matrix (larger version of the same pattern in a coherent state), where we “experience ourselves” as our outer environment and reality. Archetypes never form the same way twice, even in the same individual, and are in a constant state of evolving into new forms of itself based on combinations that reformulate it.

Meditation and Concentration

When meditating, I form an idea in my mind that I want more information around. I then go through a full relaxation process where I release all tension being held in various parts of my body, clearing my mind of chatter and habitual thoughts that propagate as impulses, then focus exclusively on an idea in its symbolic or metaphorical form (I use Sacred Geometry, archetypes of the Tarot, symbols, metaphorical concepts of the Kabbalah, or sequence of numbers and letters). This is what many refer to as “setting an intention”, which is a primary method used for “accessing memory” within the aetheric-astral field around us. The memory inherent in this field is neutral and in a passive state of potential and is activated (vibrated) by being drawn into our mind. As I focus on an idea, I tune myself to the frequency of that idea while infusing it with the “desire” to know, which is the magnetic force that draws into my mind any correlated information that exists in the atmosphere around me.

This usually starts off as light that either appears unorganized and random, that then begins forming, or as a swirling motion of light that starts on one side, rising up, forming momentarily, then fades off to the other side in a pulsating, rhythmic manner, giving rise to another one in its place. Occasionally it starts as what appears to be a gas-like misty field of light that pulsates as a respiration that expands and contracts, becoming vivid and crystal-like, and then fading back into an impression. I focus all my attention on the light-form while starting the process by thinking about what I already know about the idea (much like priming a well), the light starts forming into a holographic shape or impression that usually resembles a face or upper torso, and takes on a distinct pattern that continues to develop into a form as a pulsating flow of light that becomes fluid-like and more intense in color.

The light, which I perceive as more of a “vivified essence” usually starts off grayish and as more of a neutral tone, then as its concentrated it intensifies into colors of various intensity and hues. The primary color that starts the process is usually a yellowish-green color, and then becomes iridescent, shimmering with other colors as a form of luster. Sometimes there’s no distinct form but more of a pulsating color pattern that seems to prompt a whole series of thoughts as insights that bring new realizations. Other times a face of some kind will start to form, and as I focus intently on it, concentrating my awareness while maintaining a passive mindset, it forms into a holographic face and image that’s constructed out of a combination of features as natural elements, that becomes vibrant with prismatic colors while continuing to evolve through taking on unique features that steadily change its appearance as a form of growth and fluent development.

Once it hits a certain point in an evolving formation, it then begins dissolves back into flowing essence momentarily, and another image of a similar nature starts taking shape. The same type of facial image forms in a somewhat different way and continues through an evolutionary flow that transforms it by taking on new attributes and qualities that changes how it appears. As this cyclical rhythm continues, I concentrate on the eyes and feel drawn into it where I become one with it in essence and mind, and while in a state of being “one with it”, it “reveals” itself to me. I move past the outer appearance it takes on and presents itself through, and come into direct contact with its inner nature, where a whole process unfolds as an eloquent flow that resembles the dance of a flickering flame. Its as if it communicates knowledge by how it expresses as a dance that stimulates me with a sensuous feeling of inner connection. It infuses me with a deep sense of connection that comes from watching it, and a whole idea as a thought process systematically arises and starts playing out in my mind.

Through my own thoughts I realize new things about it that I didn’t know before. Sometimes new images form as symbols that show me the significance of the idea-symbols used in ancient texts and monuments that give me new insights into their true meaning and the processes they represent in communicating higher, spiritual wisdom. For example, one time I was concentrating on how wisdom comes from higher dimensions and an image of a Dyad formed. As I started thinking of the center being similar to a vagina or birth canal of the womb, focusing on the oval part of the overlapping spheres, it suddenly formed into the open mouth of a snake, and the face of a man came through it. I saw it as the mouth of a dragon that formed a wormhole through space, which acted as a portal for moving between dimensions, and then it suddenly shifted slightly, giving me a side view, where it looked just like the Mayan god Quetzalcoatl. From that point on I realized what that symbol represented.

Another time, a cloud formed and in center of the cloud a face formed that then seemed to perch on top of it, where the cloud became its body or foundation. As I watched it, it began pulsating with vivid colors similar to the glowing embers of a fire, and the face was communicating with me telepathically as a form of guidance. The face then separated from the glowing, fiery cloud, rising above it and then a pillar of light formed between it and the flaming cloud, and it went through the pillar and disappeared into the cloud-like mist, and the cloud then opened up and a bright light shown through it with intense rays, much like the sun breaking through the clouds, and it transformed into an eye. The whole time this was happening it was communicating with me subliminally. After this experience, I realized what the symbol often depicted in esoteric sciences as a face residing on top of a cloud that was guiding someone meant, and how the universal laws were communicated through what was described as a burning bush, and how we communicate with higher powers using our third-eye, represented as a “single eye”, formed by becoming one with our higher mind and perceiving the world through a higher form of consciousness. The interesting thing about this type of communication, which works primarily through symbols, is that as I watched them flowing and unfolding I felt as if I was being given, or made aware of a vast amount of knowledge through a process of intuition, which connects us to the inner nature of things where we perceive everything as being an intricate part of a greater whole.

By concentrating on an idea in its symbolic form while thinking about it as more of a concept, it takes on a life of its own and starts shapeshifting into other ideas in their symbolic form, which are all correspondences of each other. Different cultural symbols and glyphs are used to communicate the same universal processes. The cosmic mind speaks the language of symbols, and when we tune into the cosmic mind of the luminiferous ether, ideas unfold within our mind as correlating symbols that are often related to many different cultures. This is for several different reasons, one being that while words of a different language may be unintelligible for anyone who doesn’t know that language, symbols and images can be understood by anyone as representing the same idea, and secondly, because symbols require interpretation, in which everyone interprets the same symbol using their own mental model and cultural conditioning, which is necessary for understanding it and being able to utilize it in the practical sense.

While we tend to think that all ideas within our material world should mean the same thing to everyone, at the universal level, every thought is an individual creation. In the higher sense of true intelligence, its all about borrowing universal concepts as the means of forming personal ones, where the principle involved remains the same, but the model as a concept used for understanding it in the practical sense is different for everyone, making it ideal for them. On the higher planes of cosmic knowledge, every thought is creative, and every creation is an expression of our individuality. Dogma as ideas that are rigid, fixed, and dead, no longer alive and evolving into new variations based on combinations, is only prevalent to unconscious, animal-like beings who haven’t been bestowed with a conscious mind and the ability to think, and create the reality of their thoughts, as a way of “knowing themselves” through the experience of their own creation.

As I concentrate on an idea in its symbolic form, it prompts a synchronistic unfolding of ideas that are all of the same type and class. It connects a single idea as a concept to all other ideas of a similar nature, expanding our awareness around all of them in terms of how they’re connected. Each new idea unfolds out of a preceding idea, showing you new aspects of it that broaden your knowledge and understanding, not only of the idea itself as a formation, but also of its hidden nature being disguised by its outer appearance. The colors it takes on also communicate information about the part of it you can’t know through its shape alone.

Once you engage in this type of meditation which reveals and deals with ideas as they exist in the astral plane of light-forms, you’ll come to understand what has been referred to throughout history and the occult sciences as nature spirits. These are often portrayed as fairies, trolls, undines, salamanders, knolls, green men, and so forth. Its very common for the faces formed to have a unique combination of features that range from crystalline and prismatic, to plant, animal, and human features, that imbue it with the attributes and qualities that make-up its nature. This demonstrates the mind’s ability to order and organize the 4 Elements of the material plane into living entities that represent cosmic principles, archetypes, and natural forces on the spiritual plane. An image contains within it a significantly higher amount of information than words do, while lending themselves to an endless number of interpretations formed not only by every individual, but also by the same individual while in a different mood or state of mind, or at a different stage of their development.

Dr. Linda Gadbois   



I spend hundreds of hours a month writing, editing, designing, and managing this website in order to provide the highest quality of knowledge possible in the area of Spiritual Sciences and Applied Psychology for FREE to those who are seeking, in an ad free, clutter free environment. If you have found the information on this site to be valuable and beneficial to your personal growth and development, please consider making a donation and actively supporting my work . . .




The Absolute Law of Karma – Mortality, Immortality, and the Nature of Destiny

In most esoteric texts and spiritual doctrine Karma is referred to as the “absolute law” because its fundamental in nature and transpires naturally through our very nature and way of being. We’re all born into the world with a “predisposition” that naturally equips us with everything we need to form particular type of experiences and “become” a certain type of person based on those experiences. We’re “designed”, so to speak, with fundamental traits that form our basic character, temperament, natural emotional states and sensitivities, behavioral tendencies, interests, and natural talents, all of which are then developed through our family dynamic and the behavioral dynamics being expressed in the environment around us, and of which we play a natural role in. Out of this dynamic combination of factors all working together in a completely natural way, our mental paradigm begins forming in a way that sets a particular type of “story” in motion as our “life theme”, which imposes a direction on our life as our “destiny”. In order to understand how Karma operates in shaping our life, we have to begin by realizing that as humans, we’re born into the physical world with a dual mind and nature, where we exist as both animal and divine. Where we have both a higher mind that’s intelligent, creative and immortal, and a lower mind that’s automated through instinctual impulses, emotionally driven, and mortal in nature.   

What connects us naturally to all life on Earth is our subconscious mind, also called the collective unconscious or mass consciousness of the group mind, and what connects us to our divine and heavenly nature is our conscious mind, which bestows us with the ability to create the reality of our thoughts through choice and will, which is how we shape ourselves to be an “individual” (archetype) in our own right. Our lower, animal nature causes us to identify in the fundamental sense with whatever group, culture, or society we’re born into, where we don’t perceive ourselves as existing apart from that group and we operate out of what you can think of as the “herd mentality”. While we’re operating out of our lower mind we move in-sync with whatever is happening around us based on how we’re being influenced by external forces, and we look to others to tell or show us what to do and how to do it. While operating primarily out of our lower nature we “create ourselves” out of a fundamentally “unconscious state”, where we lack any real individuality that’s born out of our ability to think for ourselves. This part of us is mortal, which means that when we die, all our thoughts and memories of ourselves that were born out of the group mind (instinct) blend back into the “astral field of instinct” that girdles the Earth and is related to our “species” and “class” as a form of natural intelligence.

This is what the term “mortal” is referring to. We are both a mortal and immortal being, where we have both an “unconscious and conscious mind” that work in harmony with each other in creating what we experience as an outer “reality”. When we live primarily out of an unconscious state, which operates habitually out of the model formed through our initial conditioning, we simply use the memories of past to create more and more of the same type of experiences in the present. While our formative conditioning establishes the basis of our mental paradigm (around puberty) and imposes an initial direction on our life through the “universal theme” we naturally begin employing as the means of creating how we experience ourselves, once we become adults and our conscious mind begins developing, we can then take over creating ourselves by exercising the ability to think for ourselves in a rational, reasoning manner and make our own decisions about who we’re going to be and what we’re going to do as a result. As we make conscious decisions that transmute the habitual patterns playing out in our life in a systematic manner, and we act on our decisions to turn them into a reality of our own making, we begin experiencing ourselves in a new way. It’s only the “part of ourselves” that we create in a conscious, self-aware, and deliberate manner to “form ourselves” as a product of our own making that’s “immortal” and transcends the earthly plane at physical death. This part of us ultimately becomes the “karmic seed” formed out of our soul’s memory of itself that establishes the basis for our next cycle of growth (incarnation) as a natural form of evolution.

The principle of karma, like so many spiritual ideas, has been trivialized in our new-age society to the point where few people are able to realize it for what it is, or learn how to work with it in a meaningful way as a means of exercising their will to create in order to assume control of their own destiny. We tend to view life from a separative mentality, where we take what exists naturally as a part of a greater whole and break it down into separate parts, events or actions, that we then imagine are unrelated and independent of each other, and we never bring them back together as a means of identifying the common theme playing out on a larger scale. Some have even been taught to think of karma as punishment or retribution for past deeds of some kind being administered by a higher power or outer force of some kind. But karma, like all things born out of the mind, operates in a completely natural and lawful manner through the workings of universal laws, and in the most basic sense comes as the “experience” of our own mental creation from both the giving and receiving end.

Our karma comes as the expression of our “soul’s essence”, which forms our character as our inner nature. Our “being” is formed out of our character and morality, out of which all our thoughts, feelings, passions, needs, desires, attitudes, and activities issue forth naturally as a form of self-expression. All of our natural behaviors and deeds result from our moral values, beliefs, emotional states, and memories. Our character is something we’re always in charge of creating based on internal processes we engage in naturally as a means of experiencing the world around us and is governed largely by our conscience, which is our moral nature. Everything you do in life comes as the expression of your character formed out of the accumulation of all your life experiences, translated into “memory”. Our higher soul’s (true self) constitution, which is of “pure mind”, is formed out of memory produced through our own ability to create how we experience things. Memory, like the soul itself, is never fixed, static or singular, it’s always in the process of transforming and evolving as you go along in life through the “ongoing story” you’re always telling by how you live, and through the incorporation of new types of experiences that reshape existing patterns. The most basic way we’re always “creating ourselves” is through the ongoing story we’re always in the process of telling ourselves through our internal dialogue (thoughts) that follows a common theme, and we’re always the author, main character, director, and producer of our own story.

How We Create Ourselves through our Life Story

Our life story is formed out of what you might call universal themes that are common to everyone as a general idea, while also being developed in a novel way that make them unique to us. For example, one of the most prevalent universal themes shared by the majority of people comes as feeling “not good enough” or “not being loved or wanted”, and though this idea forms the basis for the story we start telling ourselves as the means of experiencing our life, it’s shaped in a unique way by each of us based on how we “internalize and interpret” everything (using our model) to make it “mean” we’re not good enough. Yet every person has their own unique situation and set of circumstances, family group and dynamic, or social group that they use as the means for creating internal processes where they take any situation and reform it so that it adequately tells the story of “not being good enough or worthy” of being loved somehow. Each person will use different elements and group interactions to create the “same type” of experience of themselves. We’re always taking what you can call a universal idea and using it as the basis for forming a personalized version of the same idea.

The theme acts as what you might call a fundamental pattern or energetic template that orders, organizes, and produces an internal representation that consistently produces the same type of experience. Because this story is set into motion at a young age before we develop our rational, reasoning mind, and our ability to discriminate, we don’t even know to question whether it’s true or not because it forms the very basis for how we perceive and experience ourselves and the world around us. Our mind works naturally in any situation to only activate (notice) and call forth (focus on) the information that can be used to tell our story, while everything that would ordinarily contradict or disprove it is ignored or goes unnoticed. We interpret any number of behaviors, no matter how well intended, to mean, once again, that we’re not wanted or good enough. We then react to our own internal representation as if it’s true, which determines how we conduct ourselves and interact with others, which is what turns it into an actual reality. So, our life’s story, which is the most basic way that we create how we experience ourselves, evolves naturally out of our own mental and emotional state.

How Our Higher and Lower Nature Blend into One

While some have formed the belief that we “choose” our parents and the family unit we’re born into, most likely due to the part of us that reincarnates is also the aspect of our self and mind that has the ability to make decisions and willfully act them out as an experience, this is also the part of our mind that functions exclusively out of higher laws of the mind that are universal and all-encompassing in nature. Our “genes” not only record and make a permanent record of our memories, but they also form our physical characteristics and imbue us with natural behaviors and tendencies derived from our ancestral lineage. When we come into a physical body, we do so based on the memories inherent in our parents and family genes, which gives us correlating physical characteristics and natural tendencies that are then developed through our family dynamics and act to form the basis for re-establishing and setting our life story in motion as a continuation of our past. Everyone in our family shares not only the same basic characteristics but also play a natural role in acting out the same type of dynamic as shared story. We pair up, so to speak, and combine with whatever is “like us” in terms of our soul memory, which correlates with and acts to enhance what you might think of as our “soul’s design”, formed as a kind of “memory-seed”, out of which all our life experiences naturally proliferate in an automatic and spontaneous fashion.

Memory is archetypal and thematic in nature and forms “patterns of activity” (natural behaviors) developed as the expression of our character and personality. Because we share the same characteristics of our immediate family along with the ancestral memories associated with our bloodline, we naturally develop behavioral dynamics born out of shared character traits and tendencies, which are correlated to our soul’s constitution coming into this realm. This establishes and forms the foundation of the same fundamental patterns of our karma as the ideal character traits and predisposition that form our life-theme, while also setting them in motion as a continuation of our past life experiences, all of which evolve systematically out of an unconscious state.

This dynamic process set in motion through our childhood experiences that form our “mental paradigm” as our “formative conditioning”, functions in a completely natural way as a form of automation where we continue to live out of our conditioning without having an awareness that we change it by employing our higher mind. If we don’t “wake up” and become aware of our higher nature and realize how it is we’re creating our life experiences, we simply live out of the patterns of our conditioning as our karma. By becoming aware of our own internal processes and realizing how it is that we’re creating our own life experiences out of habitual tendencies, we can begin taking control of our own mind and intentionally directing our thoughts to form new ways of perceiving ourselves in relationship with the world around us. Once we begin realizing that we are in essence the one creating how we experience the world around us by how we think, act and interact with it, we begin participating in our own development and begin learning how to tell a new story about ourselves and our life. This is what the saying “you reap what you first sow”, is showing us.

Our Soul’s Essence as Our Internal Nature

Everything precedes according to its nature. Our destiny is encoded in our nature as the accumulation and synthesis of all our life experiences that consistently develops our character and the formulation of qualities we actively express in a consistent manner. Each one of us is perfectly designed to fulfill our destiny in a semi-predetermined way. Our karma forms our soul’s memory as a dynamic formula of character traits developed to different degrees, levels, and potencies. Out of this seeded formula of attributes qualities, and traits, our entire way of being systematically emerges as our personality, likes and dislikes, fears and phobias, what we’re interested in and gravitate towards naturally, what kind of ideas we’re attracted to and associate with, the values naturally instilled in us as our conscience, and what it is we can “see ourselves” being and doing. Our inner nature forms our predisposition and temperament, out of which our feelings, emotions, and thoughts naturally proliferate and formulate into ideas about our self and our life. The nature of our soul’s preexisting memory, formed as the accumulation and translation of all our life experiences up to that point, forms the basis for reestablishing and continuing our ongoing story and narrative we’re always telling ourselves that gives them the meaning they have.

While many people believe meaning is objective and that what something means to us is the same thing it means to everyone, this is not at all true. Meaning is something we all “make-up” based on how we present things to ourselves and the interpretations we form as a result. Our life story is set in motion when we’re kids and we have an emotionally intense experience of some kind, and while we haven’t developed the ability to reason yet, we try to somehow make sense of it. While we’re kids, we’re still connected to our parents and siblings and haven’t begun forming a separate identity, and so we tend to make everything out to be about us somehow, or our fault. When mommy’s upset and scolding or punishing us, we make it “mean” we’re bad somehow, and as a result, she doesn’t love or want us anymore. When our parent criticizes us or put us down in some way, we don’t know to question them or realize that’s just how they are and doesn’t have any bearing on us, and instead we form a belief about ourselves based on it. As kids, we tend to believe whatever it is we hear being said about us, which sets what becomes our life theme in motion and that we continue to build out of as we go along.

Meaning and the story we’re always telling ourselves about things is how we take all of what appears as independent and random ideas and mold them all back into a single idea. If you observe your own internal dialogue and the nature of your thoughts, what you’ll soon realize is that you’re always explaining, describing, judging, and validating your beliefs about the way things are, forming an idea of them as an “internal representation” that represents a particular “type” of experience, that you then use as the means for anticipating and forming how you actually experience them. We don’t experience things as they truly are “apart from us”, but by how we remake them by molding them into our ideas about them. The ongoing story we’re always in the process of telling ourselves as our thoughts about things is how we naturally use our conscious mind (the story-teller) to direct our subconscious (the builder) on what to build into our outer environment so we can apprehend it through our ability to perceive it. We then perceive it as a natural part of our outer world where we can form an experience of it, and as we form an experience of it we simultaneously “associate and relate” to our own experience, and shape ourselves “through” the experience created as being a natural part of it.

Due to this all occurring in a completely natural and automatic way, we usually fail to realize that we’re not only the one doing it, but also that we have the innate ability to take control of our own internal processes and create new experiences of ourselves. When we remain unaware of how it is we’re creating our own experiences of life, we perceive life as “happening to us” rather than being determined “by us”, and we’re shaped by whatever and whomever we live around and associate with. Inner processes are governed and set in motion by how we’re being stimulated by others and world around us that awaken, vibrate, and call forth in us matching qualities and emotions, and we create our internal experience as a reaction that comes in a fluent and automatic way. In the general sense, we’re a product of our environment and we become “like” whatever it is we associate with, identify with, and live around consistently.

When this all occurs in an unconscious and natural way, our life is predestined as the enactment and continuation of our karma, where we continue to live out of the reality formed by our previous experiences. This principle of accumulated memory forming the basis for all our current experiences, can be understood by recognizing that most of our thoughts that run automatically in a habitual manner come by replaying the experiences of our past over and over, keeping us in the same state of mind we were in when the memory was formed, and that we use as the means of anticipating the future as a continuation or reenactment of the same idea. We anticipate what’s to come and form our expectations out of similar ideas experienced in the past. We are “predestined” for a certain kind of life based on our karmic seed as our essential design, which transpires thematically and automatically out of a primarily unconscious state, where we lack an awareness of the fact that we’re the one creating and determining all our own thoughts and experiences and the one forming the interpretation of our life events to make them mean what they do.

Redemption and Resolving Karmic Patterns

We’re all born into this life as an archetypal being. What this means is that we are each comprised of multiple attributes and qualities that are developed in different ways and to different extents, that start off in a primarily latent form, only some of which are activated and brought out in us and developed according to our family dynamics and life situation, while others remain inactive and unused inside of us. These latent aspects of our nature represent our “potential” for new types of growth and provide the key for using in order to “transform ourselves” by utilizing and thereby developing new parts of ourselves. This process, like all mental processes, comes primarily in two different ways; one as responding to challenging life events and new situations, and one through self-awareness and evaluation where we consciously “choose” to employ certain qualities as a means of correcting our own weaknesses and character flaws, or to begin stepping into and associating with our higher and more divine nature.

This is the process of transformation and spiritual regeneration undertaken by initiates by going through difficult and challenging situations while remaining fully awake and self-aware throughout the event, and actively choosing “how” you’re going to be in relation to the event or happening. Where you actively decide whether you’re going to “rise to the occasion” and use it to grow yourself in new ways or shrink back and allow yourself to be overcome by it. When we learn to look at our life as the ideal means for developing ourselves by how we go through difficult or intense situations, we can use our life experience as the means for becoming more aware of our own internal processes and we can use our will in being able to maneuver them in a more productive and intentional way.

As you’re stimulated by the events of your life, if you turn your attention inward and become more aware of what parts of you “come alive” in response to it you can begin recognizing how it is you normally function in an unconscious way through a reactive state. As a feeling and emotion come alive inside of you, what you’ll notice is that it’s directly correlated to an aspect of your character. When you remain unaware of what’s happening and why, you resort to habitual tendencies and react in an unconscious and automatic way based on a past memory associated with the same feeling. Once you begin learning how to refrain from reacting while maintaining a calm inner state, and you turn your attention inward and become aware of the internal processes set in motion, you’ll realize that you have a choice as to how you’re going to respond. If you subdue the emotion prompting the immediate reaction you can bring it under your control and remain calm while processing it through your rational mind. When you’re able to look at what’s normally a highly charged emotional situation with a calm, analytical, reasoning mindset, you can see what’s operating at the subtle level and maintain control over your own mind and behavior.

The means for transforming any quality or mental state is by working with its complementary aspect, which acts to counterbalance it. For example, when a pronounced feeling of fear is invoked in you and you remain self-aware, you realize you have a choice as to whether or not you’re going to be a coward, back down, or freak out, or whether you’re going to be courageous, evaluate the situation in terms of what’s making you feel afraid and why, and step boldly into it with a sense of confidence. By doing this anytime you feel afraid or scared by something and consistently choosing to be brave and confident in yourself, you act to gradually transform that quality and tendency in you, while steadily developing the new quality in its place. As you commit to doing this in a consistent manner, you accumulate more and more experiences of yourself as being courageous and confident in your ability to handle whatever it is you’re facing, and after awhile the fear subsides entirely.

As you transmute one aspect of your character by employing the opposite aspect, you transform your nature, which changes how you experience yourself, and it simultaneously changes your “life story”, which is what forms your “destiny” and who you become through your life experiences. You literally impose a new direction on your life by becoming a different kind of person. As “you change”, your life changes in the exact same way. As you form new experiences of yourself you steadily evolve the memory born out of fear and feeling easily overwhelmed by it, and you create “new karma” as a result. Karma isn’t something that’s imposed on us by an outside force or authority, it’s formed by “being in the experience” of our own mental creation. Karma comes as the experience our own creation, born out of our actions (both internally and externally), from both the giving and receiving end of the same act or pattern. What we put out in the world as our actions, we experience as happening to us by an outside force when it returns. All energy set in motion by our will moves in a circular, spiraling motion, and always returns to the same place from where it began. Life, which is formed as a “life-cycle based on time”, is cyclical in nature, and all heavenly bodies return to the same position from which they originally started.

Our Soul is an Archetype

Out of the One come the many, and the many coalesce together to form the One. A single entity divides into diversified aspects of itself as a means of expressing and creating an experience of itself through its own expression, which is then absorbed and synthesized back into the One from which they came at the end of that life-cycle. We come into this life as an “archetype” (a state formed out of a dynamic formula of attributes, qualities, and characteristics that express naturally in forming our personal “myth”) which expresses through multiple aspects of itself to produce a wide variety of experiences, most of which seem unrelated to each other and random in nature, and then, as we die, all the memories attained in our life are categorized and synthesized back into a single unit as an archetype. Our archetype forms our soul’s “signature frequency” as a prototype or etheric template, that’s then cast into another form as it’s essential nature and morality. Our spiritual nature isn’t a single form, it’s what shapes and gives life to all forms. An archetype is a prototype that can take on many different forms while maintaining the same inner nature, and it’s this part of us that’s reincarnated into a new form each time we’re born into a new body and personality.

Dr. Linda Gadbois        




I spend hundreds of hours a month writing, editing, designing, and managing this website in order to provide the highest quality of knowledge possible in the area of Spiritual Sciences and Applied Psychology for FREE to those who are seeking, in an ad free, clutter free environment. If you have found the information on this site to be valuable and beneficial to your personal growth and development, please consider making a donation and actively supporting my work . . .



Symbols are Living Entities on the Inner Planes that Produce Corresponding Realities in the Outer World

If we hold a symbol of some kind in our mind and concentrate on in a single-minded fashion, while setting an intention of penetrating its deepest secrets, our attention acts as a kind of prompting mechanism that causes it to come alive and start unfolding as an evolutionary flow that steadily culminates into a whole idea. When we clear our mind of random thoughts that run through it continuously in a habitual fashion, and focus coherently on a single image or idea, our attention acts as a stimulating force that magnetizes it with our life-force energy, causing it to begin vibrating, and coming alive as a result. As we concentrate on an idea we begin systematically fashioning it in our imagination as a light-form by defining it with sensory attributes. As it starts becoming vivid with sensory details, it produces a corresponding sensation in our whole being, where it comes alive and starts moving in a fluid-like motion as a process of unfolding. It unfolds by moving through a dynamic sequence where it takes on numerous features as it expands into a full array of possibilities as a kind of growth process. As a symbol comes alive and begins morphing into a synchronized flow of various possibilities, it begins slowly revealing it’s hidden secrets to us while we simply watch it.

Symbols are similar to the archetypes they represent and are a form of “seed” which, when planted in the fertile mind of the subconscious, grow into whole realities that exist in a constant state of evolving through endless variations of itself as a means of “becoming”. Symbols represent whole ideas that are grown in the mind of each individual in a way that’s unique to that individual, because the growth and evolutionary process that takes place is based on correspondences, and how it’s adapted to combine with other complementary elements to form modifications of itself. This process of adaptation as new and unique combinations that form amalgamations that imbue it with new attributes and characteristics that changes it’s form and how it appears in a moment by moment manner, is symbolic of the mind itself and how it operates in creating unique versions of itself as a whole reality. Although things appear stationary on the outer plane of material formation, on the inner planes of living ideas everything exists in a constant process of transformation as an evolutionary growth process of “becoming”. Nothing is stagnate or fixed, and is always moving and flowing into new forms of itself.

In our material existence there’s a constant attempt to make living ideas finite and absolute, where they appear the same to everyone, and we glorify the idea of being “right or wrong” based on the consensus of the group mind. We grasp at concepts given to us by others as a means of being accepted and fitting in to our peer group, or arguing somehow in an attempt to prove we’re right, but on the higher or inner planes of pure mind and spirit, we are all creators in every moment through our ability to think in ways that are unique to us as a means of self-expression. When we exist as a part of the group mind, we fail to utilize and develop the power of our higher, divine nature as a creator and artist. On the higher planes of the conscious mind, we exist fully within our divine nature and are always in the process of “creating” in every moment by how we shape our thoughts into realities in our imagination as a way of experiencing them.

When we’re told what to imagine and picture in our mind, by either being taught conventional ideas or led through a guided meditation of some kind, we only create stationary, static ideas that classify us in the category of being a highly trainable animal. When we focus our mind instead on universal symbols that represent archetypal ideas, and allow a spontaneous process of emergence and becoming to take place without needing or attempting to control and direct how it unfolds or what it acts to reveal, a magical unfolding occurs, and the reality produced is our own unique creation. We should never take an attitude of trying to compare our idea to other people’s ideas about the same thing, or start modifying our realization to somehow conform to theirs out of fear that we might be wrong somehow. It’s only on the lower plane of the animal-plant subconscious that creativity as uniqueness and individuality don’t exist, and as a human being, given the higher capacity of creativity, we use our imagination to create whatever it is we’re told we should create. Only at this lower level are people turned into mindless robots out of a desperate need to fit in and be accepted as a part of a group of other mindless robots. On the higher plane of the true “conscious mind”, intelligence reigns as creativity and our innate ability to create ourselves as individuals.

Most ancient texts of both spiritual and scientific knowledge, which are actually the same thing, are nearly always written in glyphs and the universal language of symbols. This is because not only do they require interpretation, but a single image contains the seed for a whole idea, which when contemplated, generates a whole series of correlated ideas as a chain of association. On the higher planes of cosmic intelligence ideas exist as archetypes, which serve as a prototype or basic concept for generating infinite variations of the same idea. These archetypal ideas act as a “seed of potential” that form based on how they’re combined with other ideas to form an amalgamation that remix the basic formula of attributes and qualities to form new characteristics. The form something takes on is based on the characteristics it possess, which also determine how it functions and behaves. Form always determines function as the natural operation it acts to perform in an automatic way through purely natural behaviors.

How a symbol unfolds within the mind of an individual is based on the unique set of characteristics they possess as their mental paradigm. Each one of us has a unique character, temperament, conditioned tendencies, way of thinking and perceiving, level of education and training, different types of life experiences, maturity, racial background, and so on, and when we each take the same symbol and concentrate on it while setting an intention to acquire its hidden knowledge, it’s adapted to our mental model and modified accordingly. Through a process of adaptation and modification that makes it “like us”, it forms within our imagination in a way that makes it a unique idea as our “own creation”. As human beings emerged within the subconscious of the Earth’s astral plane, we’re always taking universal ideas as archetypes and using them to form a personal creation. Each one of us is meant to be artists in our own right as a means of exercising and developing the higher capacities of our mind as the creator of our own life. Whatever we combine with in mind and spirit, we become like in character, and we take on new qualities as characteristics that alter our behavior by altering how we think about things, and how we form our thoughts into realities in our imagination.

For example: Many people aren’t quite sure what an archetype that serves as a prototype for creating is, because they get stuck on the finite material concept used to represent it. An “idea” comes as a means of creating an “experience” through a material reality. An archetype of “cup” is formed as a basic concept for the purpose of “drinking”. We start with a basic concept of a container that will serve the purpose of holding liquid of some kind so we can engage in the activity of drinking. A symbol is used to represent the basic shape of a cup or chalice as a concept for designing one. When that symbol is held in the mind and concentrated on, all kinds of different ideas about possible ways to make a container start to propagate fluently based on the association made to possible materials and supplies immediately available to you. Various type of ideas come as a cup made with different materials, styles, colors and designs, while still holding true to the concept of a cup. You pick one of your imagined ideas that seems to be best suited for what you want and need, and you proceed to make a cup that’s your own unique design.

The symbol served as the concept out of which numerous possibilities systematically emerge based on how you associate it to other known ideas about the same thing. So symbols, whether a single image or composite or geometric design, serves as a kind of seed for the idea it represents and will systematically generate a whole plethora of ideas related to it. This is the genesis of creation, often referred to as “conception and gestation”. A basic concept is activated within a fertile mind and a chain of association spontaneously unfolds as a sequence of possibilities. When one possibility is selected, held in place, and developed by infusing it with attributes and sensory qualities, we begin shaping it with detail and it’s brought alive within us as a result. The more we continue to define it with sensory details as color, texture, touch, appearance, sound, feeling, smell, and so on, we infuse it with our magnetism as our life-force, and it begins “vibrating” as the frequency associated with the pattern as a construct. This internal construct defined as a specialized idea and brought alive by infusing it with our life force, forms a etheric-shell that serves as a template for producing as a material reality of a corresponding nature that can be “experienced” on the outer plane.

Once an idea is brought alive on the inner plane by activating it and causing it to begin vibrating as a specialized frequency, polarity is formed as complementary aspects that interact with each other, where the same idea is contacted and begins organizing on the outer plane as a correlated manifestation. Just as vibration is formed by the movement between complementary aspects of the same thing that begin moving in sync with each other around and between electromagnetic poles as a rhythmic spiraling movement, this same movement takes place between the active inner and the stationary outer, bringing them together as a reflection of each other. The inner idea, alive with sensation as an inner experience that’s “symbolic in nature”, connects through association to the elements of the “same idea” in the outer world, and becomes a “perceptual filter” as a kind of “lens” we “look through” that makes everything of a corresponding nature “stand out”, and as we non-gallantly scan the environment as we go through our day, ideas of a similar nature stand out and we notice them. As we notice them we’re drawn into them and we begin interacting with them mentally by associating them with being the same type as the idea formed on the inner plane.

This is where allot of people fail to recognize their own manifestations, because they expect the outer manifestation to match the inner idea in appearance, instead of realizing the idea born in their mind is an archetypal metaphor used as a primary concept for organizing variations of itself by entering into and combining with whatever exists naturally within the immediate environment to form a unique variation. The inner construct serves as a conceptual idea that serves to direct and connect our attention to any ideas associated with it as a correspondence in the outer environment. Whatever is formulated using the imaginary capacity of the mind serves as a universal idea that connects with the same idea within our personal life as an analogous idea of the same kind and type. The outer appearance something takes on is just the casing, shell, or outer garment for the inner idea it serves as a vehicle for.

This same process of evolutionary design that’s always fluxing and flowing into new variations of itself based on association and adaptation also occurs in creative processes, where an internal concept or vision is used to design and construct an outer material formation of the same kind that can be “experienced”, shared, and utilized somehow. Iconic or symbolic art, for example, will stimulate a whole internal imaginary process in the viewer. When an artist goes to create something they have to start with a fairly vivid vision or concept of what they’re going to create as an “idea that brings a particular type of experience”. All art is designed to provide a “seed” which, when contemplated or experienced activates and sets a whole series internal processes into motion. A painting, for example, isn’t about the object or image being used, it’s about using the image as an idea that prompts a feeling and stimulates an internal process as a chain of associated ideas that start flowing and unfolding and takes them on an imaginary journey of self-realization. It sets the mood out of which a kind of reverie comes alive inside their imagination as an idea that begins unfolding as a reality.

As you form a fairly vivid concept that’s meant to capture an idea as a feeling, you lay it out on the canvas in basic shapes that are proportioned properly, and with a fair amount of detail needed to construct it in a logical manner. You pick your palette of colors based on the mood and ambiance desired, and as you start painting, you don’t try to rigidly constrain it, but instead let it begin taking on a life of it’s own. You allow it to continue evolving as you paint it based on new thoughts and associations that come as a result of the process undertaken. The object or image itself only acts as a metaphorical representation for the idea being captured and conveyed as a feeling. The idea is that when someone else views it they get a distinct feeling as a kind of mood, and the idea it symbolizes stimulates them in a way that causes them to have a specific type of experience that’s unique to them as their “own creation” on the inner planes of their mind. Art of all kinds invokes creativity and self-expression in everyone who engages in it as an “experience” of the same idea.

The same type of process occurs in inventions and innovative discoveries. An idea comes to mind, and it’s initially captured by writing it down or sketching it out as a basic idea, and then the basic idea is developed conceptually with detail until it can serve as a kind of diagram or blueprint for constructing a material object or machine. As you start to construct or manufacture it, new realizations form based on whether or not it’s working like you thought it would, or better ideas as modifications to your original design spontaneously come to you as you’re building it, and you tweak and redesign it as you go, until the finished product performs the way you intended it to. You allow it to breathe and evolve as a “living idea” as part of your creative process.

All of us are doing this on the inner planes of our mind based on how we think about something, and then visualize our thoughts as a reality in our imagination. As we continue to think about the same idea, we develop it in new ways based on how we combine it with other ideas or various scenarios as a means of shaping it with new attributes and characteristics that evolve it into new variations of itself. As we shape an idea with sensory detail in a way that gives us an experience of it, it serves to invoke correlating feelings and emotions, which bring it alive with movement. Thoughts that we dwell in with intense feelings and emotion come alive with vibration and become polarized with the outer world of stationary manifestation. Our outer world is manifest (arranged) by us as a correspondence to our inner world. We don’t realize this because our inner, imaginary world born out of our sensationalized thoughts serves as a symbolic representation that’s metaphorical in nature and sets the pace for our outer world as a corresponding theme. What acts as the “bridge” that connects the inner with the outer is the feeling they give us as an experience.

An idea (or memory) formed on the inner planes as an experience that causes us to feel sad, for example, will serve an an archetypal matrix that forms a perceptual lens for only seeing and constructing a similar idea in the outer world, which will serve to bring us more experiences that cause us to feel sad. Sad thoughts produce sad realities. The outer reality may not come in the same form as the inner thoughts, but it will give us the same feeling as a type of experience. Many don’t realize this because they think it’s about the “appearance” an idea takes on, which they think is fixed on the inner plane in the same way it is on the outer plane, and they look outside for the same idea they formed inside, instead of realizing that the outer manifestation comes as constant variations of the inner idea based on the elements available in the immediate environment being used to construct it and play it out as an experience.

Universal concepts that exist on the Spiritual plane as archetypes are used to construct and hold together the universe and are infinite in nature. They’re living ideas that are always in the process of regenerating as an infinite number of unique variations based on how they combine with the “mind” and take on the same attributes and qualities as the mind, and in doing so, form into new variations of themselves. All things that we perceive as being different from each other are in truth simply unique variations of each other formed by combining with different elements. The soul is an infinite being who manifests itself and its own reality as a means of “experiencing itself”. Experience comes as an idea that invokes a feeling out of which a dynamic series of realizations spontaneously emerge that brings us new insights into the true nature of things. It’s not based on the physical form or construct of reality, it’s based on how we use the material formation to invoke an internal response as an experience. Numerous situations can produce the same type of experience that leaves us with the same type of feeling. As we create our experiences we cultivate the feelings born out of them, and use those feelings to tell a story about things that give them meaning. Feelings, meaning, and experience are consistently cultivated as a “theme” that births our personal “myth”.

We are all archetypal beings and are always creating ourselves through metaphors we use as the means of experiencing ourselves as a specific type of person living a specific type of story. Our creative abilities come through our thoughts which are consistently being developed, defined, and evolved on the inner planes of our mind, and serve to form a symbolic idea as a vibratory frequency for connecting with the same idea on the outer plane. As we call forth the corresponding outer reality of our thoughts, we experience ourselves through that reality. We mistakenly believe our soul is our body and is disconnected from our reality, when the truth may be our soul is our “mind”, and is always in the process of creating itself through its own thoughts imagined as a reality. This reality vibrates at the frequency of our soul’s signature, and is used to project our outer reality as a means of experiencing ourselves through our own creation. Whatever we consistently cultivate on the inner planes of our imagination is magnetized with sensation and emotion and acts as the “archetypal seed” for stimulating and bringing forth in our awareness a corresponding outer reality of the same nature. As we call forth our own experiences, we shape our identity out of those experiences. This is what it means to be a creative archetypal being, bestowed with the ability to create ourselves by how we use our own mind and will to experience ourselves through generating our own “light-matrix” as an outer perception of our inner thoughts.

Dr. Linda Gadbois

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